The Terror (1928 film)
|Directed by||Roy Del Ruth|
|Written by||Harvey Gates|
|Based on||The Terror|
by Edgar Wallace
|Produced by||Darryl F. Zanuck|
Edward Everett Horton
Alec B. Francis
|Edited by||Thomas Pratt|
|Music by||Louis Silvers|
|Distributed by||Warner Bros. Pictures|
|80 minutes (Sound version)|
85 minutes (Silent version) (7,674 feet)
|Box office||$1,464,000 (worldwide rentals)|
The Terror is a 1928 American pre-Code horror film written by Harvey Gates and directed by Roy Del Ruth, based on the 1927 play of the same name by Edgar Wallace. It was the second "all-talking" motion picture released by Warner Bros., following Lights of New York. It was also the first all-talking horror film, made using the Vitaphone sound-on-disc system.
"The Terror", a killer whose identity is unknown, occupies an English country house that has been converted into an inn. Guests, including the spiritualist Mrs. Elvery and detective Ferdinand Fane, are frightened by strange noises and mysterious organ music. Connors and Marks, two men just released from gaol, have sworn revenge upon "The Terror". Following a night of mayhem that includes murder, the identity of "The Terror" is revealed.
- May McAvoy as Olga Redmayne
- Louise Fazenda as Mrs. Elvery, a spiritualist
- Edward Everett Horton as Ferdinand Fane, a Scotland Yard detective
- Alec B. Francis as Dr. Redmayne
- Matthew Betz as Joe Connors, a just-released criminal
- Otto Hoffman as Soapy Marks, a just-released criminal
- Holmes E. Herbert as Goodman
- Joseph Gerard as Supt. Hallick
- John Miljan as Alfred Katman
- Frank Austin as Cotton
- The credits are spoken by a caped and masked Conrad Nagel.
The Terror received mixed reviews upon initial release. In August 1928, Time said the film is "better than The Lion and the Mouse, [an] all-talk picture of which May McAvoy, Alec Francis, two of the terrorized, are veterans." Three months later, John MacCormac, reporting from London for The New York Times upon the film's UK premiere, wrote:
The universal opinion of London critics is that The Terror is so bad that it is almost suicidal. They claim that it is monotonous, slow, dragging, fatiguing and boring, and I am not sure that I do not in large measure agree with them. What is more important, Edgar Wallace, who wrote the film, seems to agree with them also. "Well," was his comment, "I have never thought the talkies would be a serious rival to the stage."
According to Warner Bros records the film earned $1,221,000 domestically and $243,000 foreign.
Two versions of the film were prepared, as most theaters in 1928 had yet to convert to sound. The "all-talking" sound version, featuring a Vitaphone sound-on-disc soundtrack, was released on September 6, 1928, and a silent version, which used screen-filling printed "titles" (as they were then commonly called) to supply the essential dialog, was released on October 20, 1928. Both versions have been considered lost films since the 1970s, though a complete set of the soundtrack discs still exists and is preserved at the UCLA Film and Television Archive.
The Terror was partially remade by First National as Return of the Terror (1934).
Four years later, in 1938, a new remake was directed by Richard Bird with a screenplay by William Freshman . It starred Wilfrid Lawson, Bernard Lee, Arthur Wontner, Linden Travers, Henry Oscar, and Iris Hoey.
The film was again remade in Germany in 1965 as Der unheimliche Mönch (The Sinister Monk).
- Films based on Edgar Wallace works
- List of incomplete or partially lost films
- List of early sound feature films (1926–1929)
- List of early Warner Bros. sound and talking features
- ^ a b c d e f g h i j k American Film Institute (1997). Kenneth White Munden (ed.). American Film Institute Catalog, Feature Films 1921–1930. University of California Press. p. 792. ISBN 0-520-20969-9. Retrieved January 22, 2011.
- ^ a b c Soister, John T. (2012). American Silent Horror, Science Fiction and Fantasy Feature Films, 1913-1929. McFarland. p. 760. ISBN 978-0-786-48790-5.
- ^ a b Glancy, H Mark (1995). "Warner Bros Film Grosses, 1921–51: the William Schaefer ledger". Historical Journal of Film Radio and Television. 15: 55–73. doi:10.1080/01439689500260031.
- ^ "George Groves Photo-Album #3: The War, Warners & My Fair Lady (1942-76)".
- ^ Dirks, Tim "Horror Films" Filmsite.org Retrieved October 28, 2010
- ^ "NitrateVille.com • Search". www.nitrateville.com.
- ^ "The Terror :: J. Willis Sayre Collection of Theatrical Photographs". digitalcollections.lib.washington.edu.
- ^ "Cinema: The New Pictures". Time. August 27, 1928. Archived from the original on November 21, 2010. Retrieved January 22, 2011.
- ^ MacCormac, John (November 18, 1928). "The Terror (1928)". The New York Times. Retrieved January 22, 2011.
- ^ The Terror in UCLA Archive
- ^ The Library of Congress/FIAF American Silent Feature Film Survival Catalog: The Terror
- ^ Progressive Silent Film List: The Terror at silentera.com
- ^ Reid, John Howard (2007). Science-fiction & Fantasy Cinema: Classic Films of Horror, Sci-fi & the Supernatural. p. 241. ISBN 978-1-4303-0113-4.
- ^ "RETURN OF THE TERROR | Feature Film Database | Wisconsin Center for Film and Theater Research | Wisconsin Historical Society". Archived from the original on October 7, 2015. Retrieved October 27, 2015.
- ^ Workman, Christopher; Howarth, Troy (2016). "Tome of Terror: Horror Films of the Silent Era". Midnight Marquee Press. p. 333. ISBN 978-1936168-68-2.
- The Terror at the American Film Institute Catalog
- The Terror at IMDb
- The Terror at the TCM Movie Database
- Archive for Edward Everett Horton
- The Terror at Virtual History
- 1928 films
- 1928 horror films
- American black-and-white films
- American films based on plays
- Films based on works by Edgar Wallace
- Films directed by Roy Del Ruth
- Films set in 1928
- Films set in England
- Lost horror films
- American serial killer films
- Transitional sound films
- Warner Bros. films
- Fictional mass murderers
- Lost American films
- 1928 lost films
- 1920s English-language films
- 1920s American films