The Terror (1928 film)
Theatrical release poster
|Directed by||Roy Del Ruth|
|Produced by||Darryl F. Zanuck|
|Written by||Harvey Gates
|Based on||The Terror
by Edgar Wallace
Edward Everett Horton
Alec B. Francis
|Edited by||Thomas Pratt
|Distributed by||Warner Bros. Pictures|
|80 minutes (Sound version)
85 minutes (Silent version) (7,674 feet)
|Language||English (Sound version)|
The Terror is a 1928 early American slasher film written by Harvey Gates and directed by Roy Del Ruth, based on the play of the same name by Edgar Wallace. This was the second "all-talking" motion picture released by Warner Bros. (The first was Lights of New York) This film was also the first all-talking horror film made, using the Vitaphone sound-on-disc system.
"The Terror", a killer whose identity is unknown, occupies an English country house that has been converted into an inn. Guests, including the spiritualist Mrs. Elvery and detective Ferdinand Fane, are frightened by strange noises and mysterious organ music. Connors and Marks, two men just released from jail, have sworn revenge upon "The Terror". Following a night of mayhem that includes murder, the identity of "The Terror" is revealed.
- May McAvoy as Olga Redmayne
- Louise Fazenda as Mrs. Elvery, a spiritualist
- Edward Everett Horton as Ferdinand Fane, a Scotland Yard detective
- Alec B. Francis as Dr. Redmayne
- Matthew Betz as Joe Connors, a just-released criminal
- Otto Hoffman as Soapy Marks, a just-released criminal
- Holmes E. Herbert as Goodman
- Joseph Gerard as Supt. Hallick
- John Miljan as Alfred Katman
- Frank Austin as Cotton
- The credits are spoken by a caped and masked Conrad Nagel.
In August 1928, Time said the film is "better than The Lion and the Mouse, [an] all-talk picture of which May McAvoy, Alec Francis, two of the terrorized, are veterans." Three months later, John MacCormac, reporting from London for The New York Times upon the film's UK premiere, wrote:
The universal opinion of London critics is that The Terror is so bad that it is almost suicidal. They claim that it is monotonous, slow, dragging, fatiguing and boring, and I am not sure that I do not in large measure agree with them. What is more important, Edgar Wallace, who wrote the film, seems to agree with them also. "Well," was his comment, "I have never thought the talkies would be a serious rival to the stage."
Two versions of the film were prepared, as most theaters had yet to convert to sound. The "all-talking" sound version, featuring a Vitaphone sound-on-disc soundtrack, was released on September 6, 1928, and a silent version, which used screen-filling printed "titles" (as they were then commonly called) to supply the essential dialog, was released on October 20, 1928. Both versions have been considered lost films since the 1970s, though a complete set of the soundtrack discs still exists and is preserved at the UCLA Film and Television Archive.
- Films based on Edgar Wallace works
- List of incomplete or partially lost films
- List of early Warner Bros. sound and talking features
- American Film Institute (1997). Kenneth White Munden, ed. American Film Institute Catalog, Feature Films 1921–1930. University of California Press. p. 792. ISBN 0-520-20969-9. Retrieved January 22, 2011.
- Soister, John T. (2012). American Silent Horror, Science Fiction and Fantasy Feature Films, 1913-1929. McFarland. p. 760. ISBN 0-786-48790-9.
- GEORGE GROVES PHOTO-ALBUM #3: The War, Warners & My Fair Lady (1942-76)
- Dirks, Tim "Horror Films" Filmsite.org Retrieved October 28, 2010
- THE TERROR
- The Terror with McAvoy and Everett Horton
- "Cinema: The New Pictures". Time. August 27, 1928. Retrieved January 22, 2011.
- MacCormac, John (November 18, 1928). "The Terror (1928)". The New York Times. Retrieved January 22, 2011.
- The Terror in UCLA Archive
- The Library of Congress/FIAF American Silent Feature Film Survival Catalog:The Terror
- The Terror at silentera.com database
- Reid, John Howard (2007). Science-fiction & Fantasy Cinema: Classic Films of Horror, Sci-fi & the Supernatural. p. 241. ISBN 978-1-4303-0113-4.
- Return of The Terror (1934)