The Thomas Crown Affair (1999 film)
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|The Thomas Crown Affair|
Original theatrical poster
|Directed by||John McTiernan|
|Produced by||Michael Tadross
Beau St. Clair
|Screenplay by||Leslie Dixon
|Story by||Alan Trustman|
|Music by||Bill Conti|
|Edited by||John Wright|
|Distributed by||United Artists
The Thomas Crown Affair is a 1999 American heist film directed by John McTiernan. The film, starring Pierce Brosnan, Rene Russo and Denis Leary, is a remake of the 1968 film of the same name. The film generally received positive reviews. It was a success at the box office, grossing $124 million worldwide.
At the Metropolitan Museum of Art, an attempted robbery of precious paintings fails when museum employees discover imposters posing as staff. In all the confusion of locking down the museum and capturing the robbers, Thomas Crown (Pierce Brosnan) slips into an adjacent room and steals the painting of San Giorgio Maggiore at Dusk by Monet. The insurers of the $100 million artwork send investigator Catherine Banning (Rene Russo) to assist NYPD Detective Michael McCann (Denis Leary) in solving the crime.
In reviewing video of the rooms involved in both robberies, one of which was strangely "blank", Banning follows clues to discover how both robberies are connected. She quickly comes to suspect that the wealthy financier Thomas Crown is behind the theft. Banning is intrigued at his motivations and begins a game of cat-and-mouse to recover the painting. Despite the fact that both of them intuitively know what the other is up to, the two of them continue to meet in high class locations and intimate surroundings while Banning continues to search for the painting. The constant contact, matching of wits (and the romantic pursuit of Crown), cause Banning to fall in love with him. But her commitment to her job and her doubts about Crown's true intentions make her hesitate.
To prove his love to her, Crown promises to return the stolen artwork to the museum. In her doubt, Banning betrays Crown's plan to Detective McCann who fills the museum with dozens of police officers in an attempt to catch him in the act. After a grand game of misdirection, the painting is returned and another one is stolen; one which Banning had previously expressed a desire to possess.
Since the second stolen painting is insured by another company and her job is now finished, Banning's knowledge of Crown's plan allows her to meet him at a prearranged spot. But the person she meets instead convinces her that her betrayal has cost her more than she can bear. Crown's witty nature ultimately allows for both him and Banning to run away and live happily ever after.
- Pierce Brosnan as Thomas Crown, a billionaire and the main protagonist of the film.
- Rene Russo as Catherine Banning, an insurance investigator, Thomas' lover and the secondary protagonist of the film.
- Denis Leary as Detective Michael McCann, a police detective.
- Fritz Weaver as John Reynolds
- Frankie Faison as Detective Paretti, a police detective.
- Ben Gazzara as Andrew Wallace
- Mark Margolis as Heinrich Knutzhorn
- Esther Cañadas as Anna Tyrol Knutzhorn
- Faye Dunaway as Psychiatrist
- Michael Lombard as Bobby McKinley
- Simon Jones as Accountant on phone (uncredited)
- Cynthia Darlow as Daria
Differences from the 1968 film
The film makes several major changes from the original, most notably the amount of nudity and intimacy displayed during the romance between the two main characters. The original was rated PG, the remake, rated R.
The original story is about a millionaire masterminding a bank heist in Boston, the remake, portrays a billionaire art thief in New York City. There was no painting stolen in the first film, with Crown and his men instead stealing $2.6 million in cash from a bank. The change in the remake was based on the idea that the more tumultuous society of the time would be less inclined to sympathize with a man who committed armed robbery out of boredom.
Steve McQueen's version of Thomas Crown has no physical involvement in the actual robbery; he is a behind-the-scenes mastermind. Pierce Brosnan's version steals the painting himself.
In the original, Crown pilots the glider himself, alone; in the remake he takes Banning for a ride.
The two movies end differently. In the original, the insurance investigator betrays Crown but he escapes, saddened that she did not join him. In the remake, after the betrayal and the realization that her jealousy of Anna Knutzhorn was unfounded, she unsuccessfully attempts to join him. Her sadness is short-lived as he surprises her by being on her plane headed to Europe.
At first, director John McTiernan was unavailable for the project. Pierce Brosnan and his fellow producers considered several directors before returning to their original choice. McTiernan then received the script and added his own ideas to the production.
After McTiernan signed on to the project, he changed the theme of the central heist and a number of key scenes. McTiernan felt that contemporary audiences would be less forgiving of Thomas Crown if he staged two armed bank robberies for fun like McQueen did in the original, rather than if he staged an unarmed art heist. He wrote the heist based on the Trojan horse theme and on a technical failure of thermal cameras. McTiernan also deemed a polo match that was used in the original and had been rewritten into the new script to be cliché, and he wanted a scene that conveyed more action and excitement, not just wealth. He substituted a catamaran race, in which Brosnan performed his own stunts.
References to 1968 film
There are a number of echo references to the original 1968 version of the film. The most obvious is the casting of Faye Dunaway as Crown's psychiatrist; Dunaway portrayed insurance investigator Vicki Anderson in the original. In the remake, "The Windmills of Your Mind" plays during the ballroom scene, as background music in a couple other scenes, and during the credits at the end; the song earned an Oscar for the original film. Both films share a nearly identical scene with Crown playing high-stakes golf, and in both films Crown pilots a glider for recreation.
Filming took place throughout New York City, including Central Park. The corporate headquarters of Lucent Technologies stood in for Crown's suite of offices. Due to its being nearly impossible to film interior scenes in the Metropolitan Museum of Art (the producers' request was "respectfully declined"), the production crew made their own museum on a soundstage. Artisans were hired to create a realistic look to the set. Another scene was filmed in a different city landmark: the main research library of the New York Public Library.
The glider scenes were shot at Ridge Soaring Gliderport and Eagle Field in Pennsylvania and at Corning-Painted Post Airport in New York. The two glider aero-tow shots were taken from film shot at different airports with different tow planes. The initial takeoff was photographed at the Harris Hill Soaring Center located at the National Soaring Museum in Elmira, NY. The glider pilot was Thomas L. Knauff, a world record holder, and a member of the US Soaring Hall of Fame. The glider used is a Schempp-Hirth Duo Discus, in which it is physically impossible to reach the front controls from the rear seat. Thus, the close-shot sections were shot in a modified cockpit under a blue screen in the studio.
A number of McTiernan's vehicles then appear in the next sequence, as well as his farm. The tractor in the background after the glider lands belongs to McTiernan, while the dark green Shelby Mustang that Crown drives on Martinique was originally intended to be used for Arnold Schwarzenegger's character in 1993's Last Action Hero, and was retrieved from the director's garage for this film. The six-wheeled Jeep was built specifically for the film. The house used as Crown's Caribbean getaway is owned by one of the 30 original families who settled in Martinique in the 17th century. The scenes around it, like the beach, are a montage of various other parts of Martinique, including St Pierre and the Lamentin airport.
The paintings, copies of which were supplied by "Troubetzkoy Paintings" in New York, appearing in the film are:
- San Giorgio Maggiore at Dusk by Claude Monet, owned by the National Museum and Art Gallery in Cardiff, Wales.
- Wheatstacks by Claude Monet, owned by the Getty Museum in Los Angeles.
- Noon: Rest From Work (After Millet) by Vincent van Gogh - The painting Crown admires and calls "his haystacks," the original is owned by Musée d'Orsay in Paris, France.
- The Artist's Garden at Eragny by Camille Pissarro.
- The Son of Man by René Magritte - The painting that is seen several times in the film depicting a man in a suit with a Bowler hat and an apple covering his face.
- Banks of the Seine at Argenteuil by Édouard Manet - The second painting to go missing, given to, and later returned by, Catherine. It is currently housed at the Courtauld Institute of Art Gallery in London.
- A painting in the style of Cassius Coolidge's series, Dogs Playing Poker is shown but it is not one of Coolidge's works.
|The Thomas Crown Affair|
|Soundtrack album by Bill Conti, Sting and Nina Simone|
|Released||September 7, 1999 (original)
March 8, 2002 (re-release)
|Label||Ark 21 (original)
The soundtrack was composed by Bill Conti and arranged by Jack Eskew. It features a variety of jazz arrangements which harken back to the original film's version. In addition, the film ends with a reprise of the Academy Award-winning song "Windmills of Your Mind" sung by Sting. Throughout the film, segments are used of a song by Nina Simone called "Sinnerman" (from the album Pastel Blues, 1965). Mostly the non-vocal parts are used (hand-clapping and piano riffs), but in the final scenes, where Crown returns to the scene of the crime, Simone sings "Oh sinnerman, where are you gonna run to?"
- "Windmills of Your Mind" – Sting
- "Sinnerman" – Nina Simone
- "Everything (...Is Never Quite Enough)" – Wasis Diop
- "Caban La Ka Kratchie" – Georges Fordant
- "Black & White X 5" – Bill Conti
- "Never Change" – Bill Conti
- "Meet Ms. Banning" – Bill Conti
- "Goodnight/Breaking & Entering" – Bill Conti
- "Glider Pt. 1" – Bill Conti
- "Glider Pt. 2" – Bill Conti
- "Cocktails" – Bill Conti
- "Quick Exit" – Bill Conti
The film made $69,305,181 at the U.S. box office and a further $55,000,000 in other territories, totaling $124,305,181 worldwide.
The film is recognized by American Film Institute in these lists:
A sequel has long been in development hell. In January 2007, it was reported that the sequel would be a loose remake of the 1964 film Topkapi. Brosnan said in January 2009 that Paul Verhoeven was attached to direct the film. In 2010, Verhoeven said he had left the project due to script changes and a change in the regime.
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