The Tomb of Ligeia

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The Tomb of Ligeia
Directed byRoger Corman
Produced bySamuel Z. Arkoff
Pat Green
Written byShort story:
Edgar Allan Poe
Robert Towne
Paul Mayersberg
StarringVincent Price
Elizabeth Shepherd
John Westbrook
Music byKenneth V. Jones
CinematographyArthur Grant
Edited byAlfred Cox
Distributed byAnglo-Amalgamated Film Distributors (UK)
American International Pictures (USA)
Release date
United StatesJanuary 20, 1965
Running time
81 min.
CountryUnited Kingdom UK
United States USA

The Tomb of Ligeia (1965) is an American International Pictures horror film starring Vincent Price and Elizabeth Shepherd in a story about a man haunted by the spirit of his dead wife and her effect on his second marriage. The screenplay by Robert Towne was based upon the tale "Ligeia" by American author Edgar Allan Poe.

The film was directed by Roger Corman, and was the last in his series of eight film adaptations largely based on the works of Poe. Tomb of Ligeia was filmed in England (at Castle Acre Priory and other locations) with a mostly English cast, and is marked among the Corman-Poe cycle for its atypical outdoor scenes and opulent settings.



Verden Fell (Vincent Price) is both mournful and threatened by his first wife's death. He senses her reluctance to die and her near-blasphemous statements about God. Alone and troubled by a vision problem that requires him to wear strange dark glasses, Fell shuns the world. Against his better judgement, he marries a headstrong young woman (Elizabeth Shepherd) he meets by accident and who is apparently bethrothed to an old friend Christopher Gough (John Westbrook). The spirit of Fell's first wife Ligeia seems to haunt the old mansion/abbey where they live and a series of nocturnal visions and the sinister presence of a cat (who may be inhabited by the spirit of Ligeia) cause him distress. Ultimately he must face the spirit of Ligeia and resist her or perish.


Howard Thompson in the New York Times of May 6, 1965 wrote, "Mr. Corman at least cares about putting Mr. Poe—or at least some of the master's original ideas—on the screen. If they are frankly made to be screamed at, they are not to be sneezed at. Mr. Price still hams it up, front and center, but these low-budget shockers generally evoke a compelling sense of heady atmosphere and coiled doom in their excellent Gothic settings, arresting color schemes and camera mobility... Mr. Corman has made stunning, ambient use of his authentic setting, an ancient abbey in Norfolk, England, and the lovely countryside. The picture is not nearly as finished as Masque of the Red Death...But the Corman climate of evil is as unhealthy and contagious as ever."[1]

See also


  1. ^ New York Times Review. Retrieved 26 September 2008.

External links