The Vanishing (1993 film)

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The Vanishing
Thevanishing1993poster.jpg
Theatrical release poster
Directed byGeorge Sluizer
Produced byLarry Brezner
Pieter Jan Brugge
Screenplay byTodd Graff
Based onHet Gouden Ei
by Tim Krabbé
Starring
Music byJerry Goldsmith
CinematographyPeter Suschitzky
Edited byBruce Green
Distributed by20th Century Fox
Release date
  • February 5, 1993 (1993-02-05)
Running time
109 minutes
CountryUnited States
LanguageEnglish
Budget$23 million
Box office$14,543,394[1]

The Vanishing is a 1993 American psychological thriller film directed by George Sluizer and starring Jeff Bridges, Kiefer Sutherland, Nancy Travis, and Sandra Bullock. It is a remake of Sluizer's 1988 French-Dutch film of the same name.

Plot[edit]

The film begins with chemistry professor Barney Cousins (Jeff Bridges) at his cabin, seemingly perfecting methods in which to conduct a successful kidnapping. He is so dedicated to his craft that his wife Helene (Lisa Eichhorn) and his daughter Denise (Maggie Linderman) suspect he is having an affair. Jeff Harriman (Kiefer Sutherland) goes on vacation with his girlfriend Diane Shaver (Sandra Bullock), who vanishes without a trace at a gas station. Three years later, Jeff has become obsessed with finding out what happened, posting fliers and following leads relentlessly. Exhausted, he stops at a diner and meets a waitress named Rita (Nancy Travis) who sympathizes with his plight and looks after him. A year later, the two are a couple and have settled in an apartment in Seattle. Jeff, who is attempting to write a novel, meets with a publisher who suggest that he write a book about the disappearance. Knowing this will upset Rita, he hides his project, buys a used military uniform at a surplus store and uses army reserve drills as a cover to continue his search. One weekend, Rita is at home and curious about his project. She goes to the computer and cracks a code using several letters of Diane's name, accessing Jeff's rough draft of a children's book. After reading it, she discovers it's actually about Diane's disappearance. Rita tracks Jeff to his motel room and angrily confronts him. Jeff finally tells the truth about how Diane disappeared and commits to only Rita. Following her ultimatum, Jeff abandons the search and burns the missing posters of Diane.

Some months later, Barney is on campus and discovers Diane's missing posters covered with other fliers. He surmises that Jeff has given up his quest for the truth. He decides to bait Jeff by sending him a letter to meet him at a country club to learn the truth about Diane, which Jeff does. While Barney secretly watches, Rita confronts Jeff again and tells him they are done. Rita records an answering machine at their home, indicating that she has broken up with Jeff. When Jeff returns, he changes the message without Rita knowing. Barney arrives at Jeff's door and admits that he was responsible for Diane's disappearance. Jeff attacks him and demands answers. Barney promises to show Jeff what happened to Diane, but only if he agrees to go through exactly the same thing she did. Barney explains about his past: he broke his arm after jumping off a roof when he was a child, and when he became a husband and father years later, he saved a little girl from drowning. He states that this experience lead him to an epiphany: With capability of great good also, could there come capability of great evil? The kidnapping of Diane was an attempt to answer that hypothesis.

In a short series of flash-backs, the build-up to the crime is shown: when Diane was purchasing drinks for herself and Jeff, Barney, who faked his arm injury, invited her to check out his work from France in his car and kidnapped her, calming her with chloroform. Then Jeff is taken to the gas station where his lover went missing, and is told that if he drinks a cup of coffee which has been drugged, he will discover her fate by experiencing it. He does, and wakes up to find he has been buried alive in a coffin.

Rita calls home and listens to the changed message on the answering machine, which records Barney's voice. Realizing that Jeff is in danger, she talks with the next door neighbor who witnessed the attack. She learns of Barney's identity and goes to his home and meets Denise. Not knowing the circumstances and on her way to meet a boy, Denise rides with Rita and gives her directions to his father's cabin. When Rita arrives, a violent fight ensues with Barney eventually gaining the upper hand. Barney offers Rita the same deal that he offers Jeff but Rita outsmarts him. She lies to Barney and tells him that she has kidnapped Denise. She gets Barney to drink drugged coffee but does not realize the drug takes 15 minutes to take effect. She goes in search of Jeff and finds a fresh mound of dirt. Believing that he has been buried alive, she digs him out but is thwarted at the last minute by Barney. Jeff climbs out of the grave, kills Barney with the shovel, and embraces Rita. He sees another grave and finally accepts Diane's death. Jeff and Rita reunite selling the story as a novel to a publishing company.

Cast[edit]

Production[edit]

Principal photography began on April 6, 1992. Filming took place in and around Washington State, including Seattle, Washington where most of the film takes place. Locations in town includes the Seattle Yacht Club, the Pioneer Square Station, the Sur La Table at the Pike Place Market & the Aloha Street Apartments. The cabin by the lake at the beginning and for the final climax sequences at the end were filmed at Camp Omache near Monroe, Washington. The setting for the gas station where Diane goes missing, where Jeff waits by the car and where Jeff and Barney talk about Diane's fate was filmed at the Mountainside Shell Station at North Bend, Washington. The scene where Barney takes his family to the falls was filmed at Snoqualmie Falls at Snoqualmie, Washington. The second unit then went to Mount St. Helens to film the areas where Jeff and Diane go on their road trip. When filming was completed in Washington, the crew traveled to Cody, Wyoming to film the sequence of Jeff's car breaking down in the tunnel. They filmed it at the Cody Tunnel. Finally, they went to Los Angeles, California to film the scene where Rita is at the pool hall and where Jeff first meets Rita at the restaurant. Filming wrapped on June 21, 1992.

Release[edit]

The Vanishing was released in theatres on February 5, 1993 in 1,656 theatres. For its opening weekend, it landed at #4 at the box office grossing $5.0 million. It gross $6.2 million in its first week. For the second weekend, it dropped to #7 grossing $3.5 million. Finally in its third weekend, it dropped out of the top ten charts to #14 grossing $1.4 million. After three weeks in theatres, the film eventually made $12.3 million, giving a total of $14.5 million. It was considered to be a box office bomb & it failed to bring back its $23 million budget.

Reception[edit]

This remake was poorly received and almost universally seen as inferior to the original, with particular criticism for its new happy ending.[2] Variety called it "schematic and unconvincing",[3] while Time Out's Nigel Floyd called it "a misjudged, lobotomized Hollywood remake."[4] Mark Kermode would later summarize that "the original was about the banality of evil, but the remake became about the evil of banality. It was a mess."[5] Salon named the film as the worst remake of all time.[6] The film currently holds a 47% rating on Rotten Tomatoes based on 36 reviews, with an average rating of 4.9/10.[2] On Metacritic, the film has a weighted average score of 49 out of 100 based on 17 critics, indicating "mixed or average reviews".[7] Audiences polled by CinemaScore gave the film an average grade of "B-" on an A+ to F scale.[8]

See also[edit]

References[edit]

  1. ^ "The Vanishing (1993)". Box Office Mojo. 1993-03-09. Retrieved 2011-07-23.
  2. ^ a b "The Vanishing (1993)". Rotten Tomatoes. Fandangp. Retrieved 2019-01-09.
  3. ^ "The Vanishing" (review) Variety January 1, 1992
  4. ^ "The Vanishing Review. Movie Reviews - Film - Time Out London". Timeout.com. Archived from the original on 2011-06-06. Retrieved 2011-07-23.
  5. ^ Mark Kermode. "Mark Kermode's film blog: Let Me In, or Let the Right One In?". BBC. Retrieved 2011-07-23.
  6. ^ Seitz, Matt Zoller. "The Worst Remakes Of All Time - Friday Night Seitz". Salon.com. Retrieved 29 July 2011.
  7. ^ "The Vanishing (1993) Reviews". Metacritic. CBS Interactive. Retrieved 2019-01-09.
  8. ^ "CinemaScore". cinemascore.com.

External links[edit]