The Velvet Vampire

From Wikipedia, the free encyclopedia
Jump to: navigation, search
The Velvet Vampire
Film poster
Directed by Stephanie Rothman
Produced by Charles S. Swartz
Written by Stephanie Rothman
Charles S. Swartz
Maurice Jules
Starring Celeste Yarnall
Music by Clancy B Glass III
Roger Dollarhide
Cinematography Daniel Lacambre
Edited by Stephen Judson
Barry Simon
Distributed by New World Pictures
Release date
  • June 1971 (1971-06)
Running time
80 mins
Country United States
Language English
Budget $165,000[1]

The Velvet Vampire, also known as Cemetery Girls, is an American vampire movie from 1971, directed by Stephanie Rothman, starring Celeste Yarnall, Michael Blodgett and Sherry Miles. It has become a cult film.[2]


Sleepy-eyed nice guy Lee Ritter (Michael Blodgett) and his vapid, but pretty wife, Susan (Sherry Miles) accept the invitation of mysterious vixen Diane LeFanu (Celeste Yarnall) to visit her in her secluded desert estate. Tensions arise when the couple, unaware at first that Diane is in reality a centuries-old vampire, realize that they are both objects of the pale temptress' seductions.



The film was Stephanie Rothman's follow up to her 1970 hit The Student Nurses. She and her husband Charles Swartz had written a script, The Student Teachers but producer Larry Woolner wanted to make a vampire film after the success of Daughters of Darkness (1970). Rothman and Swartz came up with a present-day vampire story originally entitled Through the Looking Glass.[3][4] Rothman said she was interested in making a vampire female where a female was the protagonist rather than the victim.[1][5] The character name "Diane Le Fanu" was a reference to author Sheridan Le Fanu, writer of Carmilla.[3]

The script was written over three months. Rothman deliberately put a lot of comedy into it in order to make it different.[6]

Blues artist Johnny Shines appeared in the movie and performed his self-penned song "Evil Hearted Woman."[7]

The movie was shot in February 1971.


Roger Corman later claimed he was disappointed with the final product and released it on a double bill with an Italian horror movie, Scream of the Demon Lover.[3]

Stephanie Rothman admitted the film's commercial reception was disappointing. She thought the problem may have been the movie:

Fell between two stools. It's not a traditional horror film nor a hard-core exploitation movie. In some places it was booked into art theatres. In others it had one week saturation release in drive ins and hard top theatres. There was no consistent distribution pattern for it because people responded differently to it and I think that may be part of the problem. Also it was an independent producer. There were a lot of other competing vampire movies at the time with star names... But the film has not been forgotten. It keeps popping up at festivals and retrospectives which is interesting because it did not draw attention to itself upon how well it did at the box office.[6]

See also[edit]


  1. ^ a b Sher, Ben. (2008). Q & A with Stephanie Rothman. UC Los Angeles: UCLA Center for the Study of Women
  2. ^ Erens, Patricia (1 March 2009). "Film Industry in the United States". Jewish Women: A Comprehensive Historical Encyclopedia. Jewish Women's Archive. Retrieved 31 July 2014. 
  3. ^ a b c Christopher T Koetting, Mind Warp!: The Fantastic True Story of Roger Corman's New World Pictures, Hemlock Books. 2009 p 28
  4. ^ Betty Martin, 'MOVIE CALL SHEET: RITA MURRAY SIGNED FOR LEAD IN 'RUNAWAY!' ', Los Angeles Times (1923-Current File) [Los Angeles, Calif] 11 Feb 1971: e17.
  5. ^ 'Exploiting Feminism: An Interview with Stephanie Rothman (Part One)' Confessions of an Aca Fan: The Official Weblog of Henry Jenkins, Oct 16,2007
  6. ^ a b Tony Williams, 'Feminism, Fantasy and Violence: An Interview with Stephanie Rothman', Journal of Popular Film & Television 9. 2 (Summer 1981): 84. See also Readers' Forum A Letter of Correction from Stephanie Rothman Journal of Popular Film & Television10.3 (Fall 1982): 137.
  7. ^ Ben Windham, 'Bluesman Shines still hits the chord', The Tuscaloosa News, July 7, 1985

External links[edit]