The Walther Collection

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The Walther Collection
The Walther Collection, Interior Neu-Ulm, Germany.jpg
Established June 2010
Location Reichenauerstrasse 21
Neu-Ulm/Burlafingen, Germany

The Walther Collection is a private non-profit organization dedicated to researching, collecting, exhibiting, and publishing modern and contemporary photography and video art. The Collection has two exhibition spaces: the Walther Collection in Neu-Ulm/Burlafingen, in Germany, and the Walther Collection Project Space in 'New York City.

Background and architecture[edit]

Established by German-American art collector Artur Walther, the Walther Collection opened in June 2010 in Neu-Ulm/Burlafingen, Germany.[1] The Walther Collection Project Space opened in New York City in April 2011.[2] The Walther Collection incorporates works across regions, periods, and artistic sensibilities, giving particular focus to artists and photographers working in Asia and Africa.

The Walther Collection's main exhibition venue is a four-building museum compound in Neu Ulm/Burlafingen, Germany. The principal buildings – the White Box, Green House, and Black House – provide gallery space for the annual exhibition program. A fourth building on the campus accommodates administrative offices and a library. Designed by the Ulm-based architectural firm Braunger Wörtz,[3] the White Box is a light-filled, three story minimalist structure that houses the Walther Collection's main galleries, and hosts thematic exhibitions and commissioned projects. The Green House, a former residential home, is used for small-format works. The Black House, a bungalow-style structure, is used for the presentation of serial, performance, and conceptual-style photography.[4]


The Walther Collection's inaugural exhibition, Events of the Self: Portraiture and Social Identity, opened in June 2010. Under the curatorial direction of Okwui Enwezor, the exhibition integrated the work of three generations of African artists and photographers with selections of modern and contemporary German photography. Events of the Self featured works by Sammy Baloji, Yto Barrada, Bernd and Hilla Becher, Candice Breitz, Allan deSouza, Rotimi Fani-Kayode, Samuel Fosso, David Goldblatt, Romuald Hazoumé, Pieter Hugo, Seydou Keïta, Santu Mofokeng, Zwelethu Mthethwa, Zanele Muholi, Ingrid Mwangi, Jo Ratcliffe, August Sander, Berni Searle, Malick Sidibé, Mikhael Subotzky, and Guy Tillim. Chris Dercon, director of Tate Modern, chose Events of the Self as one of the 10 best exhibitions of 2010 for Artforum Magazine.[5] Highlights from Events of the Self were featured in Paris Photo 2011.[6]

The second annual exhibition of the Walther Collection, Appropriated Landscapes, opened on June 16, 2011.[7] Curated by Corinne Diserens, Appropriated Landscapes brought together photography and video exploring the effects of war, migration, energy, architecture, and memory on the landscapes of Southern Africa, featuring works by Mitch Epstein, David Goldblatt, Zanele Muholi, Jo Ratcliffe, Penny Siopis, Patrick Waterhouse, Mikhael Subotzky and Guy Tillim.[8]

The third exhibition of the Walther Collection's multi-year investigation of African photography, Distance and Desire: Encounters with the African Archive, opened on June 8, 2013. Distance and Desire, curated by Tamar Garb, was the first major exhibition to address the dialogue between ethnographic visions of late-nineteenth and early-twentieth century African photography and engagements with the archive by contemporary African artists.[9] The exhibition included portraits, figure studies, cartes de visite, postcards, books, and album pages from southern and eastern Africa, featuring images made from the 1860s–1940s by A. M. Duggan-Cronin and numerous unidentified and unknown photographers. The historical works were presented together with photography, video, and archive projects by contemporary artists including Carrie Mae Weems, Santu Mofokeng, Sue Williamson, Sammy Baloji, Guy Tillim, David Goldblatt, Zwelethu Mthethwa, Zanele Muholi, and Jo Ratcliffe. Distance and Desire was the culmination of this three-part exhibition series in 2011–2012 at the Walther Collection Project Space[10] and the international symposium Encounters with the African Archive, which took place in November 2012 at New York University.[11]

In May 2015, The Walther Collection opened The Order of Things: Photography from The Walther Collection. The exhibition, organized by Brian Wallis, examined how the formal tools of classification, particularly archives, typologies, and time-based series, have opened critical challenges to the synthetic conventions of photographic realism. (A previous version was presented at Les Rencontres d'Arles in Arles, France, from July–September 2014.) The Order of Things included photographs and installations by Karl Blossfeldt, Bernd and Hilla Becher, J. D. 'Okhai Ojeikere, August Sander, Richard Avedon, Stephen Shore, Samuel Fosso, Guy Tillim, Zanele Muholi, Ai Weiwei, Zhang Huan, Song Dong, Thomas Ruff, Thomas Struth, Ed Ruscha, Dieter Appelt, Eadweard Muybridge, Kohei Yoshiyuki, and Nobuyoshi Araki.[12]

New York Project Space[edit]

Located in the West Chelsea Arts Building in New York City, the Walther Collection Project Space serves to extend the Collection's mission and program to American audiences.

The space opened to the public on April 15, 2011 with an exhibition of Jo Ratcliffe's portfolio of platinum prints from the series As Terras do Fim do Mundo (The Lands of the End of the World).[13][14]

The second exhibition at the Project Space was August Sander and Seydou Keïta: Portraiture and Social Identity,[15]

It exhibited Rotimi Fani-Kayode: Nothing to Lose, the first solo exhibition in New York of Fani-Kayode's photographs.[16]

The Walther Collection presented the three-part exhibition series Distance and Desire: Encounters with the African Archive[17] at the Project Space New York from September 2012 to May 2013.[18][19]

Gulu Real Art Studio, an exhibition of ID photographs collected in Uganda by Martina Bacigalupo, was presented from September 2013 to February 2014.[20]

Christine Meisner's Disquieting Nature, a video installation exploring the geographies in the Mississippi Delta region where blues music originates, was presented from February 28 to June 14, 2014.[21]

A mid-career survey of self-portraiture by Samuel Fosso was exhibited from September 11, 2014 to January 17, 2015. The collection presented Santu Mofokeng: A Metaphorical Biography from January 29 to June 27, 2015.[22]

Further reading[edit]

  • Diserens, Corinne, Appropriated Landscapes: Contemporary African Photography from the Walther Collection, Göttingen: Steidl, 2011. ISBN 978-3-86930-387-1
  • Enwezor, Okwui, Events of the Self: Portraiture and Social Identity: Contemporary African Photography from the Walther Collection, Göttingen: Steidl, 2010. ISBN 978-3-86930-157-0
  • Feltrin, Katia, "Les rencontres d'Artur Walther," Connaissance des Arts Photo, November 2011 – January 2012.
  • Fenkart-Njie, Claudia, and Ulrike Geist, Private Art Collections in Baden-Württemberg, Stuttgart: Fenkart-Njie, Claudia, 2011. ISBN 978-3-00-035835-7
  • Garb, Tamar, Distance and Desire: Encounters with the African Archive: African Photography from the Walther Collection, Göttingen: Steidl, 2013. ISBN 978-3869306513
  • Jobey, Liz, "Calm, Cool & Collected," The Economist: Intelligent Life, Winter 2010.
  • Pontbriand, Chantal, "Artur Walther: Beyond Form and History," Mutations: Perspectives on Photography, Göttingen: Steidl, 2011. ISBN 3-86930-356-5
  • Spears, Dorothy, "For Photos, Collector Casts a Global Net," The New York Times, October 23, 2011.


  1. ^ "Walther Collection to open international center of photography". Retrieved March 29, 2011. 
  2. ^ "Walther Collection Project Space Set to Open in Chelsea". Artforum. February 18, 2011. Retrieved March 29, 2011. 
  3. ^ "The Walther Collection". Minimalissimo. Retrieved April 25, 2011. 
  4. ^ Enwezor, Okwui (2010). Events of the Self: Portraiture and Social Identity: Contemporary African Photography from the Walther Collection. Steidl. 
  5. ^ Dercon, Chris (December 2010). "Best of 2010". Artforum. 
  6. ^ Spears, Dorothy (October 21, 2011). "For Photos, Collector Casts a Global Net". The New York Times. Retrieved November 3, 2011. 
  7. ^ Angles, Daphne (June 10, 2011). "'Appropriated Landscapes' in Ulm". The New York Times. Retrieved June 17, 2011. 
  8. ^ "Appropriated Landscapes". E-Flux. Retrieved June 17, 2011. 
  9. ^ Garb, Tamar (2013). Distance and Desire: Encounters with the African Archive. Göttingen: Steidl/The Walther Collection. ISBN 3869306513. 
  10. ^ Abraha, Leah. "What can these photographs tell us?". Another Africa. Retrieved July 12, 2013. 
  11. ^ Jawawardane, Neelika. "The end of the 'colonial gaze'?". Africa is a Country. Retrieved July 12, 2013. 
  12. ^ Hodgson, Francis (July 11, 2014). "Photography at the Rencontres d'Arles festival". Financial Times. Retrieved August 27, 2014. 
  13. ^ "First U.S. Solo Show of Jo Ratcliffe Inaugurates New Chelsea Venue for Walther Family". ArtDaily. Retrieved April 19, 2011. 
  14. ^ Pollack, Barbara. "Jo Ratcliffe: Life and Death in Angola". Artnet. Retrieved April 19, 2011. 
  15. ^ Burmeister, Don. "Portrait Masters". The New York Photo Review. Retrieved November 3, 2011. 
  16. ^ Cotter, Holland (May 10, 2012). "Rotimi Fani-Kayode: Nothing to Lose". The New York Times. Retrieved May 10, 2012. 
  17. ^
  18. ^ Cotter, Holland (January 24, 2013). "Distance and Desire: Encounters with the African Archive, Part II: Contemporary Reconfigurations". The New York Times. Retrieved January 25, 2013. 
  19. ^ Wender, Jessie (March 28, 2013). "Distance and Desire: Encounters with the African Archive". The New Yorker. Retrieved March 28, 2013. 
  20. ^ Lau, Maya. "What Remains". The New York Times Magazine. Retrieved August 22, 2013. 
  21. ^ Cotter, Holland (April 17, 2014). "Christine Meisner: 'Disquieting Nature'". The New York Times. Retrieved June 14, 2014. 
  22. ^ Sefa-Boakye, Jennifer. "South African Photographer Santu Mofokeng's "Metaphorical Biography" on Display in NYC". okayafrica. Retrieved January 15, 2015. 

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