|Born||Theodosia Burr Goodman
July 29, 1885
Cincinnati, Ohio, U.S.
|Died||April 7, 1955
Los Angeles, California, U.S.
|Cause of death||Stomach cancer|
|Resting place||Forest Lawn Memorial Park Cemetery, Glendale|
|Education||Walnut Hills High School|
|Alma mater||University of Cincinnati|
|Spouse(s)||Charles Brabin (1921–1955)|
Bara was one of the most popular actresses of the silent era, and one of cinema's earliest sex symbols. Her femme fatale roles earned her the nickname The Vamp (short for vampire). Bara made more than 40 films between 1914 and 1926, but most are now lost because the 1937 Fox vault fire destroyed most of her films. After her marriage to Charles Brabin in 1921, she made two more feature films and retired from acting in 1926 having never appeared in a sound film. She died of stomach cancer on April 7, 1955, at the age of 69.
She was born Theodosia Burr Goodman in the Avondale section of Cincinnati, Ohio. Her father was Bernard Goodman (1853–1936), a prosperous Jewish tailor born in Poland. Her mother, Pauline Louise Françoise (née de Coppett; 1861–1957), was born in Switzerland. Bernard and Pauline married in 1882. She had two siblings: Marque (1888–1954) and Esther (1897–1965), who also became a film actress as Lori Bara and married Francis W. Getty of London in 1920.
Bara attended Walnut Hills High School graduating in 1903. After attending the University of Cincinnati for two years, she worked mainly in theater productions, but did explore other projects. After moving to New York City in 1908, she made her Broadway debut in The Devil (1908).
Most of Bara's early films were shot around the East Coast, primarily at the Fox Studios in Fort Lee, New Jersey. Bara lived with her family in New York City during this time. The rise of Hollywood as the center of the American film industry forced her to relocate to Los Angeles to film the epic Cleopatra (1917), which became one of Bara's biggest hits. No known prints of Cleopatra exist today, but numerous photographs of Bara in costume as the Queen of the Nile have survived.
Between 1915 and 1919, Bara was Fox studio's biggest star but, tired of being typecast as a vamp, she allowed her five-year contract with Fox to expire. Her final Fox film was The Lure of Ambition (1919). In 1920, she turned briefly to the stage, appearing on Broadway in The Blue Flame. Bara's fame drew large crowds to the theater, but her acting was savaged by critics. Her career suffered without Fox studio's support, and she did not make another film until The Unchastened Woman (1925) for Chadwick Pictures Corporation. Bara retired after making only one more film, the short comedy Madame Mystery (1926), made for Hal Roach and directed by Stan Laurel, in which she parodied her vamp image.
At the height of her fame, Bara earned $4,000 per week. She was one of the most popular movie stars, ranking behind only Charlie Chaplin and Mary Pickford. Bara's best-known roles were as the "vamp", although she attempted to avoid typecasting by playing wholesome heroines in films such as Under Two Flags and Her Double Life. She also appeared as Juliet in a version of Shakespeare's Romeo and Juliet. Although Bara took her craft seriously, she was too successful as an exotic "wanton woman" to develop a more versatile career.
Image and name
The origin of Bara's stage name is disputed; The Guinness Book of Movie Facts and Feats says it came from director Frank Powell, who learned Theda had a relative named Barranger, and that "Theda" was a childhood nickname. In promoting the 1917 film Cleopatra, Fox Studio publicists noted that the name was an anagram of Arab death, and her press agents claimed inaccurately that she was "the daughter of an Arab sheik and a French woman, born in the Sahara." In 1917 the Goodman family legally changed its surname to Bara.
Bara is often cited as the first sex symbol of the movies. She was well known for wearing very revealing costumes in her films. Such outfits were banned from Hollywood films after the Production Code started in 1930, and then was more strongly enforced in 1934.
It was popular at that time to promote an actress as mysterious, with an exotic background. The studios promoted Bara with a massive publicity campaign, billing her as the Egyptian-born daughter of a French actress and an Italian sculptor. They claimed she had spent her early years in the Sahara Desert under the shadow of the Sphinx, then moved to France to become a stage actress. (In fact, Bara had never been to Egypt or France.) They called her the Serpent of the Nile and encouraged Bara to discuss mysticism and the occult in interviews. Some film historians point to this as the birth of two Hollywood phenomena: the studio publicity department and the press agent, which would later evolve into the public relations person.
Marriage and retirement
Bara married British-born American film director Charles Brabin in 1921. They honeymooned in Nova Scotia at The Pines Hotel in Digby, Nova Scotia, and later purchased a 400 hectares (990 acres) property down the coast from Digby at Harbourville overlooking the Bay of Fundy, eventually building a summer home they called Baranook. They had no children. Bara resided in a villa-style home, which served as the "honors villa" at Xavier University in Cincinnati, Ohio. Demolition of the home began in July, 2011
In 1936, she appeared on Lux Radio Theatre during a broadcast version of The Thin Man with William Powell and Myrna Loy. She did not appear in the play but instead announced her plans to make a movie comeback, which never materialized. She appeared on radio again in 1939 as a guest on Texaco Star Theatre. These may be the only recordings of her voice ever made.
For her contribution to the film industry, Theda Bara has a star on the Hollywood Walk of Fame.
Bara is one of the most famous completely silent stars – she never appeared in a sound film, lost or otherwise. A 1937 fire at Fox's nitrate film storage vaults in New Jersey destroyed most of that studio's silent films. Bara made more than forty films between 1914 and 1926, but complete prints of only six still exist: The Stain (1914), A Fool There Was (1915), East Lynne (1916), The Unchastened Woman (1925), and two short comedies for Hal Roach.
In addition to these, a few of her films remain in fragments including Cleopatra (just a few seconds of footage), a clip thought to be from The Soul of Buddha, and a few other unidentified clips featured in a French documentary, Theda Bara et William Fox (2001). Most of the clips can be seen in the documentary The Woman with the Hungry Eyes (2006). As to vamping, critics stated that her portrayal of calculating, coldhearted women was morally instructive to men. Bara responded by saying, "I will continue doing vampires as long as people sin."
The Fort Lee Film Commission dedicated Main Street and Linwood Avenue in Fort Lee, New Jersey, as "Theda Bara Way" in May 2006 to honor Bara, who made many of her films at the Fox Studio on Linwood and Main.
|1914||The Stain||Gang moll||Credited as Theodosia Goodman|
|1915||Siren of Hell||Lost film|
|1915||A Fool There Was||The Vamp|
|1915||The Kreutzer Sonata||Celia Friedlander||Lost film|
|1915||The Clemenceau Case||Iza||Lost film|
|1915||The Devil's Daughter||La Gioconda||Lost film|
|1915||Lady Audley's Secret||Helen Talboys||Lost film|
|1915||The Two Orphans||Henriette||Lost film|
|1915||The Galley Slave||Francesca Brabaut||Lost film|
|1916||The Serpent||Vania Lazar||Lost film|
|1916||Gold and the Woman||Theresa Decordova||Lost film|
|1916||The Eternal Sapho||Laura Bruffins||Lost film|
|1916||East Lynne||Lady Isabel Carlisle|
|1916||Under Two Flags||Cigarette||Lost film|
|1916||Her Double Life||Mary Doone||Lost film|
|1916||Romeo and Juliet||Juliet||Lost film|
|1916||The Vixen||Elsie Drummond||Lost film|
|1917||The Darling of Paris||Esmeralda||Lost film|
|1917||The Tiger Woman||Princess Petrovitch||Lost film|
|1917||Her Greatest Love||Hazel||Lost film|
|1917||Heart and Soul||Jess||Lost film|
|1917||Camille||Marguerite Gauthier||Lost film|
|1917||Cleopatra||Cleopatra||Approximately 20 seconds exist|
|1917||The Rose of Blood||Lisza Tapenka||Lost film|
|1917||Madame Du Barry||Jeanne Vaubernier||Lost film|
|1918||The Forbidden Path||Mary Lynde||Lost film|
|1918||The Soul of Buddha||Priestess||Story
|1918||Under the Yoke||Maria Valverda||Lost film|
|1918||When a Woman Sins||Lilian Marchard / Poppea||Lost film|
|1918||The She-Devil||Lorette||Lost film|
|1919||The Light||Blanchette Dumond, aka Madame Lefresne||Lost film|
|1919||When Men Desire||Marie Lohr||Approximately 17 seconds exist|
|1919||The Siren's Song||Marie Bernais||Lost film|
|1919||A Woman There Was||Princess Zara||Lost film|
|1919||Kathleen Mavourneen||Kathleen Cavanagh||Lost film|
|1919||La Belle Russe||Fleurett Sackton/La Belle Russe||Lost film|
|1919||The Lure of Ambition||Olga Dolan||Lost film|
|1925||The Unchastened Woman||Caroline Knollys|
|1926||Madame Mystery||Madame Mysterieux||Short film|
|1926||45 Minutes from Hollywood||Herself||Short film|
Theda Bara was one of three actresses (Pola Negri and Mae Murray were the others) whose eyes were combined to form the Chicago International Film Festival's logo, a stark, black and white close up of the composite eyes set as repeated frames in a strip of film.
The International Times' logo is a black-and-white image of Theda Bara. The founders' intention had been to use an image of actress Clara Bow, 1920s "It girl", but a picture of Theda Bara was used by accident and, once deployed, not changed.
In June 1996, two biographies of Bara were released: Ron Genini's Theda Bara: A Biography (McFarland) and Eve Golden's Vamp (Emprise). In October 2005 TimeLine Films of Culver City premiered a film biography, Theda Bara: The Woman With the Hungry Eyes.
Bara has also been the subject of several works of fiction, including In Theda Bara's Tent by Diana Altman, The Director's Cut: A Theda Bara Mystery by Christopher DiGrazia and the play Theda Bara and the Frontier Rabbi by Bob Johnston.
Theda Bara appears as a character in the books "Vampyres of Hollywood" and "Love Bites" by Adrienne Barbeau.
- "Theda Bara Speaking 1936". Retrieved 7 January 2011.
- "Theda makes 'em all Baras". The New York Times. November 17, 1917.
- Ronald Genini (1996). Theda Bara: A Biography of the Silent Screen Vamp, with a Filmography. McFarland. ISBN 9780786491612.
- "Marque Bara", Newport Daily News (Newport, Rhode Island), April 26, 1954, p. 2.
- Fort Lee: Birthplace of the Motion Picture Industry. Arcadia Publishing. 2006. ISBN 978-0-7385-4501-1.
- Golden, Eve (1996). Vamp: The Rise and Fall of Theda Bara. Vestal, New York: Emprise. pp. 204–209. ISBN 1-887322-00-0. OCLC 34575681.
- http://oncotton.co.uk/starr/documents/THEDAprogramme&PDF.pdf[dead link]
- "Cleopatra (1917)". The New York Times. Retrieved May 29, 2011. Film review.
- "Famous silent screen vamp Theda Bara dies of cancer". The Montreal Gazette. Associated Press. April 8, 1955. Retrieved May 29, 2011.
- "Classic Images – Vol. 250 – April 1996 Issue". Classicimages.com. Retrieved 2010-08-02.
- "Theda Bara Photo Gallery". Bombshells.com. Retrieved 2010-08-02.
- Lorna Innis (February 26, 2012). "Hollywood's link with province long, varied". Chronicle Herald (Halifax).
- http://www.wlwt.com/news/28472524/detail.html[dead link]
- "The Thin Man". Lux Radio Theatre. Internet Archive. Retrieved 2015-12-01.
- "The Lux Radio Theatre". RadioGOLDINdex. Retrieved 2015-12-01.
- Thomas F. Brady (January 21, 1949). "De Sylva Working on Movie of Bara". The New York Times. p. 25.; Hedda Hopper (August 21, 1949). The Washington Post. p. L1. Missing or empty
|title=(help); Hedda Hopper (October 23, 1949). The Washington Post. p. L1. Missing or empty
|title=(help); Thomas F. Brady (December 2, 1949). "Betty Hutton Set for 2 Metro Films". The New York Times. p. 36.
- Panati, Charles (1998). Sexy Origins and Intimate Things: The Rites and Rituals of Straights, Gays, Bi's, Drags, Trans, Virgins, and Others. Penguin Books. p. 295.
- "Theda Bara Makes 'Camille' Reality". Hartford Courant. October 30, 1917. Retrieved 2008-07-20.
Heralded as one of the screen triumphs of the day, "Camille", adapted from the Dumas novel, and with Theda Bara the featured player, fulfills the promises of the management of Poli's Theater, where this film really heads the bill this half of the week. Vaudeville must...
- About Our Logo – The Chicago International Film Festival.
- Miles, Barry (1998). Many Years From Now. Vintage – Random House. p. 232. ISBN 0-7493-8658-4.
- Shakespeare on Silent Film: An Excellent Dumb Discourse by Judith Buchanan. Cambridge: Cambridge University Press, 2009. Chapter 6. ISBN 0-521-87199-9.
- The First Female Stars: Women of the Silent Era by David W. Menefee. Albany: Bear Manor Media, 2007. ISBN 0-275-98259-9.
- Eve Golden (1996). Vamp: The Rise and Fall of Theda Bara. Emprise. ISBN 1-887322-00-0.
- Ronald Genini (1996). Theda Bara: A Biography of the Silent Screen Vamp, with a Filmography. McFarland. ISBN 0-7864-0202-4.
- Famous Juliets by Jerome Hart, in Motion Picture Classic, March, 1923.
- A Million and One Nights by Terry Ramsaye. New York: Simon and Schuster, 1926.
- Susan Fox (2006). William Fox: A Story of Early Hollywood 1915–1930. Midnight Marquee Press Inc. ISBN 1-887664-62-9.
- Christopher DiGrazia (2011). The Director's Cut: A Theda Bara Mystery. 1921 PVG Publishing. ISBN 0-9827709-4-4.
- Bob Johnston (2002). Theda Bara and the Frontier Rabbi. Dramatist's Play Service. ISBN 0-8222-1837-2.
- Diana Altman (2010). In Theda Bara's Tent. Tapley Cove Press. ISBN 0-615-34327-9.
|Wikiquote has quotations related to: Theda Bara|
|Wikimedia Commons has media related to Theda Bara.|
- Theda Bara at the Internet Movie Database
- Theda Bara at AllMovie
- Theda Bara at the TCM Movie Database
- Theda Bara at the Internet Broadway Database
- Excerpt from Golden's biography Vamp
- Biography at monash.edu.au
- Theda Bara photo gallery NY Public Library Billy Rose collection
- "Theda Bara", entry in Jewish Women: A Comprehensive Historical Encyclopedia