They Shall Not Grow Old
|They Shall Not Grow Old|
Theatrical release poster
|Directed by||Peter Jackson|
|Music by||Plan 9|
|Edited by||Jabez Olssen|
|Distributed by||Warner Bros. Pictures|
They Shall Not Grow Old is a 2018 British documentary film directed and co-produced by Peter Jackson. The film was created using original footage of World War I from the Imperial War Museums' archives, most of it previously unseen, alongside audio from BBC and IWM interviews of British servicemen who fought in the conflict. Most of the footage has been colourised and transformed with modern production techniques, with the addition of sound effects and voice acting to be more evocative and feel closer to the soldiers' actual experiences.
It is Jackson's first documentary as director, although he directed the mockumentary Forgotten Silver in 1995, and produced the West Memphis Three documentary West of Memphis in 2012. Jackson, whose grandfather fought in the war, intended for the film to be an immersive experience of "what it was like to be a soldier" rather than a story or a recount of events; the crew reviewed 600 hours of interviews from 200 veterans, and 100 hours of original film footage to make the film. The title was inspired by the line "They shall grow not old, as we that are left grow old" from the 1914 poem "For the Fallen" by Laurence Binyon, famous for being used in the Ode of Remembrance.
They Shall Not Grow Old premiered simultaneously at the BFI London Film Festival and in selected theaters in the UK on 16 October 2018, before airing on BBC Two on 11 November 2018 (the hundredth anniversary of the Armistice of 11 November 1918); it received a limited US release on 17 December. It was acclaimed by critics for its restoration work, immersive atmosphere, and portrayal of war.
The film was co-commissioned by 14-18 NOW and Imperial War Museums in association with the BBC, who approached Jackson in 2015 for the project. According to Jackson, the crew of They Shall Not Grow Old reviewed 600 hours of interviews from the BBC and the IWM, and 100 hours of original film footage from the IWM to make the film. The interviews came from 200 veterans, with the audio from 120 of them being used in the film. After receiving the footage, Jackson decided that the movie would not feature traditional narration, and that it would instead only feature audio excerpts of the soldiers talking about their war memories, in order to make the film about the soldiers themselves; for the same reason, it barely features any dates or named locations.
Jackson stated: "We made a decision not to identify the soldiers as the film happened. There were so many of them that names would be popping up on the screen every time a voice appeared. In a way it became an anonymous and agnostic film. We also edited out any references to dates and places, because I didn’t want the movie to be about this day here or that day there. There’s hundreds of books about all that stuff. I wanted the film to be a human experience and be agnostic in that way. [...] I didn’t want individual stories about individuals. I wanted it to be what it ended up being: 120 men telling a single story. Which is: what was it like to be a British soldier on the western front?" In another interview, he stated "[The men] saw a war in colour, they certainly didn’t see it in black and white. I wanted to reach through the fog of time and pull these men into the modern world, so they can regain their humanity once more – rather than be seen only as Charlie Chaplin-type figures in the vintage archive film." Jackson's own paternal grandfather, Sgt. William Jackson, to whom the film is dedicated, was British and fought in World War I; Peter grew up with his father telling him his grandfather's war stories. Jackson stated that after making the film, he now had "a greater understanding of what my grandfather would have gone through."
Jackson did not receive any fee for the making of the film. Although they only used a small part of it, Jackson's crew visually restored all 100 hours of footage the Imperial War Museums sent them for free, "just to get their archive in better shape".
It was produced by WingNut Films with House Productions as executive producers, and was supported by the UK's National Lottery through the Heritage Lottery Fund and the Department for Digital, Culture, Media and Sport.
The film premiered on 16 October 2018 as a Special Presentation at the BFI London Film Festival, in the presence of Prince William, Duke of Cambridge, while also being released in several selected theaters across the country; copies were also sent to UK schools the same day. The film was simultaneously screened in 2D and 3D at cinemas, schools and special venues across the UK. The simulcast included a special post-screening Q&A with Jackson, hosted by film critic Mark Kermode.
The film was broadcast on BBC Two on 11 November 2018, the one-hundredth anniversary of the Armistice of 11 November 1918. To accompany the film, a special episode of the documentary series What Do Artists Do All Day? which followed Peter Jackson making the film aired the following day on BBC Four. The film received a limited US release through Fathom Events in 2D and 3D, on 17 and 27 December 2018.
They Shall Not Grow Old was acclaimed by critics, who praised its restoration work, immersive atmosphere, and portrayal of war. It holds an approval rating of 98% on the aggregate review site Rotten Tomatoes, based on 51 reviews, with an average rating of 8.8/10. The website's critical consensus reads, "An impressive technical achievement with a walloping emotional impact, They Shall Not Grow Old pays brilliant cinematic tribute to the sacrifice of a generation." It holds a weighted average score of 91 out of 100 on Metacritic.
In a very positive review for The Guardian, Peter Bradshaw called the film "a visually staggering thought experiment", saying "The effect is electrifying. The soldiers are returned to an eerie, hyperreal kind of life in front of our eyes, like ghosts or figures summoned up in a seance. The faces are unforgettable. [...] The details are harrowing, as is the political incorrectness of what the soldiers recall: some express their candid enjoyment of the war, others their utter desensitisation to what they experienced." He gave the film a perfect five-star rating.
Guy Lode of Variety called the film "a technical dazzler with a surprisingly humane streak", stating "if They Shall Not Grow Old is head-spinning for its jolting animation of creakily shot battle scenes — tricked out with ingeniously integrated sound editing and seamlessly retimed from 13 frames a second to 24 — its greatest revelation isn’t one of sound and fury. Rather, it’s the film’s faces that stick longest in the mind. Through the exhaustive transformation completed by Jackson’s team, visages that were all but indistinguishably blurred in the archives take on shape, character and creases of worry, terror and occasional hilarity. In conjunction with the film’s intricately stitched narration, its soldiers turn from cold statistics to warm, quivering human beings, drawing us with renewed empathy into a Great War that, they all but unanimously agree, had precious little greatness to it."
Stephen Dalton of The Hollywood Reporter stated that the film "suggests new cinematic methods of rescuing history from history books, humanizing and dramatizing true stories with a modest injection of movie-world artifice. Some critics may object to how Jackson streamlines and elides real events, stripping away specifics while offering no broader socio-political comment on the war. But as a immersive primer on the first-hand experiences of British soldiers, this innovative documentary is a haunting, moving and consistently engaging lesson in how to bring the past vividly alive." Mike McCahill of IndieWire gave the film a B grade, considering that "the filmmaker's extensive restoration project doesn't always provide new insights, but it succeeds at creating a fresh look at the horrors of WWI."
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- Bradshaw, Peter (16 October 2018). "They Shall Not Grow Old review – Peter Jackson's electrifying journey into the first world war trenches". the Guardian. Retrieved 16 October 2018.
- "BBC Two – They Shall Not Grow Old". BBC Programmes. Retrieved 11 November 2018.
- "BBC Four – What Do Artists Do All Day? – Peter Jackson". BBC Programmes. Retrieved 17 November 2018.
- "Fathom Events - They Shall Not Grow Old". Fathom Events. Retrieved 17 December 2018.
- "They Shall Not Grow Old". Rotten Tomatoes. Retrieved 13 November 2018.
- "They Shall Not Grow Old". Metacritic. Retrieved 12 November 2018.
- Bradshaw, Peter (16 October 2018). "They Shall Not Grow Old review – Peter Jackson's electrifying journey into the first world war trenches". The Guardian. Retrieved 16 October 2018.
- Lodge, Guy (16 October 2018). "Film Review: 'They Shall Not Grow Old'". Variety. Retrieved 13 November 2018.
- Dalton, Stephen (16 October 2018). "'They Shall Not Grow Old': Film Review". The Hollywood Reporter. Retrieved 16 October 2018.
- McCahill, Mike (16 October 2018). "'They Shall Not Grow Old' Review: Peter Jackson's Colorized WWI Documentary Resurrects the Drama of the Battlefield". Indiewire. Retrieved 13 November 2018.