Thomas de Hartmann
|Thomas de Hartmann|
|Born||Thomas Alexandrovich de Hartmann
September 21, 1885
Khoruzhivka, Poltava Governorate, Russian Empire (now Ukraine)
|Died||March 28, 1956
New York City, New York, United States
|Alma mater||Saint Petersburg Conservatory|
|Known for||Setting Gurdjieff's writing to music|
|Spouse(s)||Olga de Hartmann|
Thomas de Hartmann was born in Khoruzhivka, Poltava Governorate, Russian Empire, now Sumy Oblast, Ukraine. At the age of 18 he received his diploma from the Saint Petersburg Conservatory. He studied conducting in Munich with Felix Mottl before World War I.
Thomas de Hartmann was a graduate of the Imperial Conservatory of Music. He studied musical composition with three of the greatest Russian composers of the 19th century: Nikolai Rimsky-Korsakov, Anton Arensky and Sergei Taneyev. His piano teacher was Anna Yesipova, the second wife and former student of Theodor Leschetizky. Most of de Hartmann's compositions were for voice and piano. In 1907, his ballet The Pink Flower, produced by Nikolay Legat with Vaslav Nijinsky and Tamara Karsavina in the cast, was presented at the Imperial Opera. The Tsar was so impressed that he himself granted de Hartmann exemption from military duty so that he might study conducting in Munich.
In Munich, Thomas de Hartmann met the artist, former Sufi student and later stage impresario, Alexander de Salzmann; they were both friends of Rainer Maria Rilke and Wassily Kandinsky. Later, in Russia, after the beginning of World War I, de Hartmann would introduce de Salzmann to George Gurdjieff.
Thomas married Olga Arkadievna de Schumacher, a celebrated opera singer; her father was a high official in tsarist Russia.
Association with Gurdjieff
De Hartmann was already an acclaimed composer in Russia when he first met Gurdjieff in 1916 in St. Petersburg. From 1917 to 1929 he was a pupil and confidant of Gurdjieff. During that time, at Gurdjieff's Institute for the Harmonious Development of Man near Paris, de Hartmann transcribed and co-wrote much of the music that Gurdjieff collected and used for his movements exercises.
De Hartmann wrote Our Life with Mr. Gurdjieff together with his wife Olga de Hartmann, who was Gurdjieff's personal secretary for many years.
De Hartmann died on March 28, 1956, in New York City, New York, United States, where he had moved to from France in 1950. After her husband's death, Olga collected many of Gurdjieff's early talks in the book Views from the Real World (1973). Olga died in Santa Fe, New Mexico in 1979. Both are buried at the Princeton Cemetery, Princeton, New Jersey.
De Hartmann's four-act ballet La Fleurette Rouge (The Pink Flower) was performed in 1906. Vaslav Nijinsky, Anna Pavlova, and Michel Fokine danced principal roles in performances at the Imperial opera houses of Moscow and St. Petersburg.
In 1982, the Guggenheim Foundation premiere of Kandinsky's opera Der gelbe Klang was made possible thanks to a complete rearrangement by Gunther Schuller of de Hartmann's hitherto lost work. It is not known whether de Hartmann completed a full score but it is clear why Constantin Stanislavski could not understand the work when de Hartmann proposed it for the Moscow Art Theater in 1914.
- The complete Piano Music of Georges I. Gurdjieff and Thomas de Hartmann, Cecil Lytle, pianist, 6-CD boxed set, , Celestial Harmonies 19904-2
- The Music of Gurdjieff/de Hartmann, three disc set, Triangle Editions, TCD1001-1003, 1989
- Crunden, Robert Morse (2000). Body and soul: the making of American modernism. Basic Books. p. 408. ISBN 0-465-01485-2.
...Thomas de Hartmann had been an established composer in St. Petersburg
- Lachman, Gary (2005). A Dark Muse. Basic Books. p. 240. ISBN 978-1-56025-656-4.
- von Hartmann, Eduard (1893). Philosophy of the Unconscious (in German and English) I. K. Paul, Trench, Trübner & Co., Ltd.
Speculative results according to the inductive method of physical science
- Gurdjieff in Tbilisi - also Image of Thomas de Hartmann
- Nott, C.S. (1961). Teachings of Gurdjieff - A Pupil's Journal. Penguin Arkana. p. 9. ISBN 0-14-019156-9.
- Hines, Thomas Jensen (1991). Collaborative form: studies in the relations of the arts. Kent State University Press. p. 99. ISBN 0-87338-417-2.
...to see the obscure stage work performed for the first time ever...