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Written byBarry Hines
Directed byMick Jackson
Original language(s)English
Running time112 minutes
Production company(s)
Original release
  • 23 September 1984 (1984-09-23)

Threads is a 1984 British apocalyptic war drama television film jointly produced by the BBC, Nine Network and Western-World Television Inc. Written by Barry Hines, and directed and produced by Mick Jackson, it is a docudrama account of nuclear war and its effects on the city of Sheffield in Northern England. The plot centres on two families as a confrontation between the United States and the Soviet Union erupts. As the nuclear exchange between NATO and the Warsaw Pact begins, the film depicts the medical, economic, social and environmental consequences of nuclear war.

Shot on a budget of £400,000, the film was the first of its kind to depict a nuclear winter. Certain reviewers nominated Threads as the "film which comes closest to representing the full horror of nuclear war and its aftermath, as well as the catastrophic impact that the event would have on human culture".[2] It has been compared to the earlier programme The War Game produced in Britain in the 1960s and its contemporary counterpart The Day After, a 1983 ABC television film depicting a similar scenario in the United States. It was nominated for seven BAFTA awards in 1985 and won for Best Single Drama, Best Design, Best Film Cameraman and Best Film Editor.


Background on the war[edit]

The chronology of the events leading up to the war is depicted entirely via television and radio news broadcasts, as well as a few newspaper reports. On 5 March 1988, a news broadcast from a car shows that an allegedly US-backed coup d'état in Iran prompts the Soviet Union to occupy the northern part of the country, ostensibly to prevent the return of a pro-Shah regime. The film skips ahead two months to 8 May, when the USA hints at deploying troops to Iran, in order to prevent the Soviets from reaching the oil fields in the south. On 11 May, the US Navy in the Indian Ocean is put on high alert when rumours begin to circulate of the disappearance of the USS Los Angeles in the Persian Gulf. The next day, a collision in the Gulf of Oman between the Soviet battlecruiser Kirov and the USS Callaghan leaves the former badly damaged. Subsequent discoveries by American and Israeli search and rescue vessels reveal debris and an oil slick from the missing Los Angeles, prompting the US President to warn the Soviets over the possibility of an "armed confrontation—with incalculable consequences for all mankind."

On 17 May, the US sends its rapid deployment force to take defensive positions around Isfahan in western Iran, hoping to deter the Soviets from making further advances to the south, with a supporting role being taken by squadrons of B-52 bombers and E3 Sentries landing at US airbases. The Soviets respond by transporting nuclear warheads into their newly established base in Mashhad. On 20 May, the USA proposes a joint withdrawal from Iran to take effect by noon on the 22nd, while Britain sends troops to Europe amidst a build-up of Warsaw Pact troops in East Germany. The Soviets ignore the US ultimatum and, an hour after the expiry, are attacked at their base in Mashhad by B-52 bombers using conventional weapons. The Soviets defend the base with a nuclear tipped surface-to-air missile, destroying many B-52s. The battle ceases after US forces launch a battlefield nuclear weapon at the Soviet base.

On 23 May, fighting breaks out between the US and Soviet navies. On 24 May, amidst rioting in East Germany, the Soviets cut the road links into and out of West Berlin, whilst offering occupying NATO forces free passage to the west. The USS Kitty Hawk is sunk in the Persian Gulf, and the US blockades Cuba. Anti-Soviet riots in major US cities damage several Russian consulates. The next day, the BBC reports on the Mashhad nuclear exchange, stating that the weapons used were within the range of 50–100 kilotons, and that cities in western Pakistan are being evacuated due to the fallout. Fire engines in the UK are soon deployed away from cities to avoid potential damage of equipment.


The Sheffield Royal Infirmary, site of the hospital scene.

Young Sheffield residents Ruth Beckett and Jimmy Kemp are planning to marry due to her unplanned pregnancy. Meanwhile, as tensions between the US and the Soviet Union over Iran escalate, the Home Office directs Sheffield City Council to assemble an emergency operations team, which establishes itself in a makeshift bomb shelter in the basement of the town hall. After the ignored US ultimatum to the Soviets results in a brief tactical nuclear skirmish, Britain is gripped by fear, with looting and rioting rife. "Subversives" including peace activists and some trade unionists are arrested and interned under the Emergency Powers Act.

Curbar Edge, Peak District, where the scenes set six weeks after the attack take place.

Attack Warning Red is transmitted and Sheffield town hall staff go into panic. Shortly afterwards, Sheffield's air raid sirens sound. More panic breaks out in the city and the Sheffield operations staff man their desks. At 8:35 a.m. a nuclear warhead air bursts high over the North Sea, producing an electromagnetic pulse which damages or destroys communications and most electrical systems throughout the UK and northwestern Europe. Two minutes later the first missile salvos hit NATO targets, including nearby RAF Finningley 20 miles (32 kilometres) from Sheffield. Although the city is not yet heavily damaged, the mushroom cloud from Finningley is visible and chaos reigns in the streets, with Jimmy last seen running from his stalled car in an attempt to reach Ruth. Shortly afterwards Sheffield is targeted by a one-megaton warhead which air bursts directly above the Tinsley Viaduct. Strategic targets, including steel and chemical factories in the Midlands, are the primary targets, with two thirds of all UK homes destroyed and immediate deaths ranging between 12 and 30 million. The resulting East-West exchange amounts to 3,000 megatons. About 210 megatons fall on the UK.

Sheffield Town Hall is destroyed in the attack and traps the city's emergency operations team in their shelter underneath it. Over the next several days, the trapped team attempts to coordinate the city's chaotic emergency and relief efforts through their few remaining short wave radios. At 10:00 a.m. local time, nuclear fallout from a ground burst at Crewe descends upon Sheffield on a northwesterly wind, with Jimmy's mother Mrs Kemp succumbing to radiation sickness and severe burns after being caught by the Tinsley Viaduct explosion. His children dead or missing and his wife dying, Mr Kemp sets out on a desperate search for food and water and dies. The dangers of fallout prevent the remaining functioning civil authorities from fighting fires or rescuing those trapped under debris. Ruth leaves her surviving parents and grandmother in their basement, making her way to the Sheffield Royal Infirmary, where there is no electricity, running water, or sanitation, or supplies. While she is absent, looters kill her parents and are executed.

By June, soldiers dig to the town hall basement but find the emergency staff have suffocated. Without the manpower or fuel to bury or burn the dead, an epidemic of communicable diseases such as cholera and typhoid spreads. The government authorizes capital punishment and convenes special courts to sentence and execute the new class of criminals. As money no longer has any value, the only viable currency is food, given as a reward for work or withheld as punishment. As a result of the millions of tons of soot, smoke and dust in the upper atmosphere, a nuclear winter occurs dropping temperatures up to 25°C. By July, without running water, electricity, or basic sanitation, Sheffield becomes uninhabitable, overwhelmed by both homeless and corpses, with food in desperately short supply. Ruth, along with thousands of other survivors, defies official orders and leaves the city. Many survivors collapse on the road from radiation poisoning. Other survivors in rural areas are ordered by low-flying government light aircraft to return to their homes. Once Ruth reaches Buxton, the police assign her to a room in a local house; however, once the policeman leaves, the home owner throws her out at gunpoint. At an outdoor soup kitchen, Ruth is identified by Bob, a pre-war acquaintance who worked with Jimmy. Ruth and Bob continue traveling together, surviving on whatever food can be scavenged, including the raw carcasses of radiation poisoned livestock.

In September, Ruth takes part in the yearly harvest, accomplished using the last remaining petrol, supplemented with raw human labour, but the crop yield is low due to the nuclear winter. Ruth gives birth to her child in an abandoned barn. The government retains contact with the population through radio broadcasts, but in practice the army now relies on rifles and tear gas to control the population.

Millions of people around the Northern Hemisphere have died in the war due to radiation, fallout or the bombs.

Sunlight begins to return but food remains scarce due to the lack of equipment, fertilizers, and fuel. Damage to the ozone layer means sunlight is heavy with ultraviolet radiation, increasing cataracts and cancer.

Ten years later, Britain's population has fallen to medieval levels of about 4 to 11 million people. A VHS cassette of Words and Pictures is played to children. Other survivors work the fields using primitive hand-held farming tools. Few children have been born or raised since the attack. They speak broken English due to the marginal education system and the breakdown of family life. Prematurely aged and blind with cataracts, Ruth collapses in a field and dies, survived by her 10-year-old daughter Jane. By this time, the country is beginning to recover, with resumption of coal mining, limited electricity production, and some steam powered mechanization derived from 19th century technology. The population continues to live in near-barbaric squalor among the ruins and barely tenable subsistence farming.

Three years after Ruth's death, Jane and two boys are caught stealing food. One boy is shot in the ensuing confusion. Jane wrestles for the food with the other boy and they have sex.[3] Heavily pregnant Jane finds a makeshift hospital and gives birth to a stillborn child. The film freezes just before Jane, on looking down at the baby, starts screaming.


Although Jackson initially considered casting actors from Coronation Street, he later decided to take a neorealist approach, and opted to cast relatively unknown actors in order to heighten the film's impact through the use of characters the audience could relate to.[4]

  • Paul Vaughan as the Narrator
  • Karen Meagher as Ruth Beckett
  • Reece Dinsdale as Jimmy Kemp
  • David Brierley as Mr Bill Kemp
  • Rita May as Mrs Rita Kemp
  • Nicholas Lane as Michael Kemp
  • Jane Hazlegrove as Alison Kemp
  • Henry Moxon as Mr Beckett
  • June Broughton as Mrs Beckett
  • Sylvia Stoker as Granny Beckett
  • Harry Beety as Clive J. Sutton (Controller)
  • Ruth Holden as Marjorie Sutton
  • Ashley Barker as Bob
  • Michael O'Hagan as Chief Superintendent Hirst
  • Phil Askham as Mr Stothard
  • Anna Seymour as Mrs Stothard
  • Fiona Rook as Carol Stothard
  • Steve Halliwell as Information Officer
  • Joe Holmes as Mr Langley
  • Victoria O'Keefe as Jane
  • Lesley Judd as TV newsreader

Production and themes[edit]

Our intention in making Threads was to step aside from the politics and – I hope convincingly – show the actual effects on either side should our best endeavours to prevent nuclear war fail.

Screenwriter Barry Hines[5]

Threads was first commissioned (under the working title Beyond Armageddon) by the Director-General of the BBC Alasdair Milne, after he watched the 1965 drama-documentary The War Game, which had not been shown on the BBC when it was made, due to pressure from the Wilson government, although it had had a limited release in cinemas.[6] Mick Jackson was hired to direct the film, as he had previously worked in the area of nuclear apocalypse in 1982, producing the BBC Q.E.D. documentary A Guide to Armageddon.[7][8] This was considered a breakthrough at the time, considering the previous banning of The War Game, which BBC staff believed would have resulted in mass suicides if aired. Jackson subsequently travelled around the UK and the US, consulting leading scientists, psychologists, doctors, defence specialists and strategic experts in order to create the most realistic depiction of nuclear war possible for his next film.[4] Jackson consulted various sources in his research, including the 1983 Science article Nuclear Winter: Global Consequences of Multiple Nuclear Explosions, penned by Carl Sagan and James B. Pollack. Details of a possible attack scenario and the extent of the damage were derived from Doomsday, Britain after Nuclear Attack (1983), while the ineffective post-war plans of the UK government came from Duncan Campbell's 1982 exposé War Plan UK.[9] In portraying the psychological damage suffered by survivors, Jackson took inspiration from the behaviour of the Hibakusha[6] and Magnus Clarke's 1982 book Nuclear Destruction of Britain.[9] Sheffield was chosen as the main location partly because of its "nuclear-free zone" policy that made the council sympathetic to the local filming[5] and partly because it seemed likely that the USSR would strike an industrial city in the centre of the country.[10]

Jackson hired Barry Hines to write the script because of his political awareness. The relationship between the two was strained on several occasions, as Hines spent much of his time on set, and apparently disliked Jackson on account of his middle class upbringing.[4] As part of their research, the two spent a week at the Home Office training centre for "official survivors" in Easingwold which, according to Hines, showed just "how disorganised post-war reconstruction would be".[11]

Auditions were advertised in The Star,[12] and took place in the ballroom of Sheffield City Hall, where 1,100 candidates turned up.[11] All extras were chosen on the basis of height and age, and were all told to look "miserable" and to wear ragged clothes. The makeup for extras playing third degree burn victims consisted of Rice Krispies and tomato ketchup.[12] The scenes taking place six weeks after the attack were shot at curbar edge in the Peak District National Park, though because weather conditions were considered too fine to pass off as a nuclear winter, stage snow had to be spread around the rocks and heather, and cameramen installed light filters on their equipment to block out the sunlight.[11]

Jackson later recalled that while BBC productions would usually be followed by phone calls of congratulations from friends or colleagues immediately after airing, no such calls came after the first screening of Threads. Jackson later "realised...that people had just sat there thinking about it, in many cases not sleeping or being able to talk." He later said that he had it on good authority that Ronald Reagan watched the film when it aired in the US.[4] Hines himself received a letter of praise from Labour leader Neil Kinnock.[13]

Broadcast and release history[edit]

Threads works on the viewer with a peculiar power: one finds oneself horrified, fascinated, numbed, provoked, unsettled, made restless. Its power may be the effect of its oscillation between form and content being so heavily weighted toward the pole of content—in this case, that threat of nuclear destruction which cannot help but feel 'real'--so that we are unable to relax into Threads as 'just' a movie.

Professor Andrew Bartlett of UCLA[14]

Threads was a co-production of the BBC, Nine Network Australia and Western-World Television, Inc. It was first broadcast on BBC Two on 23 September 1984 at 9:30 pm, and achieved the highest ratings on the channel (6.9 million) of the week.[5] It was repeated on BBC One on 1 August 1985 as part of a week of programmes marking the fortieth anniversary of the atomic bombings of Hiroshima and Nagasaki, which also saw the first television screening of The War Game (which had been deemed too disturbing for television in the 20 years since it had been made). Threads was not shown again on British screens until the digital channel BBC Four broadcast it in October 2003.[15] It was also shown on UKTV Documentary in September 2004 and was repeated in April 2005.[16]

Threads was broadcast in the United States on cable network Superstation TBS on 13 January 1985,[17] with Ted Turner presenting the introduction.[18] This was followed by a panel discussion on nuclear war. It was also shown in syndication to local commercial stations and, later, on many PBS stations. In Canada, Threads was broadcast on CKVU in Vancouver[19] and CKND in Winnipeg,[20] while in Australia it was shown on the Nine Network on 19 June 1985.[21] Unusually for a commercial network, it broadcast the film without commercial breaks.[22]

Threads was originally released by BBC Video (on VHS and, for a very short period, Betamax) in 1987 in the United Kingdom. The play was re-released on both VHS and DVD in 2000 on the Revelation label, followed by a new DVD edition in 2005. Due to licensing difficulties the 1987 release replaced Chuck Berry's recording of his song "Johnny B. Goode" with an alternative recording of the song. In all these cases, the original music over the opening narration was removed, again due to licensing problems; this was an extract from the Alpine Symphony by Richard Strauss, performed by the Dresden State Opera Orchestra, conducted by Rudolf Kempe (HMV ASD 3173).

On 13 February 2018, Threads was released by Severin Films on Blu-Ray in the United States. The programme was scanned in 2K from a broadcast print for this release, including extras such as an audio commentary with Director Mick Jackson and interviews with actress Karen Meagher, Director Of Photography Andrew Dunn, Production Designer Christopher Robilliard and film writer Stephen Thrower.[23][24] This is also the first home video release in which the extract from the Alpine Symphony remains intact.

On 9 April 2018, Simply Media released a Special Edition DVD in the UK, featuring a different 2K scan, restored and remastered from the original BBC 16mm CRI prints, which Severin did not have access to. This also featured the original music, for the first time on home video in the UK. Whereas the previous releases had no extra features, the Special Edition included commentaries and associated documentaries.


Threads was not widely reviewed, but the critics who reviewed it gave generally positive reviews.[25] The film was nominated for seven BAFTA awards in 1985. It won for Best Single Drama, Best Design, Best Film Cameraman and Best Film Editor. Its other nominations were for Best Costume Design, Best Make-Up, and Best Film Sound.[26]

Home Video[edit]

Threads is available on DVD and has been remastered in 2018. The remaster will be released on Blu-Ray for the first time 17th December 2018.

See also[edit]


  1. ^ Audio Commentary: Mick Jackson. Threads. Dir. Mick Jackson. 1984. Blu-ray. Severin Films, 2018.
  2. ^ "Film and the Nuclear Age: Representing Cultural Anxiety" By Toni A. Perrine, p. 237 on Google books.
  3. ^ Mangan, Michael, ed. (1990). Threads and Other Sheffield Plays. Critical Stages. 3. Sheffield: Sheffield Academic Press. p. 234. ISBN 978-1-850-75140-3. ISSN 0953-0533.
  4. ^ a b c d "End of the world revisited: BBC's Threads is 25 years old". The Scotsman. 5 September 2009. Retrieved 5 January 2014.
  5. ^ a b c Kibble-White, Jack (September 2001). "Let's All Hide in the Linen Cupboard". Off The Telly.
  6. ^ a b Binnion, Paul (May 2003). "Threads" (PDF). Scope: An Online Journal of Film Studies. University of Nottingham. ISSN 1465-9166.
  7. ^ Q.E.D.: A Guide to Armageddon (TV Episode 1982) on IMDb
  8. ^ QED: A Guide to Armageddon. Nuclear war facts from the 1980s on YouTube
  9. ^ a b Hall, Kevin (21 January 2013). "Threads – Select References and Bibliography". Fallout Warning. Retrieved 20 November 2018.
  10. ^ Mike Jackson's commentary on 2018 Special Edition
  11. ^ a b c Bean, Patrick (3 January 2002). "Threads by Barry Hines". Archived from the original on 29 May 2010.
  12. ^ a b "Nuclear fallout in Sheffield". BBC South Yorkshire. 22 April 2005. Retrieved 5 January 2014.
  13. ^ Whitelaw, Paul (21 November 2013). "Threads – box set review". The Guardian.
  14. ^ Bartlett, Andrew (2004). "Nuclear Warfare in the Movies". Anthropoetics. UCLA. 10 (1). ISSN 1083-7264. Retrieved 5 January 2014.
  15. ^ Bunn, Mike (23 June 2010). "Threads – BBC Film Review". Suite 101. Missing or empty |url= (help); |access-date= requires |url= (help)
  16. ^ "Sheffield film 'Threads' - Megathread. | Sheffield Fourm". Retrieved 4 March 2018.
  17. ^ Clark, Kenneth R. (11 January 1985). "'Threads': Nightmare After the Holocaust". Chicago Tribune.
  18. ^ WTBS introduction Threads 1985
  19. ^ Threads on CKVU 1984
  20. ^ CKND - Introduction to Threads (1985)
  21. ^ Carlton, Mike (26 June 1985). "Clive has a certain appeal, despite the colonial cringe". The Sydney Morning Herald.
  22. ^ Hutchinson, Garrie (27 June 1985). "Threads: A Devastating Piece Of TV". The Age.
  23. ^ "Threads Review (Severin Films Blu-ray)". Cultsploitation. 15 February 2018. Retrieved 26 February 2018.
  24. ^ Michele "Izzy" Galgana (29 January 2018). "Blu-ray Review: THREADS Still Destroys". ScreenAnarchy. Retrieved 4 March 2018.
  25. ^ Threads at Rotten Tomatoes
  26. ^ "Awards database". BAFTA. Retrieved 13 November 2012.

External links[edit]