Three Colours: White
|Three Colours: White|
Theatrical release poster
|Directed by||Krzysztof Kieślowski|
|Produced by||Marin Karmitz|
|Written by||Krzysztof Kieślowski|
|Music by||Zbigniew Preisner|
|Edited by||Urszula Lesiak|
|Distributed by||MK2 Distribution (France)|
Miramax (United States)
|Box office||$1.4 million|
Three Colours: White (French: Trois couleurs : Blanc, Polish: Trzy kolory. Biały) is a 1994 French-Polish comedy-drama film co-written, produced, and directed by Krzysztof Kieślowski. White is the second in the Three Colours trilogy, themed on the French Revolutionary ideals, following Blue and preceding Red. The film was selected as the Polish entry for the Best Foreign Language Film at the 67th Academy Awards, but was not accepted as a nominee.
White is about equality, with the film depicting Karol Karol, a shy man who, after being left by his wife in humiliating circumstances in Paris, loses his money, his residency, and his friends. As a deeply ashamed beggar in Warsaw, Karol begins his effort to restore equality to his life through revenge.
After opening with a brief, seemingly irrelevant scene of a suitcase on an airport carousel, the story quickly focuses on a Paris divorce court where Karol Karol (Zbigniew Zamachowski) is pleading with the judge — the same legal proceedings that Juliette Binoche's character briefly stumbled upon in Blue. The immigrant Karol, despite his difficulty in understanding French, is made to understand that his wife Dominique (Julie Delpy) does not love him. The grounds for divorce are humiliating: Karol was unable to consummate the marriage. Along with his wife, he loses his means of support (a beauty salon they jointly owned), his legal residency in France, and the rest of his cash in a series of mishaps, and is soon a beggar. He only retains a 2 franc coin.
In a Paris Métro station, performing songs for spare change, Karol meets and is befriended by another Pole, Mikołaj (Janusz Gajos). While Karol has lost his wife and his property, Mikołaj is married and successful; he offers Karol a job consisting of killing someone who wants to be dead but does not have enough courage to do it himself. Through a hazardous scheme, Mikołaj helps him return to Poland hidden in the suitcase shown at the beginning of the film, which is later stolen by employees at the airport. He returns to working as a hairdresser with his brother (Jerzy Stuhr).
Karol takes a job as a bodyguard in a seemingly innocent cash exchange office. Mikołaj meets Karol in a Warsaw Metro tunnel for the execution of the "suicide", it turns out to be that Mikołaj is the intended victim and asks Karol to kill him. Karol shoots a blank into Mikołaj's chest and asks him if he really wants to go through with it as the next bullet is real. Mikołaj refuses and is able to feel alive again. Using his position as a deceptively foolish bodyguard, Karol spies on his bosses and discovers their scheme to purchase different pieces of land that they knew were going to be targeted by big companies for development and resell for large profits. Karol beats them to it, and then tells his ex-bosses that if they kill him all his estate shall go to the Church, and they are therefore forced to purchase all the land from him.
With the money he gained from this scheme and with the payment from Mikołaj, the two go into business (of a vaguely defined but possibly illegal nature) together. Karol becomes ruthlessly ambitious, focusing his energies on money-making schemes while learning French and brooding over his wife's abandonment. He uses his new financial influence in a world where, as several characters observe, "you can buy anything" to execute a complex scheme to first win back Dominique, and then destroy her life by faking his own death after which she is imprisoned for his 'murder'. The final image of the film shows Karol staring at Dominique through the window of her prison cell, while crying, aware that he must finally let go of her.
- Zbigniew Zamachowski as Karol Karol
- Julie Delpy as Dominique Vidal
- Janusz Gajos as Mikołaj
- Jerzy Stuhr as Jurek
- Aleksander Bardini as Le notaire (The Lawyer)
- Grzegorz Warchoł as L'élégant (The Elegant Man)
- Cezary Harasimowicz as L'inspecteur (The Inspector)
- Jerzy Nowak as Le vieux paysan (The Old Farmer)
- Jerzy Trela as Monsieur Bronek
- Teresa Budzisz-Krzyżanowska as Madame Jadwiga
The final scene of Dominique standing behind bars of her prison cell was shot months after the rest of the film, and was intended to soften Dominique's image; Kieślowski has said that he was dissatisfied with the ending shot previously and wanted her to seem less of a monster.
Awards and recognition
- List of submissions to the 67th Academy Awards for Best Foreign Language Film
- List of Polish submissions for the Academy Award for Best Foreign Language Film
- MacCabe, Colin. "Three Colors: A Hymn to European Cinema". Criterion. Retrieved 13 March 2012.
- Ankeny, Jason. "White (1994)". Allmovie. Rovi Corporation. Retrieved December 9, 2012.
- Margaret Herrick Library, Academy of Motion Picture Arts and Sciences
- "A Conversation with Julie Delpy on Kieslowski", special feature on White (Miramax DVD, Buena Vista Home Entertainment, Region 1 release, 2003).
- Three Colors Trilogy: Blue, White, Red (1993-1994), by Roger Ebert, March 9, 2003
- Overview and synopsis on Rotten Tomatoes; Film review and synopsis on Rotten Tomatoes
- "Berlinale: 1994 Prize Winners". berlinale.de. Retrieved 2011-12-30.
|Wikiquote has quotations related to: Three Colours: White|
- Three Colours: White on IMDb
- Three Colours: White at AllMovie
- Three Colours: White at Box Office Mojo
- Three Colours: White at Rotten Tomatoes
- Three Colors: A Hymn to European Cinema an essay by Colin MacCabe at the Criterion Collection
- White: The Nonpolitical Reunifications of Karol Karol an essay by Stuart Klawans at the Criterion Collection
- Discover Polish Cinema with Dave – White