The Three Little Pigs (film)
|The Three Little Pigs|
|Silly Symphonies series|
|Directed by||Burt Gillett|
|Produced by||Walt Disney|
|Voices by||Pinto Colvig
|Music by||Carl W. Stalling
|Animation by||Fred Moore
|Studio||Walt Disney Productions|
|Distributed by||United Artists|
|Release date(s)||May 27, 1933|
|Running time||8 min|
|Preceded by||Father Noah's Ark|
|Followed by||Old King Cole|
The Three Little Pigs is an animated short film released on May 27, 1933 by United Artists, produced by Walt Disney and directed by Burt Gillett. Based on a fairy tale of the same name, the Silly Symphony won the 1934 Academy Award for Best Animated Short Film. The short cost $22,000 and grossed $250,000. In 1994, it was voted #11 of the 50 Greatest Cartoons of all time by members of the animation field. In 2007, The Three Little Pigs was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".
Practical Pig, Fiddler Pig and Fifer Pig are three brothers who build their own houses with bricks, sticks and straw respectively. All three of them play a different kind of musical instrument – Fifer Pig "toots his flute, doesn't give a hoot and plays around all day," Fiddler Pig "with a hey diddle diddle, plays on his fiddle and dances all kinds of jigs" and Practical Pig plays the piano. Fifer and Fiddler build their straw and stick houses with much ease and have fun all day. Practical, on the other hand, "has no chance to sing and dance for work and play don't mix," focusing on building his strong brick house, but his two brothers poke fun at him. An angry Practical warns them "You can play and laugh and fiddle. Don't think you can make me sore. I'll be safe and you'll be sorry when the Wolf comes through your door!" Fifer and Fiddler ignore him and continue to play, singing the now famous song "Who's Afraid of the Big Bad Wolf?".
As they are singing, the Big Bad Wolf really comes by, and blows Fifer's house down (except for the roof) with little resistance. Fifer manages to escape and hides at Fiddler's house. The wolf pretends to give up and go home, but returns disguised as an innocent sheep. The pigs see through the disguise ("Not by the hair of our chinny-chin-chin! You can't fool us with that old sheep skin!"), whereupon the Wolf blows Fiddler's house down (except for the door). The two pigs manage to escape and hide at Practical's house. The Wolf arrives disguised as a Jewish peddler/Fuller Brush man to trick the pigs into letting him in, but fails. The Wolf then tries to blow down the strong brick house (losing his clothing in the process), but is unable. Finally, he attempts to enter the house through the chimney, but smart Practical Pig takes off the lid of a boiling pot filled with water (to which he adds turpentine) under the chimney, and the Wolf falls right into it. Shrieking in pain, the Wolf runs away frantically, while the pigs sing "Who's Afraid of the Big Bad Wolf?" again. Practical then plays a trick by knocking on his piano, causing his brothers to think the Wolf has returned and hide under Practical's bed.
Reaction and legacy
The movie was phenomenally successful with audiences of the day, so much that theaters ran the cartoon for months after its debut, to great financial response. A number of theaters added hand-drawn "beards" to the movie posters for the cartoon as a way of indicating how long its theatrical run lasted. The cartoon is still considered to be the most successful animated short ever made, and remained on top of animation until Disney was able to boost Mickey's popularity further by making him a top merchandise icon by the end of 1934.
Animator Chuck Jones said, "That was the first time that anybody ever brought characters to life [in an animated cartoon]. They were three characters who looked alike and acted differently". (Other animation historians, particularly admirers of Winsor McCay, would dispute the word "first," but Jones was not referring to personality as such but to characterization through posture and movement.) Fifer and Fiddler Pig are frivolous and care-free; Practical Pig is cautious and earnest. The reason for why the film's story and characters were so well developed was that Disney had already realized the success of animated films depended upon telling emotionally gripping stories that would grab the audience and not let go. This realization led to an important innovation around the time Pigs was in development: a "story department," separate from the animators, with storyboard artists who would be dedicated to working on a "story development" phase of the production pipeline.
The moderate, but not blockbuster, success of the further "Three Pigs" cartoons was seen as a factor in Walt Disney's decision not to rest on his laurels, but instead to continue to move forward with risk-taking projects, such as the multiplane camera and the first feature-length animated movie. Disney's slogan, often repeated over the years, was "you can't top pigs with pigs."
The original song composed by Frank Churchill for the cartoon, "Who's Afraid of the Big Bad Wolf?", was a best-selling single, mirroring the people's resolve against the "big bad wolf" of The Great Depression; the song actually became something of an anthem of the Great Depression. When the Nazis began expanding the boundaries of Germany in the years preceding World War II, the song was used to represent the complacency of the Western world in allowing Adolf Hitler to make considerable acquisitions of territory without going to war, and was notably used in Disney animations for the Canadian war effort.
The song was further used as the inspiration for the title of the 1963 play Who's Afraid of Virginia Woolf?
One sequence in the cartoon which depicted the Big Bad Wolf as a stereotypical Jewish peddler was re-animated when the short was reissued to theaters in 1948, to portray the villainous Wolf as a Fuller Brush Man, albeit one with a Yiddish accent. A nose, glasses and beard disguise also remained. Airings on American television have edited this further by using the Fuller Brush Man footage and redubbing the Wolf's voice so that he does not sound stereotypically Jewish. When the film was released on home video, the scene was further edited: the topical 'Fuller Brush Man' line "I'm the Fuller Brush Man...I'm giving a free sample!" was changed to the incongruous "I'm the Fuller Brush Man - I'm working my way through college" for this and all subsequent home video releases.
In the United States, the short was first released on VHS, Betamax and Laserdisc in 1984 as part of its "Cartoon Classics" Home Video series. It came out on VHS in the UK in spring 1996 as part of the Disney Storybook Favourites series. It made its DVD debut on December 4, 2001, included in the Silly Symphonies set of the Walt Disney Treasures line, with the PAL release retaining the Jewish peddler animation. It was later included in Walt Disney's Timeless Tales, Vol. 1, released August 16, 2005 (featuring the edited version in the US Silly Symphonies set), which also featured The Pied Piper (1933), The Grasshopper and the Ants (1934), The Tortoise and the Hare (1935) and The Prince and the Pauper (1990). In those other countries to whom the original 1933 cartoon was first released with original soundtracks in both English and other foreign languages, the uncensored images — with original 1933 soundtracks in both English and other foreign languages — are still issued by the Disney corporation in home-release videos.
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Disney produced several sequels to The Three Little Pigs, though none were nearly as successful as the original. The first of them was The Big Bad Wolf, also directed by Burt Gillett and first released on April 14, 1934. All four characters of the original film returned along with two new additions: Little Red Riding Hood and her grandmother, originating from a different folktale which also featured a wolf as the villain. The plot was fairly simple. Practical Pig is seen building an extension to the shared residence of the three pigs. The added space is presumably needed as the residence was originally intended for a single occupant. Meanwhile, Fiddler and Fifer Pig offer to escort the Red Riding Hood to her grandmother's residence. Against the advice of Practical, the trio attempts to follow a shortcut through the forest. They encounter the dressed-in-drag Wolf and barely evade capture. He proceeds in running ahead of them to the residence of the old woman. The Wolf places her in a closet and then awaits her granddaughter to arrive. The young girl soon does, but also enters the closet with the assistance of her grandmother. Then Fiddler and Fifer Pig alert their brother to the situation. Practical arrives and soon manages to send the Wolf running by placing hot coals and popcorn into his trousers. The short contained several gags but at the time failed to repeat the commercial success of the original. Modern audiences have found it entertaining enough but still inferior to its predecessor.
In 1936, a third cartoon starring the three little pigs and the Big Bad Wolf followed, with a theme more towards The Boy Who Cried Wolf. This short was entitled Three Little Wolves and it was so called because it introduced the Big Bad Wolf's three pup sons, all of whom just as eager for a taste of the pigs as their father.
One more cartoon short featuring the characters, The Practical Pig, was released in 1939, right at the end of the Silly Symphonies' run.
In 1941, much of the film was edited into The Thrifty Pig, which was distributed by the National Film Board of Canada. Here, Practical Pig builds his house out of Canadian war bonds, and the Big Bad Wolf representing Nazi Germany is unable to blow his house down.
A new character, Lil Bad Wolf, the son of the Big Bad Wolf, was introduced in subsequent Disney comic books. He was a constant vexation to his father, the Big Bad Wolf, because the little son was not actually bad. His favorite playmates, in fact, were the Three Pigs.
There were subsequent sequels made for the Disney TV series Mickey Mouse Works as well.
Warner Bros. cartoons
Three cartoons inspired by this cartoon were produced by Warner Bros. The first was Pigs in a Polka which tells the story to the accompaniment of Johannes Brahms' Hungarian Dances. The second was The Three Little Bops, featuring the pigs as a jazz band, who refused to let the inept trumpet-playing wolf join until after he died and went to Hell, whereupon his playing markedly improved. Both of these cartoons were directed by ex-Disney animator Friz Freleng. The third film was The Windblown Hare, featuring Bugs Bunny, and directed by Robert McKimson. In "Windblown", Bugs is conned into first buying the straw house, which the wolf blows down, and then the sticks house, which the wolf also blows down. After these incidents, Bugs decides to help the wolf and get revenge on all three pigs, who are now at the brick house.
In popular culture
The three little pigs were featured in House of Mouse, and the Big Bad Wolf was one of the villains in Mickey's House of Villains. Practical Pig was featured in Mickey's Magical Christmas: Snowed in at the House of Mouse.
Fiddler Pig, Fifer Pig, and Zeke the Wolf appeared in Who Framed Roger Rabbit.
A coffee and sandwich shop at Buena Vista Street in Disney California Adventure is named Fiddler, Fifer & Practical Cafe in homage to the pigs. The shop is decorated with a motif of fifes, fiddles and pianos.
The pigs also appear in the video game Epic Mickey 2: The Power of Two, as scrapped versions of themselves.
- Balio, Tino (2009). United Artists: The Company Built by the Stars. University of Wisconsin Press. p. 116. ISBN 978-0-299-23004-3.
- Lee, Newton; Krystina Madej (2012). Disney Stories: Getting to Digital. London: Springer Science+Business Media. pp. 55–56. ISBN 9781461421016.
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- Official website
- Three Little Pigs at the Big Cartoon DataBase
- Three Little Pigs at the Internet Movie Database
- Three Little Pigs in the Encyclopedia of Disney Animated Shorts