Hawkinson′s work is mostly sculptural, ranging in scale from minute to huge. His themes include his own body (although some of his work could be called self portraiture), music, and the passing of time, as well as his artistic engagement with material, technique, and process. Some of his pieces are mechanized (the mechanism usually fully on view), or involve sound. His 2005 sculpture Bear is a part of the Stuart Collection of public art on the campus of the University of California, San Diego.
Hawkinson is renowned for creating complex sculptural systems through surprisingly simple means. His installation “Überorgan”—a stadium-size, fully automated bagpipe—was pieced together from bits of electrical hardware and several miles of inflated plastic sheeting. Hawkinson’s fascination with music and notation can also be seen in “Pentecost,” a work in which the artist tuned cardboard tubes and assembled them in the shape of a giant tree. On this tree the artist placed twelve life-size robotic replicas of himself, and programmed them to beat out hymns at humorously irregular intervals. The source of inspiration for many of Hawkinson’s pieces has been the re-imagining of his own body and what it means to make a self-portrait of this new or fictionalized body. In 1997 the artist created an exacting, two-inch tall skeleton of a bird from his own fingernail parings, and later made a feather and egg from his own hair. Believable even at a close distance, these works reveal Hawkinson’s attention to detail as well as his obsession with life, death, and the passage of time.
Hawkinson has participated in numerous exhibitions in the United States and abroad, including the Venice Biennale (1999), the Massachusetts Museum of Contemporary Art, (2000), the Power Plant in Toronto, Canada (2000), the Whitney Biennial (2002), and the 2003 Corcoran Biennial in Washington, D.C. Tim Hawkinson resides in Los Angeles with his wife.
A 2009 exhibition of new works included sculptures crafted from eggshells and a life-sized motorcycle constructed out of feathers. It was on view from May 8 through July 4, 2009 at The Pace Gallery, New York (32 East 57th Street). Hawkinson has been represented by The Pace Gallery since 2005.
- Whitney Museum of American Art, New York. February 11 – May 29, 2005.
- Los Angeles County Museum of Art. June 26 – September 5, 2005.
- J. Paul Getty Museum. March 6, 2007 - September 9, 2007
- Museum of Contemporary Art, Sydney, Australia. 2008
- https://web.archive.org/web/20090110185148/http://whitney.org/www/exhibition/feat_hawk.jsp. Archived from the original on January 10, 2009. Retrieved January 17, 2009. Missing or empty
- Tim Hawkinson—June 26–August 28, 2005. Lacma.org, retrieved February 20, 2011
- Lawrence Rinder. 2005, Tim Hawkinson (Whitney Museum of American Art)
|Wikimedia Commons has media related to Tim Hawkinson.|
- The Pace Gallery
- Taking the Measure of the World Exhibition review by Ken Allan in X-TRA Contemporary Art Quarterly
- Biography, interviews, essays, artwork images and video clips from PBS series Art:21 -- Art in the Twenty-First Century - Season 2 (2003).
- Doug Harvey's LA Weekly review of Hawkinson's Mid-Career Survey