Timecop

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Timecop
Timecopposter.jpg
Theatrical release poster
Directed by Peter Hyams
Produced by Moshe Diamant
Sam Raimi
Robert Tapert
Screenplay by Mark Verheiden
Story by Mike Richardson
Mark Verheiden
Based on Timecop
by
Mike Richardson
Mark Verheiden
Starring
Music by Mark Isham
Robert Lamm
Cinematography Peter Hyams
Edited by Steven Kemper
Production
company
Distributed by Universal Pictures
Release dates
  • September 16, 1994 (1994-09-16)
Running time
98 minutes
Country United States
Language English
Budget US$27 million[1]
Box office $101,646,581

Timecop is a 1994 science fiction action film directed by Peter Hyams and co-written by Mike Richardson and Mark Verheiden. Richardson also served as executive producer. The film is based on Time Cop, a story created by Richardson, written by Verheiden, and drawn by Ron Randall, which appeared in the anthology comic Dark Horse Comics, published by Dark Horse Comics.

The film stars Jean-Claude Van Damme as Max Walker, a police officer in 1994 and later a U.S. Federal agent in 2004, when time travel has been made possible. It also stars Ron Silver as a rogue politician and Mia Sara as the agent's wife. The story follows an interconnected web of episodes in the agent's life as he fights time-travel crime and investigates the politician's plans.

Timecop remains Van Damme's highest-grossing film (his second to break the $100 million barrier for a worldwide gross) as a lead actor. It is generally regarded as one of Van Damme's better films by critics.

Plot[edit]

By 1994, time travel has been developed and is used for illicit purposes. The Time Enforcement Commission (TEC) has been established to police the use of time travel, with Senator Aaron McComb overseeing operations. Police officer Max Walker has been offered a position with the TEC but is unsure whether or not to accept. While at home with his wife Melissa, he is attacked by unknown assailants and witnesses the house explode, killing her.

Ten years later, Walker is a veteran of the TEC working under Commissioner Eugene Matuzak, who sends him back to 1929 to prevent his former partner, Lyle Atwood, from using knowledge of the future to financially benefit from the U.S. stock market crash. When confronted, Atwood admits to be working for Senator McComb, who needs the funds for his upcoming presidential campaign. Fearing that McComb will erase him from history, Atwood attempts to jump to his death, but Walker catches him mid-leap and returns to 2004. Refusing to testify, Atwood is sentenced to execution and is returned to 1929 where he resumes falling to his death.

Walker is assigned a new partner, TEC rookie Sarah Fielding, and together they are sent back to 1994 to investigate McComb. They witness a meeting between young McComb and business partner Jack Parker, where McComb wishes to withdraw over a disagreement about a new computer chip. They are interrupted by the older McComb, who arrives from 2004 to stop the exchange claiming the chip will become highly profitable. Older McComb specifically tells his younger self not to touch him as the same matter cannot occupy the same space, and then kills Parker. Fielding turns on Walker, revealing that she works for McComb, and after a shootout Fielding is wounded and Walker escapes back to 2004.

Walker returns to the TEC to find the future altered. McComb is now sole owner of the computer company and is a presidential front runner while the TEC is being shut down due to budget cuts. Walker appeals to Matuzak, who has no knowledge of the alternate present. Matuzak sends Walker back to the past in a prototype time machine, sacrificing himself in the process.

Back in 1994, Walker finds Fielding in the hospital and after interrogation she agrees to testify against McComb, though she is murdered in her room shortly thereafter. While at the hospital, Walker finds a record of a recent visit by his wife Melissa, discovering that she was pregnant. Realizing that she would be killed later that night, he tracks her down and reveals himself to be from the future.

That night, the younger Walker returns home and is attacked just as before, with the assailants revealed to be in McComb's employ, but is unknowingly aided by his older self who has been lying in wait. With the assailants defeated, the older McComb steps in and takes Melissa hostage, confronting the older Walker with the bomb. Walker then reveals that he had previously lured the younger McComb to the house, who enters the room. After McComb wounds Melissa, Walker pushes the two McCombs together and, as the same matter cannot occupy the same space, they merge together into a liquefied mass before disappearing from existence. Walker then escapes with Melissa before the bomb explodes and lays her down beside his unconscious younger self before returning to the future.

Back in 2004, Walker finds the timeline changed for the better. Matuzak and Fielding are alive and active in the TEC, whereas McComb no longer exists. Walker returns home to find Melissa alive and waiting for him with their 9 year old son.

Cast[edit]

Production[edit]

It wasn’t at all planned from the beginning that I would make two films with Jean-Claude Van Damme back-to-back. I was approached to do Timecop, and I loved the auspices. (Producer) Larry Gordon was involved with it; Moshe Diamant was a terrific producer; Sam Raimi was involved... It was a really clever story, and I thought it was a chance to make the best movie Van Damme ever made. I said yes and we made it, and it was clear that it was going to be a hit because it previewed through the roof every time. It’s still his biggest hit. So Universal and Moshe Diamant wanted to team us again as soon as possible, so they put Sudden Death together. There was never any question that we would just do Timecop 2. I would never have agreed to that. The last thing you want to do is repeat yourself. That would be awful.

— Peter Hyams, Empire Magazine[2]

Release[edit]

Box office[edit]

Timecop was released on September 16, 1994, where it opened at the number 1 spot with $12,064,625 from 2,228 theaters, and a $5,415 average per theater.[3][4] In its second week, it took the top spot again with $8,176,615.[5] It finished its run with $45 million in the U.S. Overseas, it grossed about $57 million, for a total gross of $101 million. This makes it Van Damme's highest-grossing film in which he played the leading role, and his second to make over $100 million overall (after Universal Soldier).

Reception[edit]

Critics were mixed on Timecop, citing its various plot holes and inconsistencies.[6] Roger Ebert called Timecop a low-rent Terminator.[7] Richard Harrington of The Washington Post said, "For once, Van Damme's accent is easier to understand than the plot." David Richards of The New York Times disparaged Van Damme's acting and previous films but called Timecop "his classiest effort to date".[8] Timecop holds a 43% and 5.2/10 average rating on Rotten Tomatoes, based on 40 reviews, with 17 fresh reviews and 23 rotten. The site's consensus is: "It's no Terminator, but for those willing to suspend disbelief and rational thought, Timecop provides limited sci-fi action rewards."

The film made Entertainment Weekly's "Underrated Films" list in November 2010, mostly because of Van Damme's acting.[9]

Music[edit]

The musical score of Timecop was composed by Mark Isham and conducted by Ken Kugler.

Soundtrack[edit]

Track listing

  1. "Time Cop" – 2:20
  2. "Melissa" – 2:41
  3. "Blow Up" – 2:12
  4. "Lasers and Tasers" – 4:23
  5. "Polaroid" – 6:10
  6. "Rooftop" – 6:16
  7. "C4" – 2:37
  8. "Rescue and Return" – 3:22

Home media release[edit]

Timecop was released on DVD in 1998. Two separate versions were released, a 2.35:1 anamorphic widescreen edition and a fullscreen edition.[citation needed] The widescreen release is identified with the title on the front cover having green lettering, whereas the fullscreen is red and white.[citation needed]

The DVD extras include production notes, a theatrical trailer and notes on the cast and crew.

By 2010, the rights to the film had reverted to Largo successor InterMedia, and distribution shifted to Warner Home Video. A Blu-ray of the film was released as a double feature for both this and Bloodsport from Warner Home Video on September 14, 2010, which has the full uncut 98-minute version in 2.35:1 widescreen, but no extra features.

Spinoffs[edit]

The film, which was originally based on a comic, was adapted into a two-issue comic book series.

Reboot[edit]

In 2010, Universal announced a reboot of the film, with Marc Shmuger producing alongside Tom McNulty and Mark & Brian Gunn writing.[13][14][15]

References[edit]

  1. ^ "Van Damme very determined". Hartford Courant. Retrieved 2010-11-27. 
  2. ^ "Directors Special: Peter Hyams Goes Film-By-Film". Empire Magazine. 24 July 2014. Retrieved 30 July 2014. 
  3. ^ Dutka, Elaine (1994-09-20). "Weekend Box Office : An Arresting Opening for TimeCop". Los Angeles Times. Retrieved 2012-06-13. 
  4. ^ Kleid, Beth (1994-09-26). "MOVIES". The Los Angeles Times. Retrieved 2010-08-31. 
  5. ^ Kleid, Beth (1994-09-26). "MOVIES 'Timecop' on Top: It's "Timecop" time again.". The Los Angeles Times. Retrieved 2010-11-08. 
  6. ^ "A Giant Leap For Van Damme In `Timecop'". Hartford Courant. Retrieved 2010-11-25. 
  7. ^ "Roger Ebert review of ''Timecop''". Rogerebert.suntimes.com. 1994-09-16. Retrieved 2011-02-09. 
  8. ^ Richards, David (1994-09-04). "FILM; Jean-Claude Van Damme, the, uh, Actor?". The New York Times. Retrieved 2010-08-08. 
  9. ^ Connolly, Kelly. "12 Underrated Movie Gems". Entertainment Weekly. Retrieved 2010-11-25. 
  10. ^ "Timecop". MobyGames. Retrieved 2010-11-28. 
  11. ^ Lowry, Brian (1996-10-25). "ABC Invests $15 Million in 'Timecop'". The Los Angeles Times. Retrieved 2010-08-31. 
  12. ^ "Timecop 2: The Berlin Decision". Cinefantastique. Retrieved 2010-11-28. 
  13. ^ Wigler, Josh. "'TimeCop' Reboot In The Works, Jean-Claude Van Damme 'Won't Be Invited Back'". 
  14. ^ Universal Plans 'Timecop' Reboot (Exclusive)
  15. ^ "'Timecop' Reboot Snags 'Journey 2' Writers (Exclusive)". The Hollywood Reporter. 2014-04-09. Retrieved 2014-04-09. 

External links[edit]