Tin Machine II
|Tin Machine II|
The unedited European album cover
|Studio album by|
|Released||2 September 1991|
|Recorded||Sydney September 1989– November 1989 ; April 1990 ; September 1990 – October 1990 ; Los Angeles, March 1991|
|Genre||Rock, hard rock, art rock|
|Label||Victory Music/London Records|
|Tin Machine chronology|
|David Bowie chronology|
|US album cover|
The US album cover, with the Kouroi's penises airbrushed out
Tin Machine II is the second and final studio album by Anglo-American rock group Tin Machine, originally released by Victory Music in 1991. After this album and the supporting tour, Tin Machine dissolved as frontman David Bowie resumed his solo career.
The band reconvened following their 1989 tour, recording most of the album in Sydney. The band played an impromptu show at a small Sydney venue on 4 November 1989, which prompted a rebuke from the local musician's union before taking a rest while David Bowie conducted his solo Sound+Vision Tour and filmed The Linguini Incident.
In describing this album, guitarist Reeves Gabrels said "this album is as aggressive as the first one, but the songs are more melodic. Last time, we were screaming at the world. This time, I think, they're all love songs in a strange kind of way." Reeves joked that his playing style was something his friends called "modal chromaticism, which is 'any note you want as long as you end on a right note.'"
Gabrels later stated that at the time he was deeply into Nine Inch Nails' album Pretty Hate Machine and was looking for an industrial edge to his own guitar work for the album. Ultimately (after recording track after track of guitar noise), he found a "shard of guitar noise" that he liked and used it on the album track "Shopping for Girls," a song about child prostitution in Thailand. Bowie said of the track:
That song actually came out of an investigative magazine article that Reeves' wife wrote on child prostitution around the world. And one of the places she went to was Thailand. Reeves had the rather unsavory job of hiring the children and then getting them out of the brothels to Sara, who could then interview them. We were just talking about those experiences one night. And I've also been in Thailand and witnessed the same kind of thing. The actual approach of how to write the song was quite devastating. 'Cause it was so easy to slip into sensationalism. I tried all kinds of ways of approaching it … the moral point of view … and I just ended up doing it straight narrative. That seems to make it stronger than any other approach.
The track "Goodbye Mr. Ed" was started as a jam the band used to tune up one day. Tony Hunt recalled "We all came back from lunch and David had written a whole sheet of lyrics for it, and then he put the vocal on later with the melody." Bowie described the meaning of the song this way:
[The song] is very much juxtaposing lines which really shouldn't fit, free-association around the idea of 'bye-bye, '50s America.' New York once belonged to the Manahattos - a tribe that used to have that bit of land before it became Manhattan. That was the first real, solid image I had ... I thought, 'That's what this song's about.'
The group signed to Victory Music and added three further tracks in Los Angeles, with Hugh Padgham (producer of Bowie's 1984 album Tonight) overseeing the song "One Shot". Gabrels later said the band was pressured by Victory Music's owner Phil Carson to re-record "One Shot" with Padgham because "radio would play the song if they saw Hugh’s name", but in essence the original and released version of the song were "nearly identical." Gabrels said "the only difference is the hi-hat pattern. And I think the guitar solo is better on the Hugh version." The album was issued in September 1991. Hunt Sales took lead vocals on two tracks: "Stateside" and "Sorry".
The song "Betty Wrong" featured in the film "The Crossing" (1990).
The album's cover was created by Edward Bell, who had previously worked with Bowie in making artwork for Scary Monsters (and Super Creeps). In a manner similar to pop art, it consists of a photo of the Kroisos Kouros repeated fourfold. The original concept had each one overlaid with torn pieces of photos of each member to represent them (except for Gabrels', which featured a cutout of a Steinberger guitar). The photo that would represent Bowie was used to emblazon the CD label.
For the American release of the album, the cover was airbrushed to remove the genitalia of the Kouroi statues. "Even Canada has the original cover," Bowie said, "Only in America …" Bowie floated the idea of allowing American album-buyers to send away to the record company for the genitalia that were struck from their version of the cover, but the label balked. He said: "then [the fans] could paste them back on. But the label freaked out at the idea. Sending genitals through the mail is a serious offense."
Release and reviews
|The New York Times||favourable|
Less successful than the band's debut album, Tin Machine II peaked at No. 23 in the UK and No. 126 in the USA. It received generally poor reviews on release, although it achieved success on the Modern Rock chart in the USA, where "Baby Universal" reached No. 21, and "One Shot" became an even bigger hit, reaching No. 3. Q magazine, in a review that stated on the cover the question "Are Tin Machine Crap?", felt that this album did not "quite match up to their wonderfully overwrought but sadly under bought debut", while praising such individual tracks such as "If There Was Something", "You Belong in Rock 'n' Roll" and "Shopping for Girls". There were positive reviews, with one reviewer finding the album "a return to raw form" and called it "the best music Bowie's released since 1980s Scary Monsters", while another found the album "well-conceived and well-executed", only lamenting that it had perhaps been released before radio listeners were ready to hear it. Yet another critic praised Gabrels' guitar work as "two parts Robert Fripp, one part Eddie Van Halen and one part speeding ambulance" in a review that also praised the album. In 2010, Uncut magazine placed the album on their list of 50 Great Lost Albums (their list of great albums not currently available for purchase), calling the album "extraordinary".
The band supported the album with a seven-month tour called the "It's My Life Tour".
|2.||"One Shot"||Bowie, Gabrels, Hunt Sales, Tony Fox Sales||5:11|
|3.||"You Belong in Rock n' Roll"||4:07|
|4.||"If There Is Something"||Bryan Ferry||4:45|
|7.||"You Can't Talk"||Bowie, Gabrels, H. Sales, T. Sales||3:09|
|8.||"Stateside"||Bowie, H. Sales||5:38|
|9.||"Shopping for Girls"||3:44|
|10.||"A Big Hurt"||Bowie||3:40|
|12.||"Goodbye Mr. Ed"||Bowie, H. Sales, T. Sales||3:24|
|13.||"Hammerhead" (instrumental) (hidden track)||Bowie, H. Sales||0:57|
"Hammerhead" is an edit from the longer vocal version that was issued as the B-side for some releases of the "You Belong in Rock 'n' Roll" and "One Shot" singles.
- David Bowie – lead (1–7, 9, 10, 12) and backing (8, 11) vocals, rhythm guitar, piano, saxophone
- Reeves Gabrels – guitar, backing vocals, vibrators, organ
- Hunt Sales – drums, percussion, backing and lead (8, 11) vocals
- Tony Sales – bass, backing vocals
- Tim Palmer – producer, mixing, additional piano and percussion
- Kevin Armstrong – rhythm guitar on "If There Is Something", piano on "Shopping for Girls"
- Hugh Padgham - production, engineering and mixing on "One Shot"
- Guy Gray, Simon Vinestock, Justin Shirley-Smith, Eric Schilling, Ruggie Simkins, Chuck Ferry - engineering
- Reiner Design Consultants, Inc. - design
- Edward Bell - illustration
- Sally Hershberger - photography
- thanks: Isolar, the staff at Studios 301, Mesa Boogie, Steinberger, Takamine, Chandler, Ludwig, Vigier, Danny Ferrington, Jim Dunlop & DiMarzio
- special thanks, Phil, baby
|Norwegian Albums (VG-lista)||14|
|UK Albums (OCC)||23|
|US Billboard 200||126|
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