Tinderbox (Siouxsie and the Banshees album)

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Siouxsie & the Banshees-Tinderbox.jpg
Studio album by Siouxsie and the Banshees
Released 21 April 1986
Recorded 1985
Genre Gothic rock, post-punk
Length 38:21
Producer Siouxsie and the Banshees
Siouxsie and the Banshees chronology
Through the Looking Glass
Singles from Tinderbox
  1. "Cities in Dust"
    Released: 18 October 1985
  2. "Candyman"
    Released: 28 February 1986
Professional ratings
Review scores
Source Rating
AllMusic 4.5/5 stars[1]
Pop Matters very favourable[2]
The Quietus very favourable[3]
Spin very favourable[4]

Tinderbox is the seventh studio album by the English rock band Siouxsie and the Banshees, released in 1986. It was the first full-length effort recorded with new guitarist John Valentine Carruthers; Carruthers had previously only added a few parts on 1984's The Thorn EP. The first recording sessions for this album took place at Hansa Tonstudio by the Berlin Wall in May 1985.

Two songs were released as singles between late 1985 and early 1986, "Cities in Dust" and "Candyman". Tinderbox peaked at No. 13 in the UK Albums Chart,[5] and at No. 88 on the U.S. Billboard 200 chart in the week of 5 July.[6] Tinderbox is retrospectively considered as a classic by critics.

The album was reissued in a remastered and expanded edition in 2009, with bonus tracks including an unreleased version of 1987's "Song from the Edge of the World" non-album single, and an unreleased song with lyrics by Steven Severin called "Starcrossed", recorded in May 1985. The B-sides of "Cities in Dust" and "Candyman", initially included as bonus tracks on the 1986 CD, were then included in the Downside Up B-sides box set.

Critical reception[edit]

The album was well received by critics. Sounds praised the album on its release. Kevin Murphy wrote, "Tinderbox romps and swoons with all the majesty of Dreamhouse", and added, "it's a refreshing slant on the Banshees' disturbing perspective and restores their vivid shades to pop's pale palette."[7] Jon Savage also hailed the record in Spin magazine: "Its scope, ease, and assurance make it a good collection for the Banshees to relaunch themselves into the international market this spring. Carruthers fits in to the point that you wouldn't know there was a change, and Budgie's drumming is superb. Apart from the singles "Cities in Dust" and "Candyman" (which perpetuates the Banshees' sinister view of childhood), the sparks fly on the crystal clear "Cannons" and the unsettling "Parties Fall".[4]

AllMusic reviewer David Cleary retrospectively rated the record 4.5 out of 5 stars, applauding the band for "rocking drumming, drivingly aggressive yet fully textured guitar playing, and masterful, gutsy singing. The songs here are intense [...] in fact, there's a certain satisfying feel to the musically uniform wall of sound here. [...] there are [...] plenty of subtle, effective production touches to be found throughout."[1] The Quietus also praised the album and said: "By removing the focus from the guitar, Siouxsie & The Banshees forged a sound that was totally their own. Rhythmic and percussive, the rock idiom of old was eschewed in favour of a sound that was wholly their own. "Cities In Dust", the first taster from Tinderbox, found the band moving into more electronic climes as Severin's recently purchased DX-7 synth discovered new territories to explore."[3]


Tinderbox would be later hailed by the lead singer of Suede, Brett Anderson.[8] Jenny Lee Lindberg of Warpaint cited the band among her influences, as well as the song "Umbrella", initially included in the track listing of the 1986 CD version.[9]

PopMatters listed it among their "12 Essential Alternative Rock Albums from the 1980s", saying it was a "bold and enchanting album".[2]

Track listing[edit]

All tracks by Siouxsie and the Banshees.