Tonight's the Night (Neil Young album)
|Tonight's the Night|
|Studio album by Neil Young|
|Released||June 20, 1975|
|Studio||Studio Instrument Rentals, Hollywood, CA (except "Come On Baby": Fillmore East, NYC, March 1970; "Lookout Joe": Broken Arrow Ranch, December 1972 and "Borrowed Tune": Broken Arrow Ranch, December 1973)|
|Producer||David Briggs and Neil Young
with Tim Mulligan
Elliot Mazer (on "Lookout Joe")
|Neil Young chronology|
Tonight's the Night is the sixth studio album by Canadian musician Neil Young, released in 1975 on Reprise Records. It was recorded in 1973 (most of it on a single day, August 26), its release delayed for two years. It peaked at #25 on the Billboard 200. In 2003, the album was ranked number 331 on Rolling Stone magazine's list of the 500 greatest albums of all time.
Tonight's the Night is a direct expression of grief. Crazy Horse guitarist Danny Whitten and Young's friend and roadie Bruce Berry had both died of drug overdoses in the months before the songs were written. The title track mentions Berry by name, while Whitten's guitar and vocal work highlight "Come on Baby Let's Go Downtown"; the latter was recorded live in 1970. The song would later appear, unedited, on a live album from the same concerts, Live at the Fillmore East, with Whitten credited as the sole author.
Fans have long speculated that an alternate version of Tonight's the Night exists. Neil Young's father, Scott Young, wrote of it in his memoir, Neil and Me:
Ten years after the original recording, David Briggs and I talked about Tonight's the Night, on which he had shared the producer credit with Neil. At home a couple of weeks earlier he had come across the original tape, the one that wasn't put out. "I want to tell you, it is a handful. It is unrelenting. There is no relief in it at all. It does not release you for one second. It's like some guy having you by the throat from the first note, and all the way to the end." After all the real smooth stuff Neil had been doing, David felt most critics and others simply failed to read what they should have into Tonight's the Night -- that it was an artist making a giant growth step. Neil came in during this conversation, which was in his living room. When David stopped Neil said, "You've got that original? I thought it was lost. I've never been able to find it. We'll bring it out someday, that original."
The band assembled for the album was known as The Santa Monica Flyers. It consisted of Young, Ben Keith, Nils Lofgren, and the Crazy Horse rhythm section of Billy Talbot and Ralph Molina. One track as stated above was taken from recordings of an earlier tour with Crazy Horse, and another from an earlier session with his band for Harvest, The Stray Gators.
Included with the early original vinyl releases of Tonight's the Night is a cryptic message written by Young: "I'm sorry. You don't know these people. This means nothing to you."
On the front of the insert is a letter to a character called "Waterface"; scratched into the run-out grooves on side one is the message "Hello Waterface" while the run-out grooves on side two read "Goodbye Waterface". No explanation is given to this person's identity. In Jimmy McDonough's Shakey, Young says that "Waterface is the person writing the letter. When I read the letter, I'm Waterface. It's just a stupid thing—a suicide note without the suicide." The picture of Roy Orbison in the insert is taken from a bootleg tape Young came across and, feeling bad that Orbison most likely did not know the bootleg existed, printed in the insert for him to see.
The back of the insert has some text superimposed over the credits to Young's On the Beach album, released a year earlier. This text is reportedly the lyrics to a Homegrown-era unreleased song titled "Florida", characterized by McDonough as "a cockamamie spoken-word dream, set to the shrieking accompaniment of either Young or [Ben] Keith drawing a wet finger around the rim of a glass."
When unfolded, a whole side of the insert features a lengthy article printed entirely in Dutch. It is a review of a Tonight's the Night live show by Dutch journalist Constant Meijers for the Dutch rock music magazine Muziekkrant OOR. In 1976 Young said he chose to print it "Because I didn't understand any of it myself, and when someone is so sickened and fucked up as I was then, everything's in Dutch anyway." Meijers later spent a week at Young's ranch in California: during this visit, Young explained that he chose the article after some Dutch girls who were visiting him translated the story and made him aware of the fact "that someone on the other end of the world exactly understood what he was trying to say."
The Reprise Records label on the vinyl copy was printed in black and white rather than the standard orange color, a process Young undertook again on the CD label art for 1994's Sleeps with Angels. Early editions of the sleeve were made on blotter paper.
In Shakey, Young maintains that along with the inserts there was a small package of glitter inside the sleeve that was meant to fall out ("our Bowie statement"), spilling when the listener took the record out. However, neither McDonough nor Young archivist Joel Bernstein have yet found a copy of Tonight's the Night featuring the glitter package.
|Rolling Stone Album Guide|||
The music has a feeling of offhand, first-take crudity matched recently only by Blood on the Tracks, almost as though Young wanted us to miss its ultimate majesty in order to emphasize its ragged edge of desolation. [...] More than any of Young's earlier songs and albums—even the despondent On the Beach and the mordant, rancorous Time Fades Away—Tonight's the Night is preoccupied with death and disaster. [...] There is no sense of retreat, no apology, no excuses offered and no quarter given. If anything, these are the old ideas with a new sense of aggressiveness. The jitteriness of the music, its sloppy, unarranged (but decidedly structured) feeling is clearly calculated.
In a follow-up review published in the 1983 edition of The New Rolling Stone Record Guide, Marsh writes:
The record chronicles the post-hippie, post-Vietnam demise of counterculture idealism, and a generation's long, slow trickle down the drain through drugs, violence, and twisted sexuality. This is Young's only conceptually cohesive record, and it's a great one.
All songs written by Neil Young, except where noted.
|1.||"Tonight's the Night"||The Santa Monica Flyers||4:39|
|2.||"Speakin' Out"||The Santa Monica Flyers||4:56|
|3.||"World on a String"||The Santa Monica Flyers||2:27|
|5.||"Come on Baby Let's Go Downtown" (live at the Fillmore East, New York City, Mar. 7, 1970)||Neil Young, Danny Whitten||Crazy Horse||3:35|
|6.||"Mellow My Mind"||The Santa Monica Flyers||3:07|
|1.||"Roll Another Number (For the Road)"||The Santa Monica Flyers||3:02|
|2.||"Albuquerque"||The Santa Monica Flyers||4:02|
|3.||"New Mama"||The Santa Monica Flyers||2:11|
|4.||"Lookout Joe"||The Stray Gators||3:57|
|5.||"Tired Eyes"||The Santa Monica Flyers||4:38|
|6.||"Tonight's the Night" (Part II)||The Santa Monica Flyers||4:52|
- Neil Young – vocals; guitar on "World on a String," "Come On Baby Let's Go Downtown," "Mellow My Mind," "Roll Another Number," "Albuquerque," "New Mama," "Lookout Joe," and "Tired Eyes"; piano on "Tonight's the Night," "Speakin' Out," and "Borrowed Tune"; harmonica on "World on a String," "Borrowed Tune," and "Mellow My Mind"; vibes on "New Mama"
- Ben Keith – pedal steel guitar, vocal on "Tonight's the Night," "Speakin' Out," "Roll Another Number," "Albuquerque," and "Tired Eyes"; pedal steel guitar on "World on a String" and "Mellow My Mind"; vocal on "New Mama"; slide guitar, vocal on "Lookout Joe"
- Nils Lofgren – piano on "World on a String," "Mellow My Mind," "Roll Another Number," "Albuquerque," "New Mama," and "Tired Eyes"; vocal on "Roll Another Number," "Albuquerque," and "Tired Eyes"; guitar on "Tonight's the Night," "Speakin' Out"
- Danny Whitten – vocal, electric guitar on "Come On Baby Let's Go Downtown"
- Jack Nitzsche – electric piano on "Come On Baby Let's Go Downtown"; piano on "Lookout Joe"
- Billy Talbot – bass all tracks except "Borrowed Tune," "New Mama," and "Lookout Joe"
- Tim Drummond – bass on "Lookout Joe"
- Ralph Molina – drums, vocal all tracks except "Borrowed Tune," "New Mama," and "Lookout Joe"; vocal on "New Mama"
- Kenny Buttrey – drums on "Lookout Joe"
- George Whitsell – vocal on "New Mama"
- Barker, Hugh; Taylor, Yuval (2007-02-17). Faking It: The Quest for Authenticity in Popular Music. Norton. p. 211. ISBN 9780393060782. Retrieved 11 September 2012.
- Tonight's the Night - Neil Young > Charts & Awards > Billboard Albums at AllMusic. Retrieved 8 November 2005.
- Levy, Joe; Steven Van Zandt (2006) . "331 | Tonight's the Night - Neil Young". Rolling Stone's 500 Greatest Albums of All Time (3rd ed.). London: Turnaround. ISBN 1-932958-61-4. OCLC 70672814. Retrieved 26 February 2006.
- McDonough, Jimmy. Shakey: Neil Young’s Biography. New York: Random House Inc., 2002
- Ruhlmann, William. Neil Young: Tonight's the Night > Review at AllMusic. Retrieved 6 November 2005.
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- Richardson, Mark (25 June 2016). "Neil Young: Tonight's the Night". Pitchfork Media. Retrieved 28 June 2016.
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- Brackett, Nathan; Hoard, Christian, eds. (2004). "Neil Young". The New Rolling Stone Album Guide. London: Fireside. ISBN 0-7432-0169-8. Portions posted at "Neil Young > Album Guide". rollingstone.com. Retrieved 24 September 2011.
- Marsh, Dave (August 28, 1975). "Neil Young: Tonight's the Night Music Review". Rolling Stone (194). Archived from the original on 4 November 2007. Retrieved 6 November 2005.
- Fallon, Chris (23 October 2003). "Neil Young (with Crazy Horse): Tonight's the Night > Review". PopMatters. Retrieved 11 December 2007.