Tony Bartl
Tony Bartl | |
|---|---|
| Born | Antonin Karel Bartl 1912 |
| Died | 1998 Probably Lincoln |
| Nationality | Czech /British |
| Education | Prague Academy of Art |
| Known for | Painting, Drawing, Murals |
Antonin Karel Bartl or Tony Bartl (1912–1998) was a Czech artist who in 1947 came to Britain and established himself as an artist, through his connections with Dr Richard Weck, his brother in law, who became Director of The Welding Institute. In 1948 he joined the staff of Lincoln College of Art. In 1972 he arranged a major exhibition at the Usher Gallery, Lincoln of the works of John Piper and his artwork and mozaics were widely used to decorate a number of public buildings and on these projects he worked closely with the Lincoln architect Sam Scorer.[1]
Early life
Antonin Bartl was born in 1912, in Cheb in the western part of Bohemia which was predominantly German speaking. His father was a bespoke tailor and was like many in the area, to become a Nazi supporter. His mother was artistic, a painter, who designed and embroidered her own clothes. Tony graduated from the Prague Academy of Fine Arts where he was taught by Oskar Kokoschka[2] and was influenced by German Expressionist and Austrian Secession painters such as Otto Dix, Gustav Klimt, Paula Modersohn-Becker and Otto Muller. The influence of the Viennese Hagenbund school of art can also be seen in his work. He deveveloped strong communist sympathies, presumably in re-action to the views of his father.
Move to England and Lincoln College of Art
His brother-in-law, Dr Richard Weck, was instrumental in getting Tony Bartl to England on a visa through the Arts Council in 1947. On arrival, Tony stayed with his sister Katie and Richard in Weybridge at a refugee camp run by Dame Ethel Locke-king, whose husband established Brookland’s Racetrack. They were then to move Abington Hall, outside Cambridge and in 1948, Marchbank Salmon, the Principal of the Lincoln College of Art invited him to become a lecturer. In 1955 he had a house built at 5 Gibralter Hill to designs by the architect Edward Albarn, a conscientious objector, who was a member of a pacifist community based at Holton cum Beckering, near Wragby. Albarn was Head of the School of Architecture at Lincoln College of Art [3]
Tony Bartl and Sam Scorer
Sam Scorer, appears to have worked with Tony Bartl on a number of architectural projects. Sam Scorer was a Lincoln architect who had read Mechanical Engineering at Cambridge and also lived on Gibralter Hill in Lincoln. These included murals and designs for Plyglass panels for Richard Thomas and Baldwins, Scunthorpe. This was probably the laboratory for Richard Thomas and Baldwins (1958) Redbourn Works. Described by Pevsner and Harris as an interesting structure with fifteen concrete mushroom pillars. Hence the roof comes down in lobes.[4] It appears that it was demolished by 1989.
Exhibitions
Bartl exhibited in Liverpool at the John Moores Awards and at the Bridlesmith Gate Gallery, Nottingham. Also in Leicester, Birmingham, Lincoln, London, with solo shows in Cambridge, Nottingham and Lincoln.
Public Collections
- Usher Art Gallery, Lincoln.
References
- ^ Sam Scorer Gallery, Lincoln www.samscorergallery.co.uk/antonin-bartl-100-years-retrospective/
- ^ Kokoschka was at the Academy between 1934 and 1938
- ^ British Listed Buildings
- ^ Pevsner N & HarrisJ (1964) The Buildings of Lincolnshire, Penguin, London pp.359