Tony Kaye (musician)

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Tony Kaye
Tony Kaye Yes.jpg
Kaye on stage with Yes, in Chile, 1994
Background information
Birth nameAnthony John Selvidge
Born (1945-01-11) 11 January 1945 (age 73)
Leicester, England
GenresProgressive rock, rock
InstrumentsKeyboards
Years active1963–present
Associated actsYes, Flash, Badger, Detective, Badfinger, Circa, Yoso, David Bowie

Tony Kaye (born Anthony John Selvidge; 11 January 1945[1]) is an English keyboardist, songwriter, producer and manager, best known as a founding member of the rock band Yes. Born into a musical family, Kaye was classically trained and intended to become a concert pianist before he developed an interest in jazz and contemporary rock and pop music. He joined several groups through the 1960s, including the Federals, Johnny Taylor's Star Combo, Jimmy Winston & His Reflections, and Bittersweet.

From 1968 to 1971, Kaye was a member of Yes and played on their first three albums. He then formed Badger and relocated to Los Angeles in 1974, after which he toured with David Bowie and joined Detective. Kaye then played in Badfinger and is featured on their final studio album in 1981. He returned to Yes in 1983 for their most commercially successful period before he left in 1994.

Kaye has since been involved with several projects with Billy Sherwood and is a current member of Circa. From 2009 to 2011, the two were also members of the supergroup Yoso with members of Toto. In 2017, Kaye was inducted into the Rock and Roll Hall of Fame as a member of Yes.[2]

Early life[edit]

Kaye was born Anthony John Selvidge on 11 January 1945[3] in Leicester[4][5] to Winifred (Winnie) and Norman.[6] He grew up in a working-class family in north London, with four brothers.[7]

His grandmother was a concert pianist and his grandfather a jazz saxophonist; upon her death she left Kaye her grand piano which he played on when he was little.[4] At age four, Kaye began formal piano lessons with Ms. Flanagan who became a strong influence on him musically and philosophically. By the time he reached eight, he had started to enjoy playing and displayed the ability to recite several classical music pieces. Kaye took part in his first concerts at twelve in solo and duet piano performances. He continued lessons until he turned eighteen.[8] Kaye aspired to pursue study at the Royal College of Music in London to become a concert pianist, but he developed an interest in other music once he heard jazz musicians Count Basie and Duke Ellington. He was also inspired by Victor Borge.[9] During his time at grammar school, he formed a jazz trio with friends and, at fifteen, became a member of the Leicester-based Danny Rogers Orchestra, playing four gigs a week. The leader put Kaye on a postal course in arrangement.[10][8] Kaye also received lessons in the clarinet and played the instrument as part of a big band.[11]

After Kaye left school, he chose not to pursue classical piano due to the heavy competition and a lack of self belief. He also wished to avoid teaching music, which led to his three-year enrolment at Leicester Art College studying advertising and design while performing in groups or the big band in his spare time. Kaye was asked to leave the college before he could graduate, citing a trip in Europe that had left him "mixed up and dissatisfied".[8]

Career[edit]

1963–1968: Early bands[edit]

A Vox Continental organ which Kaye first acquired in the 1960s.

By the early 1960s, Kaye had abandoned his classical background in favour of pop and rock music. He had moved to London, and visited The Marquee club to watch bands play, including keyboardist Graham Bond whose style became a strong influence.[10] Kaye had acquired a Vox Continental, a transistor-based combo organ, while in the big band and until seeing Bond, had played it "like a piano".[11]

Kaye landed a position in The Federals through an advertisement in Melody Maker and played on their singles recorded between 1963 and 1967,[10][8][12] Mainly a covers and comedy showband, the group opened for Roy Orbison for a European tour in 1965.[8] Kaye then became a member of Johnny Taylor's Star Combo, followed by Jimmy Winston & His Reflections, also known as Winston's Fumbs. Also that year he toured Europe once more, this time with French singer Johnny Hallyday. Kaye then had a brief stint as a member of Bittersweet.[8]

1968–1971: Yes[edit]

In 1968, Kaye was invited to attend rehearsals with members of Mabel Greer's Toyshop, a London-based psychedelic rock band who were forming a new, full-time group. He was approached by bassist Chris Squire after singer Jon Anderson had met Kaye some time before and suggested him. After a successful audition, they renamed themselves Yes and began touring nationwide from August 1968. By the end of the year, the band had earned enough money to purchase a Hammond organ for Kaye.[13][10] During his first tenure in Yes, Kaye played on their first three studio albums: Yes (1969), Time and a Word (1970), and The Yes Album (1971). The latter includes Kaye's first songwriting credit which he received on the group-written track "Yours Is No Disgrace". To promote the album, Kaye embarked on the band's first concert tour of the US in June and July 1971.

During rehearsals for their next album, Fragile (1971), Kaye was fired from the band. The group, especially new guitarist Steve Howe, wished to expand their sound with electronic keyboards such as the Mellotron and synthesiser, but Kaye was dissatified with how they sounded and felt more comfortable with the organ and piano.[14] In August 1971, Kaye was replaced by Rick Wakeman who rerecorded some parts originally written by Kaye, including sections on "Heart of the Sunrise".[14] Kaye later claimed Yes's manager Brian Lane gave him US$10,000 (approx. $62,000 in 2018 dollars) in exchange for all of his royalties, something Kaye later regretted.[15]

1971–1982: Flash, Badger, Detective, and Badfinger[edit]

Kaye joined several groups for the remainder of the decade. He played on the self-titled debut album by Flash, a band founded by ex-Yes guitarist Peter Banks but declined their offer to become a full-time member. Kaye then formed Badger with bassist David Foster who co-wrote some Yes songs on their early albums. They released One Live Badger (1973), recorded in concert, and White Lady (1974), recorded in New Orleans with producer Allen Toussaint featuring Jackie Lomax on vocals.[11][16]

It was during this time that Kaye was temporarily re-united with Yes bandmate Chris Squire and new Yes drummer Alan White when they appeared on the Eddie Harris album E.H. in the U.K. (1973) playing on the tracks "I Waited for You" and "Conversations of Everything and Nothing".

Shortly after Badger's White Lady, Kaye recalled the group "wasn't really doing anything" and decided to leave England and relocate to Los Angeles. He initially settled in Hyatt House on Sunset Boulevard next door to Led Zeppelin drummer John Bonham.[11][17][16] In January 1976, during a birthday party held for Kaye at the Rainbow Bar and Grill, he met the tour manager for David Bowie and accepted his offer to join David Bowie in Jamaica to prepare for his upcoming tour in support of Station to Station.[11] The Isolar – 1976 Tour reached North America and Europe from February to May 1976; Kaye is featured on the bonus live tracks on the 1990 and 2010 reissues of the album.

In 1977, Kaye had returned to Los Angeles and joined Detective with singer Michael Des Barres. The group signed to Led Zeppelin's label Swan Song Records and toured as the opening act for Kiss.[16] Kaye played on their two studio albums: Detective (1977) and It Takes One to Know One (1977), as well as the promotional only release, Live from the Atlantic Studios (1978). Around 1979, Kaye took up work in music production and management in the Los Angeles area in various capacities for around three years.[18]

In 1979, Kaye accepted an invitation to join Badfinger for their upcoming North American tour.[19] He was unaware of the band's turbulent history until he read a 1998 biography on them.[16] Despite the tour containing dates at "really shitty clubs with small audiences",[16] Kaye proved to be a strong performer; drummer Peter Clarke recalled that at each gig, Kaye had requested venue staff have two ice buckets, one for each hand, ready so he could put his hands in them after the show. Clarke added, "they were like balloons afterwards, just throbbing".[20] Kaye spoke highly of the tour and the band got along well, but they lacked the right management.[21] He resumed management work at its conclusion, but returned in late 1980 after he was chosen to play in a new line-up. Early rehearsals turned sour, and Kaye went on to bring in Richard Bryans on drums and Glenn Sherba on guitar.[22] Kaye is featured on Say No More, their final studio album of all new material, released in 1981.

1982–1994: Return to Yes[edit]

In 1982, Kaye was invited to form a new band with Squire, Alan White, and singer and guitarist Trevor Rabin. Much of their new material derived from a set of demos produced by Rabin that displayed a more pop-oriented and commercial style of rock music, and Squire thought of Kaye as their ideal keyboardist due to his more simple and textural approach. Kaye accepted Squire's offer and entered rehearsals in London under the name Cinema with producer Trevor Horn in London for 90125. However, conflicts between Kaye and Horn led to the former's exit after several months,[23] leaving Rabin to handle the remaining keyboard parts. By mid-1983, Jon Anderson returned to the band as lead singer and Kaye was replaced by Eddie Jobson. Kaye rejoined Badfinger and undertook a North American tour. By the time it ended in October, Kaye accepted an offer by management to return to Yes.[24]. This did not sit well with Eddie Jobson, who refused to share keyboard duties, prompting his departure shortly thereafter. 90125 had included greater use of MIDI technology, which reignited Kaye's interest in contemporary keyboards unlike the time of his first departure from Yes.[25]

Kaye remained in Yes until 1994. He was absent from the group during filming of the video to "Owner of a Lonely Heart", the lead single from 90125, shots of Jobson having been removed from the sequence as much as possible. A second video for 'Owner' featuring the band with Kaye was subsequently produced. 90125 became Yes's highest selling album which was supported by a 12-month world tour. Kaye operated a MIDI system of analogue and digital keyboards on the tour, two of which he played on stage which controlled additional samples and sound effects from 12 keyboards placed backstage that were co-handled by keyboard programmer Casey Young.[26] His solo spot on the tour, titled "Si", is included on the live album 9012Live: The Solos. Yes then recorded Big Generator with Kaye playing a majority of the keyboard parts with some minor assistance from Trevor Rabin. Before recording, Kaye and his technician Robby Eagle built a MIDI keyboard system to his specifications.[25]

After touring in 1988, Yes remained inactive for two years. Around this time, Kaye committed to a solo instrumental album for Cinema Records and Lee Abrams. The album was fully written, but it was recorded with a drum machine which Kaye grew tired of, and he felt the music better suited with vocals and backing musicians, so he abandoned the work.[25] From 1990 to 1992, Kaye was a part of the eight-member formation of Yes that produced Union and played on the album's supporting tour. The tour marked the first time Kaye and Rick Wakeman met and worked together, both of them generally getting on well as seen in outtakes from the Union documentary. In contrast to Wakeman's battery of keyboards, Kaye's set-up was much simpler, featuring two Yamaha KX76 keyboards.[25] Kaye stayed with the group for their next album Talk, which featured the 90125 and Big Generator line-up and which credits Kaye on the Hammond organ only, the rest of the keyboard parts being performed by Trevor Rabin. On their 1994 tour, however, Kaye did play most keyboard parts, using master keyboards which played additional sounds and samples from racks placed beneath the stage. By mid-1995, Kaye and Rabin had left Yes; Kaye's offer to stay on in a management capacity being turned down thus ending his involvement with the group.

1994–present: Recent activity[edit]

Between the mid-1990s and early 2000s, Kaye was largely retired from the music industry, although he did appear on a number of archival Yes releases, including Something's Coming: The BBC Recordings 1969–1970 and The Word is Live. Kaye went on to play in the Neil Young tribute band The Neil Deal, and assisted in production duties for his wife, actress and singer Daniela Torchia.

Around 2006, Yes member Billy Sherwood asked Kaye to play on some Pink Floyd tribute albums that he was overseeing. Kaye had been out of the music industry for some time and was partly residing in the Cayman Islands. A big fan of Pink Floyd, Kaye could not refuse the offer and "got my B3 out of retirement".[27] During the recording sessions, the pair entered discussions on forming a new band which led to the announcement of CIRCA: in 2007.[27] Since transporting Kaye's B3 to Sherwood's studio and gigs was too difficult, Kaye plays the software synthesiser Hammond B4 from a laptop through a controller keyboard.[11] Both formed the short lived supergroup Yoso which formed in 2009 and disbanded in 2011.

In 2018, Kaye joined Yes as a special guest for their 'Cruise to the Edge' dates and for all of their 50th Anniversary US tour dates.

Style and reception[edit]

Kaye is known for his more simple, more supportive style of playing and avoids long and improvised solos.[28] Yes biographer Tim Morse named Kaye a "'gentleman of rock' for his polite demeanour and his distinguished looks".[28] Longtime Yes producer and mixer Eddy Offord named Kaye as one of the best Hammond organists.[29] Howe named Kaye a "good group member" and praised his contributions to Yes.[28] Geoff Downes said he had always admired Kaye's playing and the sound he got from the Hammond.[29]

Personal life[edit]

Kaye has lived in Los Angeles since 1974; in a 2011 interview, he stated Sherman Oaks as his place of residence.[11] He has not acquired American citizenship.[17] He was once engaged to Squire's stepdaughter Carmen, but later married actress and singer-songwriter Daniela Torchia.[30]

Kaye is a keen tennis player and played in professional tournaments in the 1980s.[27] Kaye began a series of small businesses apart from music. He has been involved in a number of legal actions against former Yes and their former manager Brian Lane over alleged unpaid royalties.

Kaye unsuccessfully auditioned for the part of the Hammond player in the mock-documentary This Is Spinal Tap.[17]

Discography[edit]

As band member[edit]

with The Federals

  • "Boot Hill"/"Keep on Dancing with Me" (1963)
  • "Brazil"/"In a Persian Market" (1963)
  • "Marlena"/"Please Believe Me" (1964)
  • "Twilight Time"/"Lost and Alone" (1964)
  • "A Bucketful of Love"/"Leah" (1965)
  • "What I'd Say" (1966)
  • "Dance with a Dolly"/"The Climb" (1967)

with Winston's Fumbs

  • "Real Crazy Apartment"/"Snow White" – (1967; released on Nuggets II – Original Artyfacts from the British Empire and Beyond 1964–1969 (2001))

with Yes

with Flash

  • Flash (1972)

with Badger

  • One Live Badger (1973)
  • White Lady (1974)
  • Dean's List (1998; compilation)

with Detective

  • Detective (1977)
  • It Takes One To Know One (1978)

with Badfinger

with CIRCA:

  • CIRCA: 2007 (2007)
  • CIRCA: Live (2008)
  • CIRCA: HQ (2009)
  • CIRCA: Overflow (2009)
  • And So On (2011)
  • Live From Here There & Everywhere (2013)
  • Valley of the Windmill (2016)

with Yoso

Billy Sherwood & Tony Kaye

  • Live in Japan (2016)

As sideman[edit]

References[edit]

  1. ^ http://shineonhollywoodmagazine.com/shineseptnov2018/web/html5/index.html?&pn=55&locale=ENG
  2. ^ "Inductees: Yes". Rock & Roll Hall of Fame. Retrieved 20 December 2016.
  3. ^ http://shineonhollywoodmagazine.com/shineseptnov2018/web/html5/index.html?&pn=55&locale=ENG
  4. ^ a b Welch 2008, p. 37.
  5. ^ Popoff 2016, p. 3.
  6. ^ http://shineonhollywoodmagazine.com/shineseptnov2018/web/html5/index.html?&pn=61&locale=ENG
  7. ^ http://shineonhollywoodmagazine.com/shineseptnov2018/web/html5/index.html?&pn=37&locale=ENG
  8. ^ a b c d e f Welch 2008, p. 38.
  9. ^ http://shineonhollywoodmagazine.com/shineseptnov2018/web/html5/index.html?&pn=57&locale=ENG
  10. ^ a b c d Morse 1996, p. 3.
  11. ^ a b c d e f g Moehlis, Jeff (22 August 2011). "Interview: Tony Kaye". Music-Illuminati. Retrieved 8 November 2017.
  12. ^ "Before-The-Birth-Of-Yes-Pre-Yes-Tracks-1963-1970". discogs.com.
  13. ^ Welch 2008, p. 39.
  14. ^ a b Tobler 1992, p. 229.
  15. ^ Kaye, Tony. 9012Live – Access All Areas from 9012Live [DVD] (2006).
  16. ^ a b c d e Deriso, Nick (9 November 2012). "Tony Kaye remembers Yes, Badger and Badfinger: Gimme Five". Something Else! Reviews. Retrieved 12 November 2017.
  17. ^ a b c Interview with Legendary Keyboardist Tony Kaye from Long Live Rock
  18. ^ 1984 interview at 02:38–02:57
  19. ^ Matovina 2000, p. 333, 336.
  20. ^ Matovina 2000, p. 336.
  21. ^ Matovina 2000, p. 338.
  22. ^ Matovina 2000, p. 344.
  23. ^ "Tony Kaye. Interview #2: (TALK, 'Trevors', and The Two Towers)". 25 September 2009. Retrieved 12 November 2017 – via YesFans.
  24. ^ Matovina 2000, p. 380.
  25. ^ a b c d Doerschuk, Robert L.; Vail, Mark (August 1991). "Rick Wakeman and Tony Kaye Face Off". Keyboard. Retrieved 12 November 2017.
  26. ^ 1984 interview at 09:11–11:04
  27. ^ a b c Deriso, Nick (13 December 2012). "'Suddenly, I realized Billy could kick ass': Circa's Tony Kaye on switch to guitar for Sherwood". Something Else! Reviews. Retrieved 11 November 2017.
  28. ^ a b c Morse 1996, p. 34.
  29. ^ a b Morse 1996, p. 35.
  30. ^ http://shineonhollywoodmagazine.com/shineseptnov2018/web/html5/index.html?&pn=53&locale=ENG
  31. ^ allmusic.com, Fly Like an Eagle: An All-Star Tribute to the Steve Miller Band
  32. ^ discogs.com, Fly Like An Eagle An All-Star Tribute To Steve Miller Band

Books

  • Matovina, Dan (2000). Without You: The Tragic Story of Badfinger. Frances Glover Books. ISBN 978-0-965-71222-4.
  • Morse, Tim (1996). Yesstories: "Yes" in Their Own Words. St Martin's Press. ISBN 978-0-312-14453-1.
  • Tobler, John (1992). NME Rock 'N' Roll Years (1st ed.). Reed International Books Ltd. ISBN 978-0-600-57602-0.
  • Welch, Chris (2008). Close to the Edge – The Story of Yes. Omnibus Press. ISBN 978-1-84772-132-7.

Interviews