Tout Va Bien
|Tout va bien|
|Produced by||Jean-Pierre Rassam|
|Music by||Paul Beuscher|
|Distributed by||Gaumont Film Company|
The film's title means "everything is going well". It was released in the United States under the title All's Well and internationally under the title Just Great.
The film centers on a strike at a sausage factory which is witnessed by an American reporter and her French husband, who is a commercial director. The film has a strong political message which outlines the logic of the class struggle in France in the wake of the May 1968 civil unrest. It also examines the social destruction caused by capitalism. The performers in Tout va bien employ the Brechtian technique of distancing themselves from the audience. By delivering an opaque performance, the actors draw the audience away from the film's diegesis and towards broader inferences about the film's meaning.
The factory set consists of a cross-sectioned building and allows the camera to dolly back and forth from room to room, theoretically through the walls. Another self-reflexive technique, this particular set was used because it forces the audience to remember that they are witnessing a film, breaking the fourth wall in a literal sense. This type of staging was appropriated from Jerry Lewis's film The Ladies Man. Godard and Gorin use other self-reflexive techniques in Tout va bien such as direct camera address, long takes, and abandonment of the continuity editing system.
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