Trümmerfrau (literally translated as ruins woman or rubble woman) is the German-language name for women who, in the aftermath of World War II, helped clear and reconstruct the bombed cities of Germany and Austria. With hundreds of cities having suffered significant bombing and firestorm damage through aerial attacks (and in some cases, ground fighting), and with many men dead or prisoners of war, this monumental task fell to a large degree on women.
Degree of damage
3.6 million out of the sixteen million homes in 62 cities  in Germany were destroyed during Allied bombings in World War II, with another four million damaged. Half of all school buildings, forty percent of the infrastructure, and many factories were either damaged or destroyed. According to estimates, there were about 400 million cubic metres of ruins and 7.5 million people were made homeless.
Removal of ruins
Between 1945 and 1946, the Allied powers, in both West Germany and East Germany, ordered all women between 15 and 50 years of age to participate in the postwar cleanup. For this purpose, previous restrictive measures protecting women in the labor force were removed in July 1946. Recruitment of women was especially useful since at that time, because of the loss of men in the war, there were seven million more women than men in Germany.
Usually, private enterprises were given assignments to remove the ruins, together with a permit to employ the women for that purpose. The main work was to tear down those parts of buildings that had survived the bombings, but were unsafe and unsuitable for reconstruction. Usually, no heavy machinery was used. The main tools were picks and hand-winches. After tearing down the ruins, the remnants had to be further demolished, down to single bricks that could later be used in rebuilding. A chain of women would transfer the bricks to the street, where they were cleaned and stacked. Wood and steel beams, fireplaces, wash basins, toilets, pipes and other household items were collected to be reused. The remaining debris was then removed by barrows, wagons and lorries. It was later reused to fill up holes in the streets or to make new bricks. In some German cities, schuttberge (debris mountains) were created from leftover debris and exist today in a number of German cities.
Trümmerfrauen, both volunteers and regular workers, worked in all weather. They were organised in Kolonnen (columns) of ten to twenty people.
The average workday of a Trümmerfrau was nine hours long with one 20-30 minute lunch break. The women were paid at a rate of 72 Reichspfennige (Pfennig) per hour along with one food ration card. This card could only feed one person a day. The issue was not in what one could do once they had the food, but dealt with the fact that the ration card gave very little food.
For comparison (1945):
One loaf of bread = 80 Marks
One pound of butter = 600 Marks
One cigarette = 10 Marks
Later works and recognition
In the Soviet Occupation Zone, the Nationales Aufbauwerk (National Reconstruction Works) was founded, in order to coordinate the efforts of the Trümmerfrauen.
In West Germany, the removal works continued as Notstandsarbeiten (State-of-emergency Works), until the cities were cleaned and the reconstruction could begin.
In both parts of Germany, as well as in Austria, the efforts of the Trümmerfrauen were recognised with numerous ceremonies, memorials, awards and exhibitions.
Their role was also considered important in changing post-war gender roles in Germany, though the concept of women as independent workers was taken up more eagerly in the official views of East Germany than in West Germany, where, once peace and economic prosperity was restored, a tendency reemerged in some parts of society to return women to their traditional family role only.
On 4 October 2006, a weekly newspaper published the memoirs of the Trümmerfrau Elisabeth Stock (83) of which the following passage is cited:
"...it were mostly women who shoveled their way through the rubble of Aachen's inner city that was totally destroyed; just for one bowl of soup from the Americans, we hammered and dragged debris all day long, even the pickaxe was part of our equipment, ...that's probably one reason why they put a memorial plaque for Aachen's Trümmerfrauen at the back of the townhall."
Within the four occupied sectors of Berlin approximately 10 per cent of the buildings were irreparably destroyed. In the central districts of Berlin Mitte, Kreuzberg, Friedrichshain, Prenzlauer Berg, Tiergarten, and Wedding up to 30 per cent were destroyed. For this reason, the Trümmerfrauen had to work hard and their commitment gained widespread recognition:
In 1946, the Allied headquarters published a series of stamps, the so-called "Bärenmarken", for the whole of Berlin. The graphic designers Alfred Goldhammer and Heinz Schwalbe created four images with symbols of the reconstruction, e.g. a bear with a brick, a bear with a shovel, a bear with a beam and a young oak tree in front of the ruins at Belle-Alliance square.
On 13 October 1950 the mayor of East-Berlin Friedrich Ebert offered a newly built flat to a former Trümmerfrau in honour of her commitment. The flat was located in one of the terraces in the street which was formerly called Stalinallee and had been designed by Hans Scharoun.
Erika Heß, mayor of the district of Wedding, initiated the founding of a club for the Trümmerfrauen. Its members were invited for coffee and cake once a year and also received assistance when they needed to complete official business. In addition, excursions were organised.
In May 2005, the Bremen organisation Friedensforum initiated a two-hour meeting under the motto Mother's Day – in a different way. Additionally to various activities like music performances or discussion groups etc., a Trümmerfrau and a pupil met for public discussion.
In 2001, due to an initiative of the 1998-founded club Verein figürliches Glockenspiel im Alten Rathaus-Turm zu Chemnitz e.V together with the support of numerous donors, a carillon with a total number of 25 bells was installed. Three times a day the six figures, each one metre tall, come out of the tower. One of them is shaped like a Trümmerfrau. The rubble woman has a brick on her knee which she holds with her left hand; in her right hand she has a hammer. The figures were designed by the sculptor Johannes (Hannes) Schulze from Plauen and forged by the bell foundry Rudolf Perner Karlsruhe und Passau.
In the years of 1945 to 1946, fashion in Berlin began to change at a very quick rate, so fast that it was shortly thereafter labeled the fashion capital. During the war, women sold just about everything they owned for food. This includes the very stockings on their legs and carpets in their homes could be exchanged for a sack of potatoes. Once the Allied soldiers arrived and the long process of clearing the rubble began, the Trümmerfrauen realized that they could continue to sell the objects they found in other buildings during this time. A large number of rags were pulled out from beneath the debris. A few of the old shop owners pulled out their sewing machines and began to stitch the rags together into dresses. The dresses, were titled, "Lumpenkleider", meaning "rag dresses".
There were three reasons for the creation of the dresses. First, to give a sense of normalcy and hope that things would one day go back to how they were. Second, dresses immediately after the war served the important purpose of increasing aesthetic, in other words, making the women more appealing to the Allied soldiers. Third, dresses were worth 10,000-20,000 Reichmarks each.
The German word "Fraulein" (at the time) defined a woman that fraternized with a soldier, an act that was strictly forbidden during the war. Upon the war's end, the women had run out of items to barter for food, so they resorted to trading themselves. If a woman could attract the attention of an Allied soldier, she was likely to receive payment in the form of food or in some cases, protection from other men. Fortunate women possessed rag dresses that made them much better at attracting Allied soldiers. The strategy was so beneficial that people began to make many garments out of "mitgebrachten stoffen" - "salvaged material". Eventually, many women attained dresses and used prostitution, then respected, as a night job while clearing rubble during the day. The busy nights led to a growing entertainment industry where cabarets and bars found themselves populating Berlin.
A large increase in prostitution between the German women and Allied soldiers led to many contracting venereal diseases. The U.S. government created Veronika Dankeschön, a diseased cartoon seductress starring as the role of a media campaign designed to scare U.S. soldiers into ending sexual relations with German women. As German men returned home they began to call these women prostitutes. Raingard Esser, a doctorate of medieval and modern history, believes the men acted so in order to express their anger and strife over the knowledge that their women had to sell themselves to survive, while they, the men, were now also dependent on the women.
Historian, Leonie Treber, recognizes that many cities and people look to the Trümmerfrauen as a large movement of heroism and strength. However, she disagrees with the size that people have made it out to be. Berlin mobilized 60,000 women to remove the rubble leftover from the war, yet this number was only five percent of the female population. In areas like Berlin's British sector, Treber reports that the percentage of women who joined in the difficult job had decreased to only a third of one percent.
According to the Historian, many saw the job as punishment or beneath them. The reason being that the Nazis made the Hitler Youth, POWs, and concentration camp prisoners remove the debris from the bombed-out cities. Immediately after the war, the members of the Nazi Party were forced to take the place of the forced laborers. Unfortunately, they were insufficient and women stepped up to the task in exchange for an hourly wage and food ration cards.
The later use of the Trümmerfrauen as media campaign representing a large unified movement was very successful in East Germany. The same idea did not travel far in West Germany until the 1980s. Treber states that the reason for this was that the independent tireless woman did not resonate with the "conservative female-image".
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- Sark, Katrina (2008). Berlin's Culturescape in the 20th Century - Fashion Among Ruins: From Trümmerfrau to Modefrau--Fashion in Berlin 1945-46. Regina: Canadian Plains Research Center. pp. 113–128. ISBN 978-0889772243.
- Anonymous (1945). A Woman in Berlin. Virago.
- Esser, Raingard (2003). "'Language no obstacle': war brides in the German press, 1945-49". Women's History Review. 12: 577–603 – via Routledge.
- (www.dw.com), Deutsche Welle. "Dismantling the German myth of 'Trümmerfrauen' | Germany | DW | 24.11.2014". DW.COM. Retrieved 2017-12-15.
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