Tran Anh Hung
|Tran Anh Hung|
|Born||Trần Anh Hùng
December 23, 1962
Đà Nẵng, Central Vietnam
|Occupation||Film Director, Screenwriter|
|Years active||1989 – present|
|Spouse(s)||Trần Nữ Yên Khê
Trần is considered to be at the forefront of a wave of acclaimed overseas Vietnamese cinema in the past two decades. His films have received international notoriety and acclaim, and until recently they had all been varied meditations on life in Vietnam.
His Oscar-nominated debut (for Best foreign film) was with The Scent of Green Papaya (1993) which also won two top prizes at the Cannes Film Festival, and his follow-up Cyclo (1995) which featured top Hong Kong movie star Tony Leung Chiu Wai, also eventually won a top prize at the Venice International Film Festival. The Vertical Ray of the Sun, released in 2000, was the third film in what many consider his "Vietnam trilogy."
After a sabbatical, Trần was again back behind the helm with the noir psychological thriller I Come with the Rain (2009), which featured a star-studded international cast including Josh Hartnett and Elias Koteas.
Films on Vietnam
In France, Trần studied at the prestigious film school Louis Lumière College and made his graduation project in 1987 by directing a short film named Người thiếu phụ Nam Xương. The story was written by Trần himself, inspired from an old Vietnamese folk (Truyền kỳ mạn lục).
After Người thiếu phụ Nam Xương, Trần made another short film - Hòn vọng phu (1989), before launching the feature film The Scent of Green Papaya (1993). The Scent of Green Papaya received positive acclamations on style and beautiful shots on Vietnam's scenery. To date, the film is the only representative of Vietnamese cinema to be in the short-list nomination for Academy Award for Best Foreign Language Film.
The Scent of Green Papaya's success helps Trần gain enough fund for the next film Cyclo. The film tells stories about poor people living in Ho Chi Minh City (Saigon), filmed at Ho Chi Minh City under the permission of local government. Cyclo was not less successful than The Scent of Green Papaya since it brought to Trần the Golden Lion at 52nd Venice International Film Festival. At the age of 33, Trần was one of the youngest filmmakers to be honored in this film festival. The whole three films were so far financially sponsored by Christophe Rossignon (Lazenecs film company).
After having depicted Ho Chi Minh City, Trần described the life in Hanoi in The Vertical Ray of the Sun (2000). The main characters of the film are three sisters who idolize their parents' family life before the truth is revealed after the mother's death.
Influences and style of film-making
Trần's films are made so as to rebuild the image of Vietnam that he has lost when immigrating into France and to provide audience with another point of view on Vietnam while this topic has been long dominated by French and American cinema. The stories are based on Trần's knowledge about Vietnamese language and culture and (in the second and third films) his first-hand experience gained from trips to the country.
Trần's style of filmmaking is expressed through the claim: "Art is the truth wearing mask" (interview originally in Vietnamese). He denies the conventional story-telling style and pursues making films with a new language: "to challenges the audience's feeling, making them enjoy the films not with the critical reasoning but the body language".
|Year||English Title||Original Title||Notes|
|1993||The Scent of Green Papaya||Mùi đu đủ xanh||Won — Caméra d'Or – 1993 Cannes Film Festival
Won – Award of the Youth for Best French Film – 1993 Cannes Film Festival
Won – Sutherland Trophy – 1994 British Film Institute
Won – César Award for Best Debut – 1994 César Award
Nominated – Academy Award for Best Foreign Language Film
|1995||Cyclo||Xích lô||Won – Golden Lion – 1995 Venice Film Festival
Won – FIPRESCI Prize – 1995 Venice Film Festival
Won – Grand Prix – 1995 Flanders International Film Festival Ghent
|2000||The Vertical Ray of the Sun||Mùa hè chiếu thẳng đứng||Nominated – Prix Un Certain Regard – 2000 Cannes Film Festival
Contemporary World Cinema – 2000 Toronto International Film Festival
A Window on Asian Cinema – 5th Pusan International Film Festival 
|2009||I Come with the Rain||I Come with the Rain||Contemporary World Cinema – 6th Fresh Film Fest
Nominated – The Siren (Best International Fantastic Film)  – 2009 Lund International Fantastic Film Festival 
Gala Presentation – 14th Pusan International Film Festival 
|2010||Norwegian Wood||ノルウェイの森||In Competition – 67th Venice International Film Festival|
|Year||English Title||Original Title||Notes|
|1989||La femme mariée de Nam Xuong||Người thiếu phụ Nam Xương||Nominated – Short Film Palme d'Or – 1989 Cannes Film Festival|
|1991||La pierre de l'attente||La pierre de l'attente|
- Jason Gray (2008). Trần to adapt Norwegian Wood for Asmik Ace, Fuji TV, Screen Daily.com article retrieved August 1, 2008.
- Tran Anh Hung as diasporic filmmaker, Tarr, Carrie (2005). In: Robson, Kathryn and Yee, Jennifer, (eds.) France and "Indochina": cultural representations. Marlyland, U.S. : Lexington Books. pp. 153-164. ISBN 0739108409
- Nghệ thuật là sự thật được đeo mặt nạ - Art is the truth wearing mask, Lâm Phố (2004)
- Official Selection List – A Window on Asian Cinema, PIFF Archive 5th (2000)
- What happens at Lund International Fantastic Film Festival 2010?, Fantastisk Film Festival Lund 23 September – 2 October 2010
- International Competition 2009 , Fantastisk Film Festival Lund 23 September – 2 October 2010
- Official Selection List Gala Presentation, PIFF Archive 14th (2009)