Tran Anh Hung
|Tran Anh Hung|
|Born||Trần Anh Hùng|
December 23, 1962
Mỹ Tho, Southern Vietnam
|Occupation||Film Director, Screenwriter|
|Years active||1989 – present|
|Spouse(s)||Trần Nữ Yên Khê|
Trần has been at the forefront of a wave of acclaimed overseas Vietnamese cinema over the past two decades. His films have received international fame and acclaim, and his first three features were varied meditations on life in his home country Vietnam.
Trần's Oscar-nominated debut (for Best foreign film) was The Scent of Green Papaya (1993), which also won two top prizes at the Cannes Film Festival. His follow-up Cyclo (1995, which featured top Hong Kong movie star Tony Leung Chiu-Wai), won the Golden Lion at the Venice International Film Festival. The Vertical Ray of the Sun, released in 2000, was the third film in his "Vietnam trilogy."
Films on Vietnam
In France, Trần studied at the prestigious film school Louis Lumière College. For his graduation project in 1987 he wrote and directed a short film Người thiếu phụ Nam Xương, inspired by an old Vietnamese folk tale (Truyền kỳ mạn lục).
Following this Trần made another short film, Hòn vọng phu (1989), before launching the feature film The Scent of Green Papaya (1993). The Scent of Green Papaya was acclaimed for its style and its beautiful images of Vietnamese life. To date, the film is the only representative of Vietnamese cinema to be nominated for Academy Award for Best Foreign Language Film.
The success of Papaya helped Trần gain funding for the next film, Cyclo. The film tells stories of poor people living in Saigon (now Ho Chi Minh City), and was filmed on location there. Cyclo won the Golden Lion at 52nd Venice International Film Festival, and at the age of 33, Trần was one of the youngest filmmakers to be thus honored there.
Having depicted life in Ho Chi Minh City, Trần turned his attention to Hanoi in The Vertical Ray of the Sun (2000). The main characters of the film are three sisters who idolize their parents' family life, before the truth is revealed after the mother's death.
All three feature films were financed by Christophe Rossignon (Lazenecs film company).
Influences and style of film-making
Trần's films are made so as to rebuild the image of Vietnam that he has lost when immigrating into France and to provide audience with another point of view on Vietnam while this topic has been long dominated by French and American cinema. The stories are based on Trần's knowledge about Vietnamese culture and (in the second and third films) his first-hand experience gained from trips to the country.
Trần's style of filmmaking is expressed through the claim: "Art is the truth wearing a mask" (interview originally in Vietnamese). He denies the conventional story-telling style and pursues making films with a new language: "to challenge the audiences' feelings, making them enjoy the films not with the critical reasoning but the language of the body".
|Year||English Title||Original Title||Notes|
|1993||The Scent of Green Papaya||Mùi đu đủ xanh||Won — Caméra d'Or – 1993 Cannes Film Festival|
Won – Award of the Youth for Best French Film – 1993 Cannes Film Festival
Won – Sutherland Trophy – 1994 British Film Institute
Won – César Award for Best Debut – 1994 César Award
Nominated – Academy Award for Best Foreign Language Film
|1995||Cyclo||Xích lô||Won – Golden Lion – 52nd Venice International Film Festival|
Won – FIPRESCI Prize – 52nd Venice International Film Festival
Won – Grand Prix – 1995 Flanders International Film Festival Ghent
|2000||The Vertical Ray of the Sun||Mùa hè chiếu thẳng đứng||Nominated – Prix Un Certain Regard – 2000 Cannes Film Festival|
Contemporary World Cinema – 2000 Toronto International Film Festival
A Window on Asian Cinema – 5th Pusan International Film Festival 
|2009||I Come with the Rain||I Come with the Rain||Contemporary World Cinema – 6th Fresh Film Fest|
Nominated – The Siren (Best International Fantastic Film)  – 2009 Lund International Fantastic Film Festival 
Gala Presentation – 14th Pusan International Film Festival 
|2010||Norwegian Wood||ノルウェイの森||Nominated – Golden Lion – 67th Venice International Film Festival|
|Year||English Title||Original Title||Notes|
|1989||La femme mariée de Nam Xuong||Người thiếu phụ Nam Xương||Nominated – Short Film Palme d'Or – 1989 Cannes Film Festival|
|1991||La pierre de l'attente||La pierre de l'attente|
- Jason Gray (2008). Trần to adapt Norwegian Wood for Asmik Ace, Fuji TV, Screen Daily.com article retrieved August 1, 2008.
- Tran Anh Hung as diasporic filmmaker, Tarr, Carrie (2005). In: Robson, Kathryn and Yee, Jennifer, (eds.) France and "Indochina": cultural representations. Marlyland, U.S. : Lexington Books. pp. 153-164. ISBN 0739108409
- Nghệ thuật là sự thật được đeo mặt nạ - Art is the truth wearing mask, Lâm Phố (2004)
- Official Selection List – A Window on Asian Cinema[permanent dead link], PIFF Archive 5th (2000)
- What happens at Lund International Fantastic Film Festival 2010? Archived 2009-09-06 at the Wayback Machine., Fantastisk Film Festival Lund 23 September – 2 October 2010
- International Competition 2009 Archived 2009-09-25 at the Wayback Machine., Fantastisk Film Festival Lund 23 September – 2 October 2010
- Official Selection List Gala Presentation, PIFF Archive 14th (2009)