Triple Agent

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Triple Agent is a French dramatic/thriller film, directed by Éric Rohmer in 2004. It runs for 115 minutes.


Initially critics were extremely skeptical about Triple Agent due to Rohmer's past film, The Lady and the Duke. Critics hated,The Lady and the Duke because it portrayed the French revolutionaries in a negative manner in a movement for justice. The critics also depicted it as slow and irritating, so as a result were expecting another Rohmer film to be synonymous to "watching paint dry". Ultimately Rohmer has been known for challenging what is convencional in a beautiful and elegante method.[1]


The Popular Front wins the French general elections of 1936. In Spain the Civil War begins. Meanwhile, in a Paris apartment, Fiodor Voronin, a retired general of the Tsarist army lives an apparently quiet life with his Greek wife Arsinoé. He is a deputy at the White Russian Military Union, and he is slated to replace the aging general Dobrinsky soon.

Unbeknownst to his wife and colleagues, he is also a Soviet agent. When Dobrinsky disappears, Voronin is considered a suspect, and he vanishes without a trace. His wife is tried by the French Government and her reputation is ruined. During the German occupation of Paris, the Germans discover that it is likely that Voronin was murdered by the NKVD after having been smuggled from the Soviet Embassy to Red Spain.

The film is based on the true story of White Russian general (and secret Soviet agent) Nikolai Skoblin and his involvement in the disappearance and murder of fellow White Russian general Evgenii Miller.

Synopsis and Analysis[edit]

Presented in Triple Agent, we see a convoluted plot that acts as a history lesson in the years of the Popular Front and World War II. Fiodor Vorodin (Serge Renko), a former general in the White Russian army acts as a double agent between the Soviets and the Nazi secret police. The entire movie is shaped through a common theme of “the opaqueness of human motivations,” ultimately creating a “flawed interpretation of evidence” in creating a love triangle (quote from Rohmer himself). The secrecy of Fiodor presents an interesting theme that runs its course throughout the entire film. This very secrecy is meant to allow the audience to think and ponder on what exactly is happening. Rohmer claims,” It’s good for there to be no clear solutions to the questions being posed. It’s much more interesting.” Rohmer does this on purpose to invoke further analysis of the movie. Furthermore, Rohmer uses,” cruel moral dilemmas, sophisticated settings and the use of language as the main constituent in the drama.” Renko plays Fiodor as someone who had a triple life between various spy organizations. He is portrayed as bland, however that is the very essence of his character as he must be bland. Additionally, Didaskalou presents a hesitant character who portrays an ill woman that is secondary to the overall plot. Both characters play into how the movie flows and what the overarching theme of it is, presenting scenes full of character engagement and conversation. History plays an incredibly important aspect of the film as the conversations that Fiodor has between the other characters, always seem to mention the Spanish Civil War, the Popular Front, and notions of communism. To conclude, Arsinoé describes the genre as “to paint people in their natural environment".[2]

The New York Times describes the movie,” as a story of a cheating husband concealing his secret life, a wife who swallows her suspicions until she can’t hold them in any longer, the husband’s dubious contrition and a melodramatic denouement.” Furthermore this creates a convoluted, intricate movie full of issues that are presented in the character development. Historically this movie took place when communism and fascism were fighting for dominante on the brink of another world war.[3]

From these sources there is a fundamental breakdown between the audience, the characters, and the overall movement of the play. We see the characters interacting in a historical setting conveying what exactly was going on in the world at that time. Between the Spanish Civil War, the growth of fascism and communism, and the Popular Front gaining power in France, a multitude of international issues are brought to light. Through the language and interaction of the characters we see long dialogues and secrecy further conveying that Fiodor is indeed a secret agent. Ultimately each character plays an important, subtle aspect to convey specific messages of betrayal, love, and an entangled, convoluted plot.

Historical Context[edit]

Triple Agent is centered around a multitude of issues that the world was facing. The Spanish Civil War in 1936, the Popular Front gaining momentum and power in France, and the ultimate rise and power of fascism and communism. Each presented an incredible problem as the world moved towards a second world war.

The Spanish Civil War was fought from 1936 to 1939 between the Nationalists backed by fascist Italy and Nazi Germany, composed mostly of Roman Catholics against the Republicans, who were agricultural laborers and the educated middle class. The war sought to end the extreme polarization that was present in Spain. That same polarization led to an extremely bloody and brutal war amongst the citizens and the two sides. The nationalists were headed by General Francisco Franco seeking complete collectivization of agriculture, industry, and services, while the republicans were headed by the socialist leader, Francisco Largo Caballero seeking to preserve the Republic. Both sides sought help from abroad: the republicans gained equipment and supplies from the Soviets, while also receiving help from Mexico and the Popular Front of France. The nationalists gained troops, tanks, and planes from Germany and Italy. Ultimately the Nationalists won as they took over Madrid on March 28, 1939. Many have estimated the deaths to be anywhere from 500,000 to 1,000,000, as this proved to be a testing group for future air and tank warfare. The war also further sprung strong points of view in terms of tyranny, democracy, fascism, and communism leading to World War II.[4]

The Popular Front in France sought to defend democratic forms against the newly fascist regime. This was a coalition between the working class and middle class all to protect the country from fascist ideals. In 1936 a socialist popular front led by Léon Blum took over [5] Furthermore, fascism and communism were gaining followers and momentum by the day. In Germany there was Adolf Hitler, in Italy there was Benito Mussolini, in Spain there was Francisco Franco, in the Soviet Union there was Joseph Stalin and in Japan many ideologies were used to create a powerful military. The rise of Fascism gave countries like Germany and Italy a foundation for rebuilding and a way for them to blame their problems on minorities (Jews). Communism was able to promise people an opportunity, overhauling capitalism into their society. Ultimately these powerful leaders were able to instill ideologies into society in order to create extremely repressive, brutal regimes. This created a great threat to the world ultimately beginning World War II.



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