The Trojan Horse is a tale from the Trojan War about the subterfuge that the Greeks used to enter the independent city of Troy and win the war. In the canonical version, after a fruitless 10-year siege, the Greeks constructed a huge wooden horse, and hid a select force of men inside. The Greeks pretended to sail away, and the Trojans pulled the horse into their city as a victory trophy. That night the Greek force crept out of the horse and opened the gates for the rest of the Greek army, which had sailed back under cover of night. The Greeks entered and destroyed the city of Troy, ending the war.
Metaphorically a "Trojan Horse" has come to mean any trick or stratagem that causes a target to invite a foe into a securely protected bastion or place. A malicious computer program which tricks users into willingly running it is also called a "Trojan horse" or simply a "Trojan".
The main ancient source for the story is the Aeneid of Virgil, a Latin epic poem from the time of Augustus. The event is also referred to in Homer's Odyssey. In the Greek tradition, the horse is called the "Wooden Horse" (Δούρειος Ἵππος, Doúreios Híppos, in the Homeric Ionic dialect).
According to Quintus Smyrnaeus, Odysseus thought of building a great wooden horse (the horse being the emblem of Troy), hiding an elite force inside, and fooling the Trojans into wheeling the horse into the city as a trophy. Under the leadership of Epeius, the Greeks built the wooden horse in three days. Odysseus's plan called for one man to remain outside the horse; he would act as though the Greeks had abandoned him, leaving the horse as a gift for the Trojans. An inscription was engraved on the horse reading: "For their return home, the Greeks dedicate this offering to Athena". Then they burned their tents and left to Tenedos by night. Greek soldier Sinon was "abandoned", and was to signal to the Greeks by lighting a beacon. In Virgil's poem, Sinon, the only volunteer for the role, successfully convinces the Trojans that he has been left behind and that the Greeks are gone. Sinon tells the Trojans that the Horse is an offering to the goddess Athena, meant to atone for the previous desecration of her temple at Troy by the Greeks, and ensure a safe journey home for the Greek fleet. Sinon tells the Trojans that the Horse was built to be too large for them to take it into their city and gain the favor of Athena for themselves.
While questioning Sinon, the Trojan priest Laocoön guesses the plot and warns the Trojans, in Virgil's famous line Timeo Danaos et dona ferentes ("I fear Greeks, even those bearing gifts"), Danai (acc Danaos) or Danaans (Homer's name for the Greeks) being the ones who had built the Trojan Horse. However, the god Poseidon sends two sea serpents to strangle him and his sons Antiphantes and Thymbraeus before any Trojan heeds his warning. According to Apollodorus the two serpents were sent by Apollo, whom Laocoon had insulted by sleeping with his wife in front of the "divine image". In the Odyssey, Homer says that Helen of Troy also guesses the plot and tries to trick and uncover the Greek soldiers inside the horse by imitating the voices of their wives, and Anticlus attempts to answer, but Odysseus shuts his mouth with his hand. King Priam's daughter Cassandra, the soothsayer of Troy, insists that the horse will be the downfall of the city and its royal family. She too is ignored, hence their doom and loss of the war.
|Historicity of the Iliad|
|Trojan War in popular culture|
|Greeks and allies|
|Trojans and allies|
Caused the war:
On the Greek side:
On the Trojan side:
This incident is mentioned in the Odyssey:
- What a thing was this, too, which that mighty man wrought and endured in the carven horse, wherein all we chiefs of the Argives were sitting, bearing to the Trojans death and fate! 4.271 ff
- But come now, change thy theme, and sing of the building of the horse of wood, which Epeius made with Athena's help, the horse which once Odysseus led up into the citadel as a thing of guile, when he had filled it with the men who sacked Ilion . 8.487 ff (trans. Samuel Butler)
The most detailed and most familiar version is in Virgil's Aeneid, Book II (trans. A. S. Kline).
- After many years have slipped by, the leaders of the Greeks,
- opposed by the Fates, and damaged by the war,
- build a horse of mountainous size, through Pallas's divine art,
- and weave planks of fir over its ribs:
- they pretend it's a votive offering: this rumour spreads.
- They secretly hide a picked body of men, chosen by lot,
- there, in the dark body, filling the belly and the huge
- cavernous insides with armed warriors.
- Then Laocoön rushes down eagerly from the heights
- of the citadel, to confront them all, a large crowd with him,
- and shouts from far off: "O unhappy citizens, what madness?
- Do you think the enemy's sailed away? Or do you think
- any Greek gift's free of treachery? Is that Ulysses's reputation?
- Either there are Greeks in hiding, concealed by the wood,
- or it's been built as a machine to use against our walls,
- or spy on our homes, or fall on the city from above,
- or it hides some other trick: Trojans, don't trust this horse.
- Whatever it is, I'm afraid of Greeks even those bearing gifts."
Book II includes Laocoön saying: "Equo ne credite, Teucri. Quidquid id est, timeo Danaos et dona ferentes." ("Do not trust the horse, Trojans! Whatever it is, I fear the Greeks, even bringing gifts.")
Well before Virgil, the story is also alluded to in Greek classical literature. In Euripides' play Trojan Women, written in 415 BC, the god Poseidon proclaims: "For, from his home beneath Parnassus, Phocian Epeus, aided by the craft of Pallas, framed a horse to bear within its womb an armed host, and sent it within the battlements, fraught with death; whence in days to come men shall tell of 'the wooden horse,' with its hidden load of warriors."
Men in the horse
Thirty of the Achaeans' best warriors hid in the Trojan horse's belly and two spies in its mouth. Other sources give different numbers: The Bibliotheca 50; Tzetzes 23; and Quintus Smyrnaeus gives the names of 30, but says there were more. In late tradition the number was standardized at 40. Their names follow:
- Ulysseus (leader)
- Ajax the Lesser
There has been speculation that the Trojan Horse may have been a battering ram or other sort of siege engine resembling, to some extent, a horse, and that the description of the use of this device was then transformed into a myth by later oral historians who were not present at the battle and were unaware of that meaning of the name. Assyrians at the time used siege machines with animal names, often covered with dampened horse hides to protect against flaming arrows; it is possible that the Trojan Horse was such. Pausanias, who lived in the 2nd century AD, wrote in his book Description of Greece "That the work of Epeius was a contrivance to make a breach in the Trojan wall is known to everybody who does not attribute utter silliness to the Phrygians" where, by Phrygians, he means the Trojans.
Some authors have suggested that the gift was not a horse with warriors hiding inside, but a boat carrying a peace envoy. It has been noted that the terms used to put men in the horse are those used when describing the embarkation of men on a ship, and that there are analogies between the building of ships by Paris at the beginning of the Trojan saga and the building of the horse at the end; ships are called "sea-horses" once in the Odyssey. Recent work from a naval archaeology perspective, favours the view that the Trojan Horse was indeed a ship: through analysis of the Homeric texts and of ancient boats and ships, the author contends that the hippos built by Epeus should be understood as a galley like the ones in use along the Greek and the Phoenician coasts of that time to pay tribute after the end of the wars.
A more speculative theory, originally proposed by Fritz Schachermeyr, states that the Trojan Horse is a metaphor for a destructive earthquake that damaged the walls of Troy and allowed the Greeks in. In this theory, the horse represents Poseidon, who as well as being god of the sea was also god of horses and earthquakes. This theory is supported by the fact that archaeological digs have found that Troy VI was heavily damaged in an earthquake, but is hard to square with the mythological claim that Poseidon built the walls of Troy in the first place.
Pictorial representations of the Trojan Horse earlier than, or contemporary to, the first literary appearances of the episode can help clarify what was the meaning of the story as perceived by its audience. There are few ancient (before 480 BC) depictions of the Trojan Horse surviving. The earliest is on a Boeotian fibula dating from about 700 BC. Other two are on relief pithos vases from the adjoining Grecian islands Mykonos and Tinos, both usually dated between 675 and 650 BC, the one from Mykonos (see figure) being known as the Mykonos Vase. (Historian Michael Wood, however, dates the Mykonos Vase to the 8th century BC, some 500 years after the supposed time of the war, but before the written accounts attributed by tradition to Homer; Wood concludes from that evidence that the story of the Trojan Horse existed before those accounts were written.). Referenced in both literature and art, the Trojan Horse had become synonymous with the name of Agamemnon. The house of Agamemnon claimed continuity at Cyme in Aeolia and the symbolism of the horse was stamped in the coins from this area, presumably in reference to the power of the Agamemnon lineage. Indeed, the daughter of Agamemnon of Cyme, Damodice, is credited with inventing coined money by Julius Pollux after she married King Midas - famed for turning everything he touched into gold. The coins from Cyme were first circulated around 600-550 BC with the symbol of the horse reminding citizens of the glory of the Greek victory over Troy. These rough incuse horse head silver fractions, Hemiobols, are a candidate for the title of the Second Oldest coins - and the first used for retailing on a large-scale basis by the Ionian Greeks then quickly spreading Market Economics through the rest of the world. For an excellent timeline graphic showing when horsehead coins started compared to other animal imagery, see Basic Electrum Types. Other archaic representations of the Trojan horse are found on a corinthian aryballos dating back to 560 BC (see figure), on a vase fragment to 540 BC (see figure), and on an Etruscan carnelian scarab.
The earliest known depiction of the Trojan Horse, on a bronze fibula (ca. 700 BC). Note the wheels and the square openings on the horse's side.
The Mykonos vase, with one of the earliest known renditions of the Trojan Horse. (Note the depiction of the faces of hidden warriors shown on the horse's side.)
Depiction of the Trojan Horse on a corinthian aryballos (ca. 560 b.C.) found in Cerveteri (Italy)
Warriors leaving the Trojan Horse; Fragment of an attic black-figure Krater from Orbetello (Italy); ca. 540 B.C.
- Broeniman, Clifford (1996). "Demodocus, Odysseus, and the Trojan War in "Odyssey" 8". The Classical World. 90 (1): 3–13. JSTOR 4351895.
- Bibliotheca, Epitome, e.5.15
- "Virgil:Aeneid II". Poetryintranslation.com. Retrieved 2012-08-10.
- Pseudo-Apollodorus, Bibliotheca, Epitome,Epit. E.5.18
- Homer, Odyssey, 4. 274-289.
- Virgil. The Aeneid. Trans. Robert Fitzgerald. New York: Everyman's Library, 1992. Print.
- "Virgil". poetryintranslation.com.
- "The Trojan Women, Euripides". Classics.mit.edu. Retrieved 2012-08-10.
- Epitome 5.14
- Posthomerica 641–650
- Posthomerica xii.314-335
- "THE WOODEN HORSE - Greek Mythology Link". Maicar.com. Retrieved 2012-08-10.
- Michael Wood, in his book "In search of the Trojan war" ISBN 978-0-520-21599-3 (which was shown on BBC TV as a series)
- "Pausanias, Description of Greece 1, XXIII,8". Perseus.tufts.edu. Retrieved 2012-08-10.
- See pages 51-52 inTroy C. 1700-1250 BC,Nic Fields, Donato Spedaliere & Sarah S. Spedalier, Osprey Publishing, 2004
- See pages 22-26 in The fall of Troy in early Greek poetry and art, Michael John Anderson, Oxford University Press, 1997
- de Arbulo Bayona, Joaquin Ruiz (2009). "LOS NAVEGANTES Y LO SAGRADO. EL BARCO DE TROYA. NUEVOS ARGUMENTOS PARA UNA EXPLICACION NAUTICA DEL CABALLO DE MADERA" (PDF). Arqueología Náutica Mediterránea, Monografies del CASC. Girona. 8: 535–551.
- Tiboni, Francesco. "The Dourateos Hippos from allegory to Archaeology: a Phoenician Ship to break the Wall." Archaeologia maritima mediterranea 13.13 (2016): 91-104
- Eric H. Cline (2013). The Trojan War: A Very Short Introduction. ISBN 0199333823.
- Stephen Kershaw (2010). A Brief Guide to Classical Civilization. ISBN 1849018006.
- Sparkes, B. A. (1971). "The Trojan Horse in Classical Art1". Greece & Rome. 18 (1): 54–70. doi:10.1017/S001738350001768X. ISSN 1477-4550.
- Sadurska, Anna (1986). "Equus Trojanus". Lexicon Iconographicum Mythologiae Classicae. Zürich. 3,1: 813–817.
- British Museum. Dept. of Greek and Roman Antiquities; Walters, Henry Beauchamp (1899). Catalogue of the bronzes, Greek, Roman, and Etruscan, in the Department of Greek and Roman Antiquities, British Museum. Wellesley College Library. London, Printed by order of the Trustees. p. 374.
- "Bronze bow fibula (brooch) with a glimpse of the Trojan Horse with wheels under feet - Images for Mary Beard's Cultural Exchange - Front Row's Cultural Exchange - BBC Radio 4". BBC. Retrieved 2017-11-03.
- Caskey, Miriam Ervin (Winter 1976). "Notes on Relief Pithoi of the Tenian-Boiotian Group". American Journal of Archaeology. 80 (1): 19–41. JSTOR 502935.
- Wood, Michael (1985). In Search of the Trojan War. London: BBC books. pp. 80; 251. ISBN 978-0-563-20161-8.
- The Mycenaean Origin of Greek Mythology, Martin Persson Nilsson, University of California Press, 1972, pg48
- M. Mitchiner, Ancient Trade and Early Coinage, Hawkins Publications, London, 2004, p. 214
- "Carnelian scarab | Etruscan, Populonia | Late Archaic | The Met". The Metropolitan Museum of Art, i.e. The Met Museum. Retrieved 2017-11-27.
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