The term has the same origin as that of "trope" in the sense of literature, and derived from this. In turn, this came from the Greek τρόπος (tropos), "turn, direction, way", derived from the verb τρέπειν (trepein), "to turn, to direct, to alter, to change". Tropes and their classification were an important field in classical rhetoric. The study of tropes has been taken up again in modern criticism, especially in deconstruction. Tropological criticism (not to be confused with tropological reading, a type of biblical exegesis) is the historical study of tropes, which aims to "define the dominant tropes of an epoch" and to "find those tropes in literary and non-literary texts", an interdisciplinary investigation of which Michel Foucault was an "important exemplar".
In film studies
A trope is an element of film semiotics and connects between denotation and connotation. Films reproduce tropes of other arts and also make tropes of their own. George Bluestone wrote in Novels Into Film that in producing adaptations, film tropes are "enormously limited" compared to literary tropes. Bluestone said, "[A literary trope] is a way... of packed symbolic thinking which is specific to imaginative rather than to visual activity... [when] converted into a literal image, the metaphor would seem absurd."
- TV Tropes, a website that catalogues cinematic tropes as well as literary tropes
- Rizzo, Michael (2014). The Art Direction Handbook for Film (2nd ed.). Focal Press. p. 513. ISBN 978-0-415-84279-2.
- McDonald, Tamar Jeffers (2010). Hollywood Catwalk: Exploring Costume and Transformation in American Film. I.B. Tauris. p. 41. ISBN 978-1-84885-040-8.
- "trope", Merriam-Webster Online Dictionary, Springfield, Massachusetts: Merriam-Webster, 2009, retrieved 2009-10-16
- Childers, Joseph; Hentzi, Gary (1995). "Trope". The Columbia Dictionary of Modern Literary and Cultural Criticism. New York: Columbia UP. p. 309. ISBN 9780231072434.
- "Trope definition and meaning | Collins English Dictionary". Collins Dictionary. Retrieved 2019-12-18.
- Monaco, James (1981). How to Read a Film: The Art, Technology, Language, History, and Theory of Film and Media. Oxford University Press. p. 140. ISBN 978-0-19-502802-7.
- Bluestone, George (1957). Novels Into Film. Johns Hopkins University Press. p. 22. ISBN 978-0-8018-7386-7.
- Ehrat, Johannes (2005). Cinema and Semiotic: Pierce and Film Aesthetics, Narration, and Representation. Toronto Studies in Semiotics and Communication (2nd ed.). University of Toronto Press. ISBN 978-0-8020-3912-5.