Truth: Red, White & Black

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Truth: Red, White & Black
Issue #1 of Truth: Red, White & Black (Jan 2003). Pencils and inks by Kyle Baker.
Publication information
PublisherMarvel Comics
ScheduleMonthly
FormatLimited series
Publication dateJanuary - July 2003
No. of issues7
Main character(s)Captain America (Isaiah Bradley)
Creative team
Written byRobert Morales
Penciller(s)Kyle Baker
Inker(s)Kyle Baker
Letterer(s)Wes Abbott
Colorist(s)Kyle Baker
Editor(s)Axel Alonso
John Miesegaes

Truth: Red, White & Black is a seven-issue comic book limited series written by Robert Morales, drawn by Kyle Baker and published by Marvel Comics. The series focuses on Isaiah Bradley, one of 300 African American soldiers experimented on by the US Army in an attempt to create super soldiers.

Publication history[edit]

Concept and creation[edit]

The original concept for the character came from an offhand comment by Marvel's publisher, Bill Jemas.[1] Axel Alonso was taken by the idea "inherent of politics of wrapping a Black man in red, white, and blue" and "a larger story ... a metaphor of America itself"; he also immediately thought of the Tuskegee Study.[1] In a meeting involving Joe Quesada,[2] Alonso proceeded to pitch the idea to Robert Morales who was brought in to write the story create the supporting cast, and the ending.[1] The idea of an African American Captain America made Morales laugh, but, once he heard the premise, he found it depressing.[1] He says he "wrote a proposal that was so staggeringly depressing I was certain they'd turn it down. But they didn't."[2]

Morales originally envisioned the character as a scientist who experimented on himself, a reference to Silver Age scientists Reed Richards and Bruce Banner; however, Marvel wanted a more explicit reference to the Tuskegee Syphilis Study.[1] Morales was able to push through an ending in which Bradley suffered brain damage, a reference to Muhammad Ali that gave the character a tragic ending.[1] Morales performed extensive research into the time period, which he balanced with editorial suggestions.[1] Bradley's strong marriage came from an unsuccessful Luke Cage proposal by Brian Azzarello.

Published from January 2003 to July 2003, the series Truth: Red, White & Black is composed of seven comics: "The Future", "The Basics", "The Passage", "The Cut", "The Math", "The Whitewash" and "The Blackvine".

The trade paperback collecting the series was published in February 2004 and the hardcover in 2009. The book version of Truth contains Morales's appendix in which he clarifies myth, history and imagination and provides sources for his story.[3]

Synopsis[edit]

Set in the Marvel Universe, the series takes the Tuskegee Experiments as inspiration for a tale that re-examines the history of the super-soldier serum that created Captain America.[2] Beginning in 1942, the series follows a regiment of black soldiers who are forced to act as test subjects in a program that would become the prototype for the formula used to turn Steve Rogers into Captain America. The experiments lead to mutation and death, until only one remains: Isaiah Bradley.

Analysis[edit]

In Super Black: American Pop Culture and Black Superheroes, Adilifu Nama notes that "Truth admonished the reader to incorporate the experiences and histories of black folk that paint a different picture of the cost and quest for freedom and democracy in America."[4]

Critical reaction[edit]

Axel Alonso felt some of the criticism for this series came from "outright racists who just don't like the idea of a black man in the Cap uniform."[2]

In an interview with Comic Book Resources, he recalled "When we posted our first image of Isaiah Bradley – the silhouette of an African American man in a Captain America costume – the media latched onto it as a story of interest, but a lot of internet folks lined up against it, assuming, for whatever reason, that it would disparage the legacy of Steve Rogers. By the time the story was done, the dialog around the series had substantially changed. One high-profile reviewer even wrote a column admitting he'd unfairly pre-judged the series, that he now saw it was about building bridges between people, not burning them – which I deeply respected. It's especially meaningful when you edit a story that functions as a little more than pure entertainment."[5]

References[edit]

  1. ^ a b c d e f g Carpenter, Standford W. (2007). "Authorship and Creation of Black Captain America". In McLaughlin, Jeff (ed.). Comics as Philosophy. University Press of Mississippi. pp. 53–58. ISBN 9781604730661. Retrieved 2013-08-17.
  2. ^ a b c d Tom Sinclair (November 22, 2002). "Black in Action". Entertainment Weekly. Retrieved December 20, 2011.
  3. ^ Weinstein, Matthew (2010). Bodies Out of Control: Rethinking Science Texts. Peter Lang. p. 126. ISBN 978-1-4331-0515-9.
  4. ^ Adilifu Nama (2011). Super Black: American Pop Culture and Black Superheroes. University of Texas Press. p. 118. ISBN 978-0-292-74252-9.
  5. ^ "Axel-In-Charge: Axel's Early Years".

External links[edit]