In the late 1970s, Blackwood won a grant from the National Endowment for the Humanities to investigate the harmonic and modal properties of microtonal tunings. The project culminated in the Microtonal Etudes, composed as illustrations of the tonal possibilities of all the equal tunings from 13 to 24 notes to the octave. He was intrigued by "finding conventional harmonic progressions" in unconventional tunings. "What I was particularly interested in was chord progressions that would give a sensation either of modal coherence or else of tonality. That is to say you can actually identify subdominants, dominants, tonics, and keys."
The Twelve Microtonal Etudes were re-released on compact disc in 1994, accompanied by two additional compositions of Blackwood's in tunings he explored in the Etudes: Fanfare in 19-note Equal Tuning, Op. 28a, and Suite for Guitar in 15-note Equal Tuning, Op. 33. The fanfare, like the etudes, was performed by the composer on Polyfusion synthesizer. The suite was performed by guitarist Jeffrey Kust on an acoustic guitar with a modified fretboard.
- Douglas Keislar; Easley Blackwood; John Eaton; Lou Harrison; Ben Johnston; Joel Mandelbaum; William Schottstaedt (Winter 1991). "Six American Composers on Nonstandard Tunnings , p. 190, Perspectives of New Music, vol. 29, no. 1, pp. 176–211.
- Microtonal Compositions – Easley Blackwood (Media notes). Cedille Records. 1994. CDR 90000 018.
- Myles Leigh Skinner (2007). Toward a Quarter-tone Syntax: Analyses of Selected Works by Blackwood, Haba, Ives, and Wyschnegradsky, p. 46. ISBN 9780542998478.
- "Easley Blackwood: The Composer in Conversation with Bruce Duffie", BruceDuffie.com