Twenty Two (The Twilight Zone)
|The Twilight Zone episode|
Barbara Nichols and Fredd Wayne
|Episode no.||Season 2|
|Directed by||Jack Smight|
|Teleplay by||Rod Serling|
|Based on||an anecdote from Famous Ghost Stories|
by Bennett Cerf
|Featured music||Stock from Elegy|
|Original air date||February 10, 1961|
"Twenty Two" is episode 53 of the American television series The Twilight Zone. The story was adapted by Rod Serling from a short anecdote in the 1944 Bennett Cerf Random House anthology Famous Ghost Stories, which itself was an adaptation of "The Bus-Conductor," a short story by E. F. Benson published in The Pall Mall Magazine in 1906. One of six episodes shot on videotape in a short-lived experiment aimed to cut costs.
This is Miss Liz Powell. She's a professional dancer and she's in the hospital as a result of overwork and nervous fatigue. And at this moment we have just finished walking with her in a nightmare. In a moment she'll wake up and we'll remain at her side. The problem here is that both Miss Powell and you will reach a point where it might be difficult to decide which is reality and which is nightmare, a problem uncommon perhaps but rather peculiar to the Twilight Zone.
Liz Powell, a professional dancer, is hospitalized for exhaustion. She suffers a vivid recurring nightmare in which she is awakened in her hospital room by the loud ticking of a clock. She knocks a glass of water to the floor, shattering it, then follows the sound of footsteps into the hall. She sees a nurse, half hidden in shadow, descend to the basement in the elevator. She follows the nurse down and finds the hospital morgue, room 22. The nurse emerges from the room and says, "Room for one more, honey." Liz screams, flees to the elevator, and the dream ends.
Liz insists the dream is really happening to her, although her agent, Barney, seems doubtful. Her doctor also tries to assure her that this is impossible. He produces the night nurse who attends the morgue, and the woman looks nothing like the figure from Liz's dream. The doctor suggests that Liz try an experiment in lucid dreaming, and alter one detail of the dream to undo its hold over her. Specifically, to not reach for the glass upon "waking". Barney is very encouraging of this approach, but Liz orders him to leave, seeing his behavior as patronizing.
That night, the dream begins again. Liz visualizes a pack of cigarettes next to the glass of water on the nightstand. When she is awakened by the clock, she reaches for a cigarette instead of the glass. She drops the lighter, and while reaching to retrieve it, her other hand knocks the glass to the floor. The dream continues as before: Liz follows the footsteps into the hall, and follows the sinister nurse down to the morgue.
The next morning, Liz is hysterical. A nurse is required to hold her down while the doctor injects a sedative. The doctor is not convinced that Liz's dream is anything other than the product of her exhaustion, but he comments to the nurse that it is odd that Liz, who has never seen the real morgue, knows that it is room number 22.
After several days' rest, Liz is discharged from the hospital. She goes to the airport to fly to her next booking in Miami Beach. She buys her ticket and is told she will be on Flight 22. Terrified, she begins experiencing sensory details from the dream: she is thirsty, distracted by the loud ticking of a wall clock that only she can hear, and bumps into a woman carrying a vase. The vase drops to the floor and shatters. Footsteps in the hall seem magnified to her. She crosses the tarmac to her plane and climbs the boarding stairs. As she reaches the top, a stewardess identical to the nurse from the dream emerges from the cabin. She says, "Room for one more, honey." Screaming, Liz stumbles down the stairs and races back to the terminal. Concerned airport staff try to calm her. Outside the window, Flight 22 taxis to the runway, takes off—and explodes in midair.
Miss Elizabeth Powell, professional dancer. Hospital diagnosis: acute anxiety brought on by overwork and fatigue. Prognosis: with rest and care, she'll probably recover. But the cure to some nightmares is not to be found in known medical journals. You look for it under 'potions for bad dreams' - to be found in the Twilight Zone.
The original 1906 story by E.F. Benson features a large, middle-aged male protagonist named Hugh Grainger from the English country visiting a friend in London. He is haunted by a man dressed like a bus conductor—but driving a horse-drawn hearse. He sees the same man a month later actually driving a bus that is involved in a tremendous auto accident. The 1944 Cerf anecdote features instead a young New York woman visiting the Carolina plantation of distant relatives, with the hearse's coachman eventually revealed to be the operator of a medical building elevator that plummets when its cables break. In the 1944 film, Dead of Night, the protagonist is again male, also with the name Hugh Grainger, haunted by a man driving a hearse, and has a premonition about a fatal bus crash.
As the Twilight Zone's second season began, the production was informed by CBS that, at about $65,000 per episode, the show was exceeding its budget. By November 1960, 16 episodes, more than half of the projected 29, were already filmed, and five of those had been broadcast. It was decided that six consecutive episodes, including "Twenty Two", would be videotaped at CBS Television City in the manner of a live drama and eventually transferred to 16-millimeter film for future syndicated rebroadcasts. Eventual savings amounted to only about $30,000 for all six entries, which was judged to be insufficient to offset the loss of depth of visual perspective that, at the time, only film could offer. The shows wound up looking little better than set-bound soap operas and, as a result, the experiment was deemed a failure and never tried again.
- DeVoe, Bill. (2008). Trivia from The Twilight Zone. Albany, GA: Bear Manor Media. ISBN 978-1-59393-136-0
- Grams, Martin. (2008). The Twilight Zone: Unlocking the Door to a Television Classic. Churchville, MD: OTR Publishing. ISBN 978-0-9703310-9-0