||This article's lead section may not adequately summarize key points of its contents. (February 2016)|
Secret Level (DC)
Erik de Neve
Michiel van den Bos
|Engine||Unreal Engine 1|
|Release date(s)||Microsoft Windows
Unreal Tournament is a first-person shooter video game co-developed by Epic Games and Digital Extremes. It was first published in 1999 by GT Interactive for Microsoft Windows. Infogrames released it for the PlayStation 2, and Sega Studios San Francisco (known as Secret Level at the time) released it for the Dreamcast home consoles. The game is based on the same technology that powered Unreal, but the design of Unreal Tournament shifted the series' focus to competitive multiplayer action.
Unreal Tournament was designed as an arena first-person shooter, with head-to-head multiplayer deathmatches being the primary focus of the game. The game's single-player campaign is essentially a series of arena matches played with bots. For team matches, bots are again used to fill the roles of the player's teammates. Even on dedicated multiplayer servers, bots are sometimes used to pad out teams that are short on players.
Unreal Tournament is known and widely praised for its bot artificial intelligence (AI), the product of programmer Steve Polge who had earlier risen to fame by designing the Reaper Bot for Quake, one of the earliest examples of an effective deathmatch bot. The player can choose a bot skill level (anywhere from "Novice" to "Godlike") or set it to automatically adjust to the player's performance. Bots can be further customized by changing names, appearance, accuracy, weapon preferences, awareness, and so forth.
- Assault: This game type is played with two opposing teams, one assaulting a "base" and the other defending it. The map is set up with a number of objectives which the attacking team must complete (usually in sequence) such as shutting down a power generator, entering an area, triggering a button, et cetera. The team who first attacks then defends, and attempts to defend for the entire time they attacked. If they can accomplish this, they win the map. If the team defending first assaults the base faster than the other team, they win the map. If both teams defend for the maximum amount of time the map is a tie.
- Capture the Flag: Players compete to capture the other team's flag and return it to their base. Competitive teams must use a great deal of teamplay. Both teams must defend the base from incoming attackers and get into the other team's base, take their flag and return to base. This requires that the team protect their flag carrier very well from enemies in order to complete their objective.
- Deathmatch: A classic every-man-for-himself player vs. player combat. The objective is to out-frag all opposing players.
- Domination: Teams compete to control various control points to earn points and win the map. Standard maps contain three control points. Control of these points is initially accomplished through occupation (physically occupying the space), but control of a point continues until a player from another team occupies the space. The more control points one team controls, the faster it gains points.
- Last Man Standing: Similar to Deathmatch, the player's objective is to remain alive longer than their opponents, putting an emphasis on number of deaths rather than kills. Players start with all weapons available, fully loaded, and have a set number of lives. Power-ups, including health and ammunition packs, are unavailable. Once a player runs out of lives they lose and have to wait as spectators until the match ends.
- Team Deathmatch: Teams compete together to out-frag the opponent team. Like Capture the Flag and Domination in this version—and unlike subsequent releases—four teams were allowed: Red, Blue, Green and Gold.
||This section may require copy editing for grammar, style, cohesion, tone, or spelling. (May 2015)|
When Unreal was released in May 1998, it was well received by the press. However, it soon became apparent that the quality of the network code used for multiplayer matches could use improvement. In the months following Unreal's release, developers focused on developing the multiplayer aspect further. Epic Games started thinking about an official extension meant to improve the network code of the game and feature new maps and other gameplay elements.
The team started working on this extension during the summer of 1998, but the task seemed to be complicated because of Epic Games's visual structure. At the time, the team of Digital Extremes regrouped at London in Ontario while the team of Epic was dispersed in the United States. To fix that, Epic decided to regroup their employees in Raleigh and in September, work on the extension could begin. Steve Polge set the bases of multiple game's modes, such as capture the flag or domination, and had decided that the extension would be entirely focused on the multiplayer aspect of the game. The content of the extension grew quickly, and soon the team realized that it had under-estimated the task. In November, after a meeting with GT Interactive, Mark Rein suggested to make a standalone game instead of an extension. The team was reticent at first, but they soon accepted the idea, and in December the game was entitled Unreal: Tournament Edition.
The development team of Unreal Tournament was around 16 people. Most of them already worked on Unreal, but Epic hired multiple new developers to reinforce the team working on the project. Brandon Reinhart for instance, joined Epic in August 1998 to help with the development of patches for Unreal and Unreal Tournament. In December 1998, Brandon and James Schmalz discovered a mod of Unreal, named UBrowser, which had a new GUI of navigation for network games. They decided to show it to James Schmalz, the lead designer at Digital Extremes, who decided to hire Jack Porter, the mod's author. He quickly took his steps with the team and implemented his new interface into Unreal Tournament.
During the game's development, the team lacked artists. Shane Caudle and the artists at Digital Extremes couldn't make enough new textures because of the amount of diversity in characters and maps. Epic hired independent artists, Steve Garofalo and John Mueller, to reinforce the team. This was shown to be rather inefficient, and so the developers were limited to a small amount of textures.
31 second sample from the Main Menu theme of Unreal Tournament, written by Alexander Brandon.
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The soundtrack for the game was primarily written by Alexander "Siren" Brandon, Michiel "M.C.A." van den Bos, Andrew "Necros" Sega, and Dan "Basehead" Gardopée—the same music artists who wrote the Unreal soundtrack, although only Brandon and Van Den Bos received credited for it. The game (in contrast to Quake, which used CD audio) used tracker music, which resulted in a considerably good sound quality with very little size tradeoff. Game composer Frank Klepacki was impressed by Alexander Brandon's contributions to the soundtrack.
Unreal Tournament received widespread critical acclaim. Mainstream press reviews praised the graphics, gameplay, maps and multiplayer capabilities of the game. Computer Shopper concluded "Quake may have spawned the online deathmatch, but Unreal Tournament has taken it to the next level with its amazing graphics and fast-paced action. Online or off, this game rules!" In March 2000, Unreal Tournament was second on a list of best-selling games in Computer Dealer News trade magazine, behind Quake III Arena.
The PlayStation 2 release did not fare as well as the PC and Dreamcast versions. GameSpy criticized the graphics of the PS2 version, saying "Graphically, the PS2 version of Unreal Tournament seems uninspired." Its conclusion stated "Sluggish gameplay, somewhat washed out colors and textures". In addition, the PS2 version only allowed multiplayer games on 11 maps (7 deathmatch and 4 capture the flag). A novel, but relatively unused, feature is the ability to connect a keyboard and mouse through the PS2's USB ports. Players could then play in a similar manner to the PC version. This also allowed for up to 3 players without the use of a PlayStation 2 Multitap.
|1999||Computer Gaming World||Game of the Year||Won|||
|Best Level Design||Won|
|GameSpy||Game of the Year||Won|||
|Special Achievement in Artificial Intelligence||Won|||
|GameSpot||Action Game of the Year||Won|||
|Academy of Interactive Arts & Sciences||Computer Action Game of the Year||Nominated|||
|Computer Game of the Year||Nominated|
|Outstanding Achievement in Visual Engineering||Won|
|Game of the Year||Nominated|
|Computer Strategy Game of the Year||Nominated|
|CNET||Multiplayer Game of the Year||Won|||
|Macworld||Best Network Shooter for the Mac||Won|||
|PC Player||First Person Shooter of the Year||Won|||
Many fans have taken advantage of the chance to create mods for the game. These range from slight changes on some aspects of gameplay (such as map voting) to total conversions. One modification, ChaosUT, became popular enough that it was included with the 'Game of the Year' edition of the game, while Tactical Ops: Assault on Terror was released as a stand-alone retail product.
Unreal Tournament was played at the World Cyber Games in the years of 2001 and 2002 where the title was contended for in a deathmatch 1 vs 1 environment. This was where UT was played on an international scale, where players from all around the world went head to head to win The Tournament.
The success of the original Unreal Tournament spawned four sequels, including Unreal Tournament 2003 and Unreal Tournament 2004 (on Unreal Engine 2.x), Unreal Tournament 3, which was originally codenamed UT2007, and the upcoming Unreal Tournament reboot. The yearly naming structure, based around marketing the franchise as a competitive sports title, was abandoned shortly before the launch of the third sequel. Digital Extremes announced Dark Sector in 2000, which was planned as a spiritual successor to Unreal Tournament.
There have also been several efforts to remake Unreal Tournament by the community using newer engine versions, the largest in scope being Unreal Tournament Revolution, a total conversion for Unreal Tournament 2004, featuring new music by original Unreal Tournament composer Michiel van den Bos. Because of differences in the styles of the sequels, the goal of such remakes are typically to take advantage of newer engine features and graphical capabilities while remaining true to the gameplay and style of the first Unreal Tournament.
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|last1=in Authors list (help)
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