Urusei Yatsura

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Urusei Yatsura
Urusei Yatsura volume 1 tankobon cover.jpg
Cover art of the 1980 first tankōbon volume featuring lead characters Ataru Moroboshi and Lum Invader
Written byRumiko Takahashi
Published byShogakukan
English publisher
ImprintShōnen Sunday Comics
MagazineWeekly Shōnen Sunday
Original runSeptember 24, 1978February 4, 1987
Volumes34 (List of volumes)
Anime television series
Directed by
Written by
Music by
  • Fumitaka Anzai
  • Katsu Hoshi
  • Shinsuke Kazato
Licensed by
AnimEigo (expired)
Anime Projects (expired)
Original networkFNS (Fuji TV)
English network
Original run October 14, 1981 March 19, 1986
Episodes195 (214 segments) (List of episodes)
See also
Wikipe-tan face.svg Anime and manga portal

Urusei Yatsura (うる星やつら) is a Japanese manga series written and illustrated by Rumiko Takahashi and serialized in Weekly Shōnen Sunday from 1978 to 1987. Its 374 individual chapters were published in 34 tankōbon volumes. It tells the story of Ataru Moroboshi, and the alien Lum, who believes she is Ataru's wife after he accidentally proposes to her. The series makes heavy use of Japanese mythology, culture and puns. It was adapted into an anime television series produced by Kitty Films and broadcast on Fuji Television affiliates from 1981 to 1986 with 195 episodes. Twelve OVAs and six theatrical movies followed, and the series was released on VHS, Laserdisc, DVD, and Blu-ray Disc in Japan.

The manga series was republished in different formats in Japan. Viz Media released the series in North America in the 1990s under the names Lum and The Return of Lum, but dropped it after nine volumes. They re-licensed the manga and began releasing an omnibus edition under its original title with new translations in 2019. The television series, OVAs, and five of the films were released in North America with English subtitles, as well as a dub for the films by AnimEigo. They provided extensive notes on the series to allow people to understand the many cultural references and jokes in the series that would not normally be understood by non-Japanese. The remaining film, Beautiful Dreamer, was released bilingually by Central Park Media. Five of the movies, as well as the OVAs, are available from MVM Films in the United Kingdom. The series was released on television in Southeast Asia as Lamu the Invader Girl.

Urusei Yatsura launched Takahashi's career and received positive reception in and out of Japan from fans and critics alike. In 1980, the series received the Shogakukan Manga Award. The television series is credited with introducing the format of using pop songs as opening and closing themes in anime. In 2008, the first new animation in 17 years was shown at the Rumiko Takahashi exhibition It's a Rumic World.


An alien race known as the Oni arrive on Earth to invade the planet. Instead of taking over the planet by force, the Oni give humans a chance to fight for the rights to the planet by taking part in a competition. The competition is a variant of the game of tag (known as "the game of the Oni" in Japanese), in which the human player must touch the horns on the head of the Oni player within one week. The computer-selected human player is Ataru Moroboshi, a lecherous, unlucky and academically unsuccessful high school student from the fictional Tomobiki Town (友引町) in Nerima, Japan, and the Oni player is Princess Lum, daughter of the leader of the alien invaders.

Despite his initial reluctance to take part in the competition, Ataru becomes interested in the game when he meets Lum. When the competition begins, Lum surprises everyone by flying away and Ataru finds himself unable to catch her. Before the last day of the competition, Ataru's girlfriend Shinobu Miyake encourages Ataru by pledging to marry him if he wins. On the final day of the competition, Ataru wins the game by stealing Lum's bikini top, which prevents her from protecting her horns in favor of protecting her modesty. In celebrating his victory, Ataru expresses his joy at being able to get married; however, Lum misinterprets this as a proposal from Ataru and accepts on live television. Despite the misunderstanding, Lum falls in love with Ataru and moves into his house.

Despite Ataru's lack of interest in Lum and attempts to rekindle his relationship with Shinobu, Lum frequently interferes and Shinobu loses interest in Ataru. Still, Ataru's flirtatious nature persists despite Lum's attention. Lum attempts to stop him from flirting, which results in Ataru receiving powerful electric shock attacks from Lum as punishment. Two characteristics of Ataru are particularly strong: his pervertedness and his bad luck that draws to him all weirdos of the planet, the spirit world and even galaxy.

Later Lum begins attending the same school as Ataru despite his objections. Lum develops a fan base of admirers among the boys of the school, including Shutaro Mendo, the rich and handsome heir to a large corporation that all the girls from Tomobiki have a crush on. Despite their romantic interest, none of Lum's admirers will risk upsetting Lum by trying to force her and Ataru apart, although this does not stop them from trying to get Ataru punished due to his bad behavior, and interfering every time they get close to him.


In 1977, Rumiko Takahashi created the short story Those Selfish Aliens that was nominated for Shogakukan's Best New Comic Artist award. This would serve as the basis for creating Urusei Yatsura which was first published a year later when Takahashi was 21 years old. The series was her first major work, having previously only published short stories and is a combination of romantic comedy, science fiction, suburban life, and Japanese folktales.[3][4] The title of the series roughly translates to "Those Obnoxious Aliens". The title is written using specific kanji instead of hiragana to create a Japanese pun.[5]

The series first appeared in Shogakukan's Weekly Shonen Sunday in September 1978.[6] At the start of the series it was only scheduled to run for 5 chapters. Ataru was the central character and each chapter would feature a different strange character. The character of Lum was only going to appear in the first chapter and was not in the second chapter; however, Takahashi decided to re-include her in the third chapter.[7] The series was not an instant success and chapters were initially published sporadically. Between May and September 1978 she simultaneously worked on a series called Dust Spot; however, the increasing popularity of Urusei Yatsura caused her to focus on Urusei and the series became a regular serialization from the middle of 1979.[6]

Takahashi said that she had been dreaming about the overall universe of Urusei Yatsura since she was very young. She said that the series "really includes everything I ever wanted to do. I love science fiction because sci-fi has tremendous flexibility. I adopted the science fiction-style for the series because then I could write any way I wanted to".[3] She wanted the reader to be completely surprised by the next panel and used slapstick comedy to create a reaction in the reader.[6] When Takahashi ran out of ideas she would create new characters.[8] Takahashi shared a small 150-square-foot apartment with her assistants, and slept in a closet due to a lack of space. While writing Urusei Yatsura she also began work on Maison Ikkoku and used this experience as well as her university experience as the basis for the setting of that series.[6]

Character names often carry extra meanings used to describe a characters personality or other traits. For example, the name Ataru Moroboshi refers to being hit by a star, a reference to the aliens and other people who gather around him. The name Shinobu suggests a patient character; however, this in contrast to the character's actual personality.[5] In a similar way, the setting for the series is "Tomobiki", which means "friend taking". Tomobiki is also the name of a superstitious day in the old Japanese calendar system considered to have "no winners or losers" and occurred on every sixth day. Funerals rarely took place on this day as it was believed more deaths would soon follow.[5][9][10] Lum was named after Agnes Lum, a bikini model during the 1970s.[11][12] Lum's use of the English word "Darling" in reference to Ataru was to emphasize her status as a foreigner, as well as a play on the name Darrin, the husband figure from Bewitched.[13]

In 1994, Takahashi stated that she will not produce any more content for the series.[14]

The characters of Megane, Perm, Kakugari and Chibi are recurring characters throughout the anime adaptation; however, in the manga they are nameless fans of Lum who appear less after Mendo is introduced.[15] In contrast the character Kosuke Shirai plays a large role in the manga, but does not appear in the anime series. His role is often performed by Perm.[16] The second half of the anime is closer to the manga than the first half.[15]



The series began sporadic serialization on September 24, 1978 in that year's 39th issue of the manga anthology Weekly Shōnen Sunday until the middle of 1979 when it became a regular serialization.[6][17][18] It ended in 1987's eighth issue on February 4, after publishing 374 chapters and almost 6,000 pages.[15][19][20][21] A total of 34 individual volumes with 11 chapters each were released in tankōbon format between 1980 and March 1987.[20][22][23] After the tenth anniversary of start of the series, it was printed in 15 wideban editions between July 1989 and August 1990.[24][25] Each volume contained around 25 chapters, and were printed on higher-quality paper, with new inserts.[20] A bunkoban edition of the series was released over 17 volumes between August 1998 and December 1999. Each volume contains forewords by other manga creators discussing the influence the series had on them.[20][26][27] A "My First Big" edition was printed between July 2000 and September 2004. This edition was similar to the tankōbon but used low-quality paper and were sold at a low price.[20][28][29] A shinsoban edition over 34 volumes was released between November 17, 2006 and March 18, 2008. This edition was also similar to the tankōbon but used new cover artwork and included a section that displayed artwork from current manga artists.[20][30][31]

The manga has sold over 26 million copies in Japan.[32]

After requests from fans, Viz Media licensed the series for release in English across North America under the title of Lum * Urusei Yatsura.[33] Despite a strong start, the series was dropped after 8 issues. The series was then reintroduced in the monthly Viz publication Animerica and because of the long gap the series was retitled The Return of Lum.[20] To start, chapters were published monthly in Animerica; however, due to reader feedback and an increased popularity of the series it was decided to release it as an individual monthly publication.[34] The English release finished in 1998 and is now out of print. The first 11 volumes of the Japanese release were covered, but several chapters were excluded and a total 9 English volumes of the series were released.[15][20]

On July 19, 2018, Viz announced that they re-licensed the manga with plans to release it in a 2-in-1 omnibus edition with new translations.[35] Based on the Japanese shinsoban, the first volume was published on February 19, 2019.[36]


The series was adapted by Kitty Films into an animated TV series that aired from October 14, 1981 to March 19, 1986 on Fuji Television.[37] The first 21 episodes (with the exceptions of episodes 10 and 11) of the series contained two-eleven minute stories which has led to episode total of 195 episodes with 214 episode segments (194 with 213 if you don't count episode 193.5).[38] The first 106 episodes were directed by Mamoru Oshii and the remainder by Kazuo Yamazaki.[39][40] Six opening theme songs and nine closing themes were used during the series.[41]

On December 10, 1983, the first VHS release of the series was made available in Japan.[42] The series was also released on fifty LaserDiscs.[43] Another VHS release across fifty cassettes began on March 17, 1998 and concluded on April 19, 2000.[44][45] Two DVD boxed sets of the series were released between December 8, 2000 and March 9, 2001.[46][47] These were followed by fifty individual volumes between August 24, 2001 and August 23, 2002.[48][49] To celebrate the 35th anniversary of the anime a new HD transfer was created and released on Blu-ray in Japan. The first Blu-ray boxed set of the series was released on March 27, 2013, with the fourth box set scheduled for release on March 23, 2014.[37][50] To promote the Blu-ray, the anime was rebroadcast in high definition on Kids Station.[51]

During 1992, the series was licensed for a North American release by AnimEigo.[52] Their VHS release began in October of the same year and was among the first anime titles to receive a subtitled North American release. However, the release schedule was erratic.[15][33][53] The episodes were also released on LaserDisc in 1993.[54] The first two episodes were released with an English dub on March 29, 1995 as Those Obnoxious Aliens. An earlier English dub, entitled Cosma the Invader Girl, was custom created and aired in Alaska in the late 1980s as mentioned before but unconfirmed.[55] Anime Projects released the series in the United Kingdom from April 25, 1994.[56] AnimEigo later released the series on DVD. The series was available in box set format as well as individual releases. A total of 10 boxed sets and 50 individual DVDs were released between March 27, 2001 and June 20, 2006.[57][58] Each DVD and VHS contained Liner notes explaining the cultural references and puns from the series.[59] A fan group known as "Lum's Stormtroopers" convinced the Californian public television station KTEH to broadcast subtitled episodes of the series in 1998.[33][60] AnimeEigo's license later expired, and has confirmed that the series is out of print as of September 2011.[61] An improvisational dub of the first and third episodes was broadcast on BBC Choice in 2000 as part of a "Japan Night" special as "Lum the Invader Girl".[4][62]

The anime was distributed in south-east Asia on Animax Asia as Alien Musibat.


During the television run of the series, four theatrical films were produced. Urusei Yatsura: Only You was directed by Mamoru Oshii and began showing in Japanese cinemas on February 11, 1983.[63] Urusei Yatsura 2: Beautiful Dreamer was directed by Mamoru Oshii and was released on February 11, 1984.[64] Urusei Yatsura 3: Remember My Love was directed by Kazuo Yamazaki and released on January 26, 1985.[65] Urusei Yatsura 4: Lum the Forever was directed again by Kazuo Yamazaki and released on February 22, 1986.[66]

After the conclusion of the television series, two more films were produced. A year after the television series finished, Urusei Yatsura: The Final Chapter was directed by Satoshi Dezaki and was released on February 6, 1988 as a tenth-anniversary celebration. It was shown as a double bill with a Maison Ikkoku movie.[43][67] The final film, Urusei Yatsura: Always My Darling, was directed by Katsuhisa Yamada and was released on August 18, 1991.[68][69] In North America, Beautiful Dreamer was released by Central Park Media. The remaining five films were released by AnimEigo in North America and MVM Films in the United Kingdom.[59]

OVA releases[edit]

On September 24, 1985, the special Ryoko's September Tea Party was released consisting of a mixture of previously broadcast footage with 15 minutes of new material. A year later on September 15, 1986, Memorial Album was released, mixing new and old footage.[59][70] On July 18, 1987 the TV special Inaba the Dreammaker was broadcast before being released to video. It was followed by Raging Sherbet on December 2, 1988, and by Nagisa's Fiancé four days later on December 8. The Electric Household Guard was released on August 21, 1989 and followed by I Howl at the Moon on September 1. They were followed by Goat and Cheese on December 21 and Catch the Heart on December 27, 1989. Finally, Terror of Girly-Eyes Measles and Date with a Spirit were released on June 21, 1991.[71] The OVAs were released in North America by AnimEigo who released them individually over six discs.[59] In the UK they were released as a three-disc collection by MVM on September 6, 2004.[72]

On December 23, 2008 a special was shown at the It's a Rumic World exhibition of Rumiko Takahashi's works. Entitled The Obstacle Course Swim Meet, it was the first animated content for the series in 17 years.[73] On January 29, 2010 a boxed set was released featuring all of the recent Rumiko Takahashi specials from the Rumic World exhibition. Entitled It's a Rumic World, the boxed set contains The Obstacle Course Swim as well as a figure of Lum.[74]

Other media[edit]

Cover of Vinyl release of Music Capsule
Music Capsule LP album

A large number of LP albums were released after the series began broadcasting. The first soundtrack album was Music Capsule, which was released on April 21, 1982, and a follow-up, Music Capsule 2, was released on September 21, 1983. A compilation, The Hit Parade, was released in July 1983, and The Hit Parade 2 was released on May 25, 1985. A cover album by Yuko Matsutani, Yuko Matsutani Songbook, was released on May 21, 1984. Lum's voice actress Fumi Hirano also released a cover album, Fumi no Lum Song, which was released on September 21, 1985.[75][76]

Many games have been produced based on the series.[77] The first game to be released was a handheld electronic game, released by Bandai in 1982. Following it were microcomputer games, as well as Urusei Yatsura: Lum no Wedding Bell (うる星やつらラムのウェディングベル), which was released by Jaleco for the Famicom on October 23, 1986, exclusively in Japan.[78] The latter was developed by Tose as a port of the unrelated arcade game Momoko 120%.[79] In 1987, Urusei Yatsura was released by Micro Cabin for the Fujitsu FM-7 and Urusei Yatsura: Koi no Survival Party (うる星やつら恋のサバイバルパーチー) was released for the MSX computer.[80][81] Urusei Yatsura: Stay With You (うる星やつら Stay With You) was released by Hudson Soft for the PC Engine CD on June 29, 1990 with an optional music CD available.[82] Urusei Yatsura: Miss Tomobiki o Sagase! (うる星やつらミス友引を探せ!) was released by Yanoman for the Nintendo Game Boy on July 3, 1992.[83] Urusei Yatsura: My Dear Friends (うる星やつら~ディア マイ フレンズ) was released by Game Arts for the Sega Mega-CD on April 15, 1994.[84] Urusei Yatsura: Endless Summer (うる星やつら エンドレスサマー) was released for the Nintendo DS by Marvelous on October 20, 2005.[85]

Two books collecting all of Takahashi's color artwork from the series were released under the title Urusei Yatsura: Perfect Color Edition. Both books were released on January 18, 2016 and include a new interview with Takahashi.[86][87][88]


Takahashi stated that the majority of Japanese Urusei Yatsura fans were high school and university students. The series' peak readership figures were with 15-year-olds, but the distribution of readers was skewed towards older males. She said that this was "very easy" for her since the ages of the readers were similar to her own age; Takahashi expressed happiness that people from her generation enjoy the series. Takahashi added that she felt disappointment that Urusei Yatsura did not gain much interest from children, believing that the series may have been too difficult for them. She believed that "manga belongs fundamentally to children, and maybe Urusei Yatsura just didn't have what it took to entertain them".[3]

The manga received the Shogakukan Manga Award in 1980.[89] In 1985, the franchise generated ¥10 billion ($90.56 million) in merchandise sales.[90]

In Manga: The Complete Guide, Jason Thompson referred to Urusei Yatsura as "A slapstick combination of sci-fi, fairy-tale and ghost-story elements with plenty of cute girls." He also noted that Lum is "the original otaku dream girl." He awarded the series four stars out of four.[91] In an interview with Ex.org, Fred Schodt expressed surprise at the popularity of the original English release of the manga as he believed the cultural differences would be a problem.[92] Reviewing the 2019 English release of the manga, Arpad Lep of Comics Beat called Urusei Yatsura an impressive, essential debut by a living legend of comics, where "many themes and archetypes integral to her whole body of writing emerge already very well-developed." He compared its story to those by Shigeru Mizuki and its art, which he had strong praise for and noted gets better in just the first two volumes alone, to that of Go Nagai. Lep said Takahashi nails the many gags and physical comedy, with the series' stability from the never-changing sitcom elements of "Disappointed parents. Put-upon girlfriend. Insatiable yokai. Weird uncle. And our hero, a total loser" being fun and always staying fresh.[93]

In a more critical review of the first volume, Elias Rosner of Multiversity Comics felt it is obviously a debut work where Takahashi does not find her footing until chapter six. He praised her clear artwork, facial expressions and comedic timing for slapstick comedy, but noted a lack of character development due to episodic chapters and felt the verbal jokes did not translate well. He gave it a 6.8 out of 10 explaining that it "does a brilliant job of introducing the absurdity of the world and the endearing obnoxiousness of its characters while being mired by the dated nature of its portrayal of Ataru's lechery, its flimsy story, and its simplistic characterizations."[94]

In 1982, the anime series ranked sixth in Animage magazine's reader-voted Anime Grand Prix.[95] The following year, the show climbed to fourth place.[96] In 1984, the film Urusei Yatsura: Only You took fifth and the TV anime took sixth.[97] While the TV series did not appear in the 1985 Anime Grand Prix, the movie Beautiful Dreamer came in third. In 1986, the show reappeared in sixth place and the third film Remember My Love took third place.[98] In 1987, the series went down to eighth place.[99] The series received two additional awards as part of the Anime Grand Prix. In 1982, its theme song "Lum no Love Song" was voted best anime song. In 1983, the sixty-seventh episode was voted best episode.[100][101]

Christina Carpenter of THEM Anime Reviews praised the anime adaptation's characters and humor and noted the influence the series had on other series over the years. Carpenter summarized the series as an "Original and unapologetically Japanese classic that earns every star we can give" and awarded the series five stars out of five.[102] In The Anime Encyclopedia: A Guide to Japanese Animation Since 1917, Jonathan Clements and Helen McCarthy viewed the anime as "a Japanese Simpsons for its usage of domestic humor and made note of AnimEigo's attention to providing notes for those unfamiliar with Japanese culture. They summarized the series as "a delight from beginning to end" that "absolutely deserves its fan favorite status."[4] In reviewing AnimEigo's home video releases, Peter Nichols of The New York Times thought that the series was "relatively restrained" compared to their other releases.[103] In a feature on the series for Anime Invasion, McCarthy recommended it as being "the first, the freshest and the funniest" of Takahashi's works and for its large cast, stories and use as a cultural and historical resource.[104]

Writing in Anime from Akira to Princess Mononoke: Experiencing Contemporary Japanese Animation, Susan J. Napier dedicated several pages to discussion of the series, regarding it as "a pioneering work in the magical girlfriend genre." Napier contrasted the series to Western shows such as Bewitched and I Dream of Jeannie, highlighting their harmonious resolution to the chaos in comparison to Urusei Yatsura's "out of control" ending to each episode. Napier later compared the series to other magical girlfriend series such as Ah! My Goddess and Video Girl Ai.[105] Fred Patten writing in Watching Anime, Reading Manga: 25 Years of Essays and Reviews credited the series with being the first program to inspire translations from fans.[106] Patten also credited the series for introducing the phenomenon of using anime to advertise pop songs, claiming it was a deliberate decision by Kitty Films.[107] Writing further about the series for the website Cartoon Research, Patten noted that the series was aimed at adults who could buy their own merchandise, as opposed to being subsidized by toy sales like many other shows at the time.[38] Like Napier, Patten compared the series to Bewitched, but also to Sabrina the Teenage Witch.[108][109]

Influence and legacy[edit]

The series has been credited by Jonathan Clements in Schoolgirl Milky Crisis: Adventures in the Anime and Manga Trade as influencing multiple other "geek gets girl" works including Tenchi Muyo! and Love Hina.[110] Tokyo Movie Shinsha produced the series Galaxy High School for CBS as an attempt to create a similar series for the American market. The school scenario is reversed to be based around humans attending a high school for aliens.[38]

In 1992, the singer Matthew Sweet released the single "I've Been Waiting", the video of which features images of Lum from the series.[111] In 1993, a band from Glasgow formed under the name "Urusei Yatsura" as a tribute.[112] On Star Trek: The Next Generation, anime references were frequently added as in-jokes and homages by Senior Illustrator Rick Sternbach. In the episode "Up the Long Ladder", two ships named Urusei Yatsura and Tomobiki can be seen on a graphical display.[113][114] Lum and Ten make a cameo as passing pedestrians in one panel of the first issue of Futurama Comics.[115]

A life-size bronze statue of Lum was erected at Ōizumi-gakuen Station in 2015.[116]

In 2000, the now defunct BBC Choice channel made a dub of the first four episodes that featured the voice talent of Matt Lucas for a weekend block dedicated to Japan-themed programming.

In 2019, Tokyo Gas released a series of commercials parodying Urusei Yatsura, featuring Kyoko Fukada as Lum and Shin Terada as Ten.[117]

Use of Japanese culture[edit]

The series is considered an excellent source for references to Japanese culture and mythology.[118][better source needed] The series makes heavy use of Japanese literature, folklore, history and pop culture. Examples of literature and folklore include The Tale of Genji and Urashima Tarō.[119]

Many of the characters in the series are derived from mythological creatures. In some cases the creatures themselves appeared, and in other cases a character was designed to incorporate the characteristics of a mythological creature.[120] Stories and situations made use of these mythological elements to create jokes and draw comparisons with the original mythology. For example, the Oni choose tag to decide their contest with Earth because the Japanese word for Tag, Onigokko, means "game of the Oni". When Ataru grabs Lum's horns during their contest and she misunderstands his statement that he can get married, it is a reference to the myth that grabbing the horns of an Oni will make your dream come true.[5]

See also[edit]


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  2. ^ "The Official Website for Urusei Yatsura". Viz Media. Retrieved March 29, 2020.
  3. ^ a b c Horibuchi, Seiji; Jones, Gerard; Ledoux, Trish. "The Wacky World of Rumiko Takahashi". Animerica. 1 (2): 4–11.
  4. ^ a b c Clements, Jonathan; McCarthy, Helen (2006). The Anime Encyclopedia: A Guide to Japanese Animation Since 1917 (Revised and Expanded edition). p. 377. ISBN 1-933330-10-4.
  5. ^ a b c d "Urusei Yatsura volumes 1-10 Liner Notes". AnimEigo. Retrieved January 2, 2010.
  6. ^ a b c d e "Manga Mania" (20). Manga Publishing. December 1994: 38–41. ISSN 0968-9575. Cite journal requires |journal= (help)
  7. ^ "「るーみっくわーるど35~SHOWTIME&ALL-STAR~高橋留美子画業35周年インタービュー (3/5)". Comic Natalie. Retrieved January 27, 2014.
  8. ^ Smith, Toren. "Toriyama/Takahashi interview". Furinkan.com. Retrieved February 6, 2010.
  9. ^ De Garis, Frederic (2013-09-05). We Japanese. Routledge. p. 292. ISBN 9781136183676.
  10. ^ De Garis, Frederic (2013-09-05). We Japanese. Routledge. p. 28. ISBN 9781136183676.
  11. ^ "Rūmic World 35 ~ Shotime & All-Star Takahashi RUmiko gashū 35 shūnen Interview (4/5)" 「るーみっくわーるど35~SHOWTIME&ALL-STAR~高橋留美子画業35周年インタービュー (4/5). Comic Natalie. Retrieved January 27, 2014.. Takahashi replies: "ラムの名前をいただいたアグネス・ラムの胸のラインは.. (Agnes Lum from whom I borrowed Lum's name ..)".
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