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The Anti-Aesthetic: Essays on Postmodern Culture is a 1983 collection of essays that focuses on cultural criticism and post-modernism. Edited by art historian Hal Foster, The Anti-Aesthetic at the time of its publication was an introduction to ideas then current, primarily coming out of Europe, and featured critics, art historians and philosophers such as Jean Baudrillard, Jurgen Habermas, Fredric Jameson, Rosalind Krauss, and Edward Said. In print continuously since 1983, a new edition was published in 2002 by The New Press with a new afterword, positioning the book within contemporary art in the 21st century.[1] The influence of The Anti-Aesthetic "defined the theoretical landscape" for cultural studies and visual art.[2]

Overview

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Content

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Critical reception and legacy

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Editions

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  • The Anti-Aesthetic: Essays on Postmodern Culture. Hal Foster, ed. Port Townsend, Wash.: Bay Press, 1983. ISBN 0941920011
  • The Anti-Aesthetic: Essays on Postmodern Culture. Hal Foster, ed. New York: The New Press, 2002. 978-1-56584-742-2

See also

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References

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  1. ^ "The Anti-Aesthetic". The New Press. Retrieved 2018-05-14.
  2. ^ ""I Drank the Apocalyptic Kool-Aid": Art Historian Hal Foster on Why He Has Developed an Unromantic View of the Avant-Garde". artnet News. 2018-03-26. Retrieved 2018-05-14.

Works cited

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  • Chin, Daryl. "Reviewed Work: The Anti-Aesthetic: Essays on Postmodern Culture by Hal Foster." Performing Arts Journal, vol. 9, no. 1 (1985): 95–96.
  • Eagleton, Terry. "The Ideology of the Aesthetic." In The Rhetoric of Interpretation and the Interpretation of Rhetoric, edited by Paul Hernadi. Durham, NC: Duke University Press, 1990. 75-86.
  • Meyer, James and Toni Ross. "Aesthetic/Anti-Aesthetic: An Introduction." Art Journal 63, no. 2 (2004): 20-23.
  • Polan, Dana. "Reviewed Work: The Anti-Aesthetic: Essays on Postmodern Culture" by Hal Foster." New German Critique, no. 33 (1984): 264–269.

Further reading

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