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User:Gog the Mild

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WikiProject Military History.
How shall I explain the dying that was done?
Shall I convey that each one
Did the calculus of life
And wrote the value of their days
Against the bloody margin
In an understated hand?
They will want to know:
How was the audit done?
Blood drop.svg


Sometimes I may seem blunt in what I say here. That is because there are more things I would like to do on this project than I will ever find time for, and it's faster (and more effective) to say what I mean directly. If this bothers you, please let me know, and I'll say things in a more roundabout and pleasant way.

Fielding positions in cricket for a right-handed batsman

A scrupulous writer, in every sentence that he writes, will ask himself at least four questions, thus:

  1. What am I trying to say?
  2. What words will express it?
  3. What image or idiom will make it clearer?
  4. Is this image fresh enough to have an effect?

And he will probably ask himself two more:

  1. Could I put it more shortly?
  2. Have I said anything that is avoidably ugly?

But you are not obliged to go to all this trouble. You can shirk it by simply throwing your mind open and letting the ready-made phrases come crowding in. They will construct your sentences for you - even think your thoughts for you, to a certain extent - and at need they will perform the important service of partially concealing your meaning even from yourself.

  1. Never use a metaphor, simile, or other figure of speech which you are used to seeing in print.
  2. Never use a long word where a short one will do.
  3. If it is possible to cut a word out, always cut it out.
  4. Never use the passive where you can use the active.
  5. Never use a foreign phrase, a scientific word, or a jargon word if you can think of an everyday English equivalent.
  6. Break any of these rules sooner than say anything outright barbarous.

To write or even speak English is not a science but an art. There are no reliable words. Whoever writes English is involved in a struggle that never lets up even for a sentence. He is struggling against vagueness, against obscurity, against the lure of the decorative adjective, against the encroachment of Latin and Greek, and, above all, against the worn-out phrases and dead metaphors with which the language is cluttered up.

A mass of Latin words falls upon the facts like soft snow, blurring the outlines and covering up the details...

― George Orwell, Politics and the English Language

"We sleep safely in our beds because rough men stand ready to do violence on our behalf."