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Gallery in history section of each building. historical photos.


Collections[edit]

LACMA's more than 250,000 objects are divided among its numerous departments by region, media, and time period and are spread amongst the various museum buildings. [1]

The Modern Art collection is displayed in the Ahmanson Building which was renovated in 2008 to have a new entrance featuring a large staircase, conceived as a gathering place similar to Rome's Spanish Steps. Filling the atrium at the base of the staircase is Tony Smith's massive sculpture Smoke (1967).[2] The modern collection on the plaza level displays works from 1900 to the 1970s, largely populated by the Janice and Henry Lazaroff collection. The plaza level galleries house African art and a gallery highlighting the Robert Gore Rifkind Center for German Expressionist Studies. The second floor of the Ahmanson Building has Greek and Roman Art galleries.

The Art of the Americas Building has American, Latin American and pre-Columbian collections displayed on the second floor and temporary exhibition space on the first floor. The Hammer Building houses the Korean and Chinese collections.[2] Los Angeles sculptor Robert Graham created the towering, bronze Retrospective Column (1981, cast in 1986) for the entrance of the Art of the Americas Building.

The Pavilion for Japanese Art displays the Shin'enkan collection donated by Joe D. Price.

The Contemporary Art collection is displayed in the 60,000 square foot Broad Contemporary Art Museum (BCAM), opened on February 16, 2008. BCAM's inaugural exhibition featured 176 works by 28 artists of postwar Modern art from the late 1950's to the present. All but 30 of the works initially displayed came from the collection of Eli and Edythe Broad.[3]

Surrounding the BCAM building and LACMA's courtyard is a 100 palm tree garden, designed by artist Robert Irwin and landscape architect Paul Comstock. Some of the 30 varieties of palms are in the ground, but most are in large wooden boxes above ground.[4][3] Directly in front of the new entrance to LACMA on Wilshire Boulevard is Chris Burden's Urban Light (2008), an orderly, multi-tiered installation of 202 antique cast-iron street lights from various cities in and around the Los Angeles area. The street lights are functional, turn on in the evening, and are powered by solar panels on the roof of the BP Grand Entrance.

Originally Jeff Koons Tulips sculpture was inside the Grand Entrance building and the Fire Truck was outside in the courtyard. Both sculptures were removed after being on display for 3 months due to unexpected damage from patrons and wear.

African Art[edit]

Ancient Near Eastern Art[edit]

Art of the Ancient Americas[edit]

Art of the United States[edit]

Some of the notable artworks in the Art of the United States collection are: [5]

Chinese Art[edit]

Contemporary Art[edit]

The Broads contributed $10 million to fund the purchase of Richard Serra's Band sculpture, on display on the first floor of BCAM when the building opened.[6][3]

Costume & Textiles[edit]

Decorative Arts and Design[edit]

Egyptian Art[edit]

European Painting and Sculpture[edit]

Some of the notable artworks in the European Painting and Sculpture collection are: [5]

  • Andrea Della Robbia, The Annunciation, about 1475-80, lead glazed terra-cotta
  • Rosso Fiorentino, Allegory of Salvation with the Virgin, the Christ Child, Saint Elizabeth, young Saint John and Two Angels, about 1521, oil on panel
  • Annibale Fontana, Adoring Angel, 1583-1584, wax with metal armature and wood base, sculpture
  • unknown artist, Archangel Raphael, 1600, polychromed and guided wood, sculpture
  • Guido Reni, Portrait of Cardinal Roberto Ulbaldino (1581-1635), Papal Legate to Bologna, before 1625, oil on canvas
  • Rembrandt Harmenszoon van Rijn, The Rising of Lazarus, before 1630, oil on canvas
  • Anthony Van Dyck, Andromedia Chained to the Rock, 1637-1638, oil on canvas
  • Georges de La Tour, Magdalen with the Smoking Flame, about 1640, oil on canvas
  • Jean-Baptiste Simeon Chardin, Soap Bubbles, after 1739, oil on canvas
  • John Deare, Judgment on Jupiter, 1786-1787, marble relief
  • Jean-Jacques Feuchère, Satan, about 1836, bronze sculpture
  • Auguste Rodin, She Who Was the Helmet-Maker's Beautiful Wife, about 1880-1885, bronze sculpture
  • Edgar Degas, The Bellelli Sisters, 1862-1864, oil on canvas

The Robert Gore Rifkind Center for German Expressionist Studies[edit]

Greek & Roman Art[edit]

Islamic Art[edit]

Japanese Art[edit]

Korean Art[edit]

Latin American Art[edit]

LACMA's Latin American Art galleries reopened in July 2008 after several years renovation. The Latin American collection includes pre-Columbian, Spanish Colonial, Modern and contemporary works. Many recent additions to the collection were financed by sales of works from an 1,800-piece holding of 20th century Mexican art compiled by dealer-collectors Bernard Lewin|Bernard and Edith Lewin]] and given to the museum in 1997.[7]

The pre-Columbian galleries were redesigned by Jorge Pardo, a Los Angeles artist who works in sculpture, design and architecture.[7] Pardo's display cases are built from thick, stacked sheets of medium-density fiberboard (MDF), with spacing of equal thickness in between the 70-plus layers. The laser-cut organic forms undulate and swell out from the walls, sharply contrasting to the rectangular display cases found in most art museums. [8]

The museum's pre-Columbian collection began in the 1980s with the first installment of a 570-piece gift from Southern California collector Constance McCormick Fearing and the purchase of about 200 pieces from L.A. businessman Proctor Stafford. The holdings recently jumped from about 1,800 to 2,500 objects with a gift of Colombian ceramics from Camilla Chandler Frost, a LACMA trustee and the sister of Otis Chandler, former LA Times publisher, and Stephen and Claudia Muñoz-Kramer of Atlanta, whose family built the collection.[7] A sizable portion of LACMA's pre-Columbian collection was excavated from burial chambers in Colima, Nayarit and other regions around Jalisco in modern-day Mexico.[8]

The Spanish Colonial collection includes work from 17th and 18th century Mexican artists Miguel Cabrera, José de Ibarra, José de Páez and Nicolás Rodriguez Juárez. The collection has galleries for Diego Rivera and Rufino Tamayo. The Latin American contemporary gallery highlights works Francis Alÿs.[8]

Modern Art[edit]

In December 2007, the Modern Art holdings were greatly expanded by the gift of the 130 item Janice and Henri Lazarof Collection. The collection features significant works from; Constantin Brancusi, Edgar Degas, Alberto Giacometti, Wassily Kandinsky, Paul Klee, Pablo Picasso and Camille Pissarro.[9]

Back Seat Dodge ’38 (1964) by Edward Kienholz, is a sculpture portraying a couple engaged in sexual activity in the back seat of a truncated 1938 Dodge automobile chassis. The piece won Kienholz instant celebrity in 1966 when the Los Angeles County Board of Supervisors tried to ban the sculpture as pornographic and threatened to withhold financing from LACMA if it included the work in a Kienholz retrospective. A compromise was reached under which the sculpture’s car door would remain closed and guarded, to be opened only on the request of a museum patron who was over 18, and only if no children were present in the gallery. The uproar led to more than 200 people lining up to see the work the day the show opened. Ever since, Back Seat Dodge ’38 has drawn crowds.[10]

Not displayed since its' original show at Washington DC's Corcoran Gallery of Art in 1967, the Ahmanson Building's remodeled atrium now holds Tony Smith's sculpture Smoke (1967). The massive black steel artwork is made up of 43 piers, and is 45 ft. long, 33 ft. wide and 22 ft. high. The work is currently on loan from the artists' estate.

Some of the notable artworks in the Modern Art collection are: [5]

Photography[edit]

Alfred Stieglitz, The Steerage, 1907

Some of the notable artworks in the Photography collection are: [5]

Prints and Drawings[edit]

Some of the notable artworks in the Prints and Drawings collection are: [5]

South and Southeast Asian Art[edit]

  1. ^ Los Angeles County Museum of Art. New York: Thames & Hudson. 2003. ISBN 0-500-20360-1.
  2. ^ a b Muchnic, Suzanne (February 3, 2008), "Broad Ambitions", Los Angeles Times, pp. F1, F8{{citation}}: CS1 maint: date and year (link)
  3. ^ a b c Heeger, Susan (January 06, 2008), "Palm Pilots", Los Angeles Times {{citation}}: Check date values in: |date= (help)CS1 maint: date and year (link) Cite error: The named reference "latimes02152008" was defined multiple times with different content (see the help page).
  4. ^ Hames, James (March 17, 2008), "LACMA Palm Garden more than landscape", San Fernando Valley Business Journal{{citation}}: CS1 maint: date and year (link)
  5. ^ a b c d e Price, Lorna (1988). Masterpieces from the Los Angeles County Museum of Art Collection. Los Angeles: Los Angeles County Museum of Art. ISBN 0-87587-146-1.
  6. ^ "LACMA Acquires Monumental Sculpture By American Artist Richard Serra" (PDF) (Press release). Los Angeles County Museum of Art. May 2007. Retrieved May 09, 2008. {{cite press release}}: Check date values in: |accessdate= (help)
  7. ^ a b c Muchnic, Suzanne (July 26, 2008), "LACMA remaps Latin America", Los Angeles Times, retrieved August 1, 2008{{citation}}: CS1 maint: date and year (link)
  8. ^ a b c Knight, Christopher (August 1, 2008), "Jorge Pardo's Pre-Columbian art installation at LACMA", Los Angeles Times, retrieved August 1, 2008{{citation}}: CS1 maint: date and year (link)
  9. ^ "LACMA Acquires Major Collection of Modern Art" (PDF) (Press release). Los Angeles County Museum of Art. 12-27-2007. Retrieved 05-02-2007. {{cite press release}}: Check date values in: |accessdate= and |date= (help)
  10. ^ Wyatt, Edward (10-02-2007), "In Sunny Southern California, a Sculpture Finds Its Place in the Shadows", New York Times {{citation}}: Check date values in: |date= (help)CS1 maint: date and year (link)