Ushnisha

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Head of the Buddha, crowned by the ushnisha, 3rd century, Hadda, Afghanistan.

The ushnisha (Sanskrit: उष्णीष, IAST: uṣṇīṣa) is a three-dimensional oval at the top of the head of the Buddha.

Description[edit]

The ushnisha was not described initially in the Physical characteristics of the Buddha spelled out by the Buddhist canon. Rather, there are several mentions about a topknot:

"His topknot is like a crown." (Secondary characteristics, No 53)
"He has a topknot as if crowned with a flower garland." (Secondary characteristics, No 80)

Representation[edit]

The first representations of the Buddha in the 1st century CE in the Greco-Buddhist art of Gandhara also represent him with a topknot, rather than just a cranial knob. It is thought that the interpretation of the ushnisha as a supernatural cranial protuberance happened at a later date, as the representation of the topknot became more symbolic and its original meaning was lost.[1]

The Boddhisattva-Cakravartin in Early Buddhism[edit]

In Early Buddhism, the uṣṇīṣa was represented differently. The Mahāvastu (1.259f) and the Divyāvadāna, as well as the Theravadin Milindapañha, describe the marks of the cakravartin, an idealised world-ruler: uṣṇīṣa or patka turban, chhatra parasol, "horn jewel" or vajra, whisk and sandals. These were the marks of the kshatriya.[2]

The plastic art of early Mahayana Buddhism in Mathura presents bodhisattvas in a form called uṣṇīṣin "wearing a turban/hair binding", wielding the mudras for "nonviolent cakravartin rule".[2]

See also[edit]

References[edit]

  1. ^ Mario Bussagli, L'art du Gandhara
  2. ^ a b Falk, Harry, "Small-Scale Buddhism" in Voegeli, François; Eltschinger, Vincent; Candotti, Maria Piera; Diaconescu, Bogdan; Kulkarni, Malhar, eds. (2012). Devadattīyam : Johannes Bronkhorst felicitation volume. Bern: Peter Lang. ISBN 9783034306829., p. 495