Photography in Uzbekistan
Photography in Uzbekistan started developing after 1882, when a Volga German photographer and schoolteacher named Wilhelm Penner moved to Khiva as a part of the Russian Mennonite migration to Central Asia led by Claas Epp, Jr.. After his arrival in the Khanate of Khiva, Penner shared his photography skills with a local student Khudaybergen Divanov, who later became the founder of Uzbek photography.
The first still photographs of Central Asia were shot by Russian photographer Anton Murenko, who came there with the Russian diplomatic mission in 1858.
Khudaybergen Divanov's photographs were unique in terms of demonstrating historically significant transition of Central Asian nations to the Soviet Union. Despite of his pioneering in this newly introduced type of visual arts with his ethnographic and documentary photographs in the region, Khudaybergen Divanov was repressed by the Soviet regime and executed in 1940. Upon his arrest, big part of Divanov's archive was destroyed by the law enforcement agencies; however, his family succeeded in preserving a part of the archive. Some of Divanov's works are currently preserved in the Russian State Documentary Film and Photo Archive at Krasnogorsk.
In the Soviet period, many Uzbek photographers focused on documentary photography. One of the most prominent representatives of the Uzbek photography is Max Penson. Photojournalist Max Penson moved to Uzbekistan in 1915 and demonstrated historical, social, religious and political transformations that took place there under the Soviet influence by his photographs of unveiling and education of woman and children, construction of large-scale projects as Great Fergana Canal and many others. His photograph titled "Uzbek Madonna" received the Grand Prize at the 1937 Universal Exhibition in Paris.
In 1997, a building in the center of Tashkent city, which was constructed 1934 and had been used as the History Museum and the Art Exhibitions Directorate before, got the status of the Tashkent House of Photography. In 2005 Tashkent House of Photography was included in the Academy of Arts of Uzbekistan.
In 2009, photographer from Uzbekistan Umida Akhmedova, whose images have been published in the photography sections of the online editions of The New York Times, Wall Street Journal and the Globe and Mail, was officially accused of "defamation, insult and slander" of the Uzbek nation. Akhmedova's photo-album “Women and Men: From Dawn to Dusk” and a documentary film “The Burden of Virginity” were used as evidences against the photographer during the trial. She was found guilty and though the charges carried a prison sentence of up to three years, they were waived as saying that Akhmedova had been granted an amnesty in honor of the 18th anniversary of Uzbek independence.
- Walter Ratliff, "Pilgrims on the Silk Road: A Muslim-Christian Encounter in Khiva", Wipf and Stock Publishers, 2010
- John Hannavy, "Encyclopedia of nineteenth-century photography, Volume 1", CRC Press, 2008
- Dikovitskaya, Margaret. 2007. "Central Asia in Early Photographs: Russian Colonial Attitudes and Visual Culture" (PDF). Slavic Eurasian Studies, no. 14: Empire, Islam, and Politics in Central Eurasia. Sapporo: Slavic Research Center.Accessed 2010-11-13
- "125 years of Uzbek photography." Orexca. Retrieved 2010-11-12
- V Tashkente otkrylas' vystavka k 130-letiyu H.Divanova(in Russian). Published on 2009-10-13; Accessed 2010-11-13
- Official website of Max Penson. Retrieved 2010-11-12
- http://www.enterworldpressphoto.org/editie6/close_up.php?hilow=. Retrieved 2010-11-12
- Official website of the Tashkent House of Photography. Retrieved 2010-11-16
- Dunlap, David W. (10 August 2009), "Pictures of the day.", The New York Times
- "Pictures of the day.", Wall Street Journal, 10 August 2009
- "In Photos.", Globe and Mail (Toronto), 11 August 2009
- Uzbek Photojournalist Charged with Defamation, Radio Free Europe/Radio Liberty. Retrieved 2010-11-12
- The New York Times "Officials See Slander in Uzbek Photos, but Artists See Censorship". Retrieved 2010-11-13