Valentine Cameron Prinsep
|Valentine Cameron Prinsep|
Valentine Cameron Prinsep (1883)
by Frank Dudman
14 February 1838|
|Died||11 November 1904
(aged 66) -->|
|Known for||oil painting|
Born in Calcutta, India, his parents were Henry Thoby Prinsep, for sixteen years a member of the Council of India, and Sarah Monckton Pattle, sister of pioneering photographer Julia Margaret Cameron (née Pattle) and Maria Jackson (née Pattle), grandmother of Virginia Woolf and Vanessa Bell. Henry and Sarah had settled at Little Holland House and made it a centre of artistic society.
Prinsep was an intimate friend of G. F. Watts, under whom his son first studied. He went out with Watts in 1856–57 to watch Sir Charles Newton's excavation of Halicarnassus. After studying under Watts he proceeded to Marc-Charles-Gabriel Gleyre's atelier in Paris. There Whistler, Poynter, and Du Maurier were among his fellow students, and he sat unconsciously as a model for Taffy in Du Maurier's novel Trilby. From Paris, Prinsep passed to Italy. With Burne-Jones he visited Siena and there he made the acquaintance of Robert Browning, of whom he saw much in Rome during the winter of 1859–60.
He was an intimate friend of John Everett Millais and of Edward Burne-Jones, with whom he travelled in Italy. He had a share with Rossetti and others in the decoration of the hall of the Oxford Union. With other members of the Pre-Raphaelite Brotherhood, he taught at the Working Men's College during the mid-19th century.
Prinsep first exhibited at the Royal Academy of Arts in 1862 with his Bianca Capella, his first picture, which attracted marked notice, being a portrait (1866) of General Gordon in Chinese costume. Prinsep lent the costume to Millais who used it in his own painting Esther. From that time to his death Prinsep was an annual exhibitor. Prinsep's chief paintings were Miriam watching the infant Moses (exhibited at the Royal Academy in 1867), A Venetian lover (1868), Bacchus and Ariadne (1869), News from abroad (1871), The linen gatherers (1876), The gleaners, and A minuet.
In 1877, he went to India and painted a huge picture of the Delhi Durbar, exhibited in 1880 at the Royal Academy, presented to Queen Victoria and afterwards hung at Buckingham Palace. This "colossal work" attracted much favourable press criticism.
He is buried with his wife Florence.
The highly distinctive Roman style monument lies on the western path between the north entrance and the central buildings.
He was an enthusiastic volunteer, and one of the founders of the Artists Rifles.
This article incorporates text from a publication now in the public domain: Gibson, Frank W. (1912). "Prinsep, Valentine Cameron". In Lee, Sidney. Dictionary of National Biography, 1912 supplement. London: Smith, Elder & Co.
- Chisholm, Hugh, ed. (1911). "Prinsep, Valentine Cameron". Encyclopædia Britannica (11th ed.). Cambridge University Press.
- This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "article name needed". Encyclopædia Britannica (11th ed.). Cambridge University Press.
|Wikimedia Commons has media related to Valentine Cameron Prinsep.|
- Val Prinsep, R.A., Dead, The New York Times, 13 November 1904
- Artcyclopedia links to paintings
- Valentine Cameron Prinsep 'At The First Touch Of Winter, Summer Fades Away' is in the collection at Gallery Oldham, Greater Manchester
- 38 Painting(s) by or after Valentine Cameron Prinsep at the Art UK site