Veiled Christ

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Coordinates: 40°50′57″N 14°15′18″E / 40.84919°N 14.25488°E / 40.84919; 14.25488

Veiled Christ
Italian: Cristo Velato
Dead Jesus Christ lying on a couch under a shroud
ArtistGiuseppe Sammartino
Dimensions50 cm × 80 cm × 180 cm (20 in × 31 in × 71 in)
LocationCappella Sansevero, Naples

The Veiled Christ (Italian: Cristo velato) is a marble sculpture made by Giuseppe Sanmartino and preserved in the Cappella Sansevero, Naples.

Produced in 1753, it is considered one of the world's most remarkable sculptures. Antonio Canova, who once tried to acquire the work, declared that he would willingly give up ten years of his own life to produce a similar masterpiece.[1]

History and description[edit]

Veiled Christ's production was originally assigned to the sculptor Antonio Corradini, who specialized in veiled statues. However, Corradini died a short time later, having produced only a terracotta bozzetto (today displayed at the Museo nazionale di San Martino). The job thus passed to Giuseppe Sanmartino, who was charged with producing "a marble statue sculpted with the greatest realism, representing Our Lord Jesus Christ in death, covered by a transparent shroud carved from the same block of stone as the statue."[2]

Sanmartino produced a work with the dead Christ laid on a couch, covered by a veil which adheres perfectly to his form. The mastery of the Neapolitan sculptor lies in his successful depiction, looking through the veil, of the suffering that Christ had undergone during the crucifixion. Signs of Jesus's pain can be seen on his face and body.

Shaping further detail into the marble block, at Jesus's feet Sanmartino has carved depictions of the instruments of Christ's torture: the crown of thorns, pliers, and shackles.[2]

The statue on exhibit at the Cappella Sansevero in Naples, Italy (click to enlarge)

Legend of the veil[edit]

Over the centuries, the masterly depiction of the veil has acquired a legend, in which the original commissioner of the sculpture, the famous scientist and alchemist Raimondo di Sangro, teaches the sculptor how to transform cloth into crystalline marble. Over the years many visitors to the Cappella, amazed by the veiled sculpture, erroneously believed it to be the result of an alchemical "marblification" performed by the prince. He was said to have laid a real veil on the sculpture, and to have transformed this veil into marble, over time, by means of a chemical process.[3]

In reality, a close analysis leaves no doubt that the work was entirely produced in marble. This is also confirmed by some letters written at the time of its production. A receipt of payment to Sanmartino, dated 16 December 1752 and signed by the prince, is preserved in the Historical archive of the Bank of Naples, states:[3]

In other letters, di Sangro also states that the veil was produced from the same block of stone as the statue.

See also[edit]


  1. ^ "Cristo velato: il capolavoro" (in Italian). Museo della Cappella Sansevero.
  2. ^ a b "Cristo velato: la statua" (in Italian). Museo della Cappella Sansevero.
  3. ^ a b "Cristo velato: la leggenda del velo" (in Italian). Museo della Cappella Sansevero.


  • Elio Catello, Giuseppe Sanmartino (1720-1793), Napoli, Electa, 2004.

External links[edit]