Verkhovna Rada building
|Ukrainian Parliament Building
Будинок Верховної Ради
Building front view
|Architectural style||Ukrainian Classic|
|Address||5, Hrushevsky Street|
|Town or city||Kyiv|
|Current tenants||Parliament of Ukraine|
|Destroyed||World War II|
|Owner||State Bureau of Affairs|
|Diameter||16 m (plafond)|
|Design and construction|
|Awards and prizes||Architecture landmark|
|Google 3D Tour|
It is the place where the Ukrainian parliament (Verkhovna Rada) meets for all regular and ceremonial sessions. The building was erected between 1936–38 to a design by Volodymyr Zabolotny (Vladimir Zabolotnyi) in the neo-classical Ukrainian architectural style. Zabolotny was awarded the State prize for that project in 1940 and appointed the chief architect of the city.
At the beginning of 1934, after the capital was transferred from Kharkiv to Kyiv, many new projects were started for the reconstruction of the new capital. Many prominent administrative buildings to house the government institutions of the Ukrainian SSR were planned to be erected in downtown Kyiv, including the building of the government and the building of the Ministry of Foreign Affairs. The very heart of the city was chosen for that purpose – the Pecherskyi District which lies on the right bank of Dnieper river.
In February 1936, a contest for the best building design of the Verkhovna Rada was announced. Numerous prominent specialists were invited, including Volodymyr Zabolotnyi, Valerian Rykov, and Yakiv Steinberg. The jury selected the design of Zabolotnyi. The construction was initiated in 1936 and lasted until 1939 with the final inspection taking place in the beginning of the summer, having the building passed with the excellent grade. The first session of the Verkhovna Rada took place at 5, Hrushevsky Street on 25 July 1939.
The building is designed in the strict rectangular-symmetrical form and is three floors high. It is crowned with a dome, made of metal and glass, providing the building with natural lighting. The hundred-tonne glass dome over the main session hall is the building's most memorable feature. The red-and-blue Flag of Ukrainian SSR was flown on top of the dome for over 50 years, until it was replaced by the yellow-and-blue national Flag of Ukraine, following Ukraine's attainment of independence in 1991.
The dome's multicolored illumination at night provides a memorable view, one of Kyiv's tourist attractions. The diameter of the plafond is 16 meters. In the center a crystal chandelier is located that, by its form, resembles a sunflower, a motif frequently featured in the Ukrainian folk arts. Based on this design, the illuminating plafond of the hall was installed with colored glass. The interior of the building is generously decorated with intricate wood panels, multicolored marble, bronze artwork, and a statuary. The flat rooftop of the modern structure adds harmony to its composition. The front of the building was decorated with ornaments and statues featuring Ukrainian SSR symbolism, with the Coat of Arms of the Ukrainian SSR in the center. Following Ukrainian independence, some of the decorations were altered and some replaced, to reflect the national symbolism of independent Ukraine. Currently, the stylized trident, the centerpiece of the modern Coat of Arms of Ukraine, is featured above the front entrance to the building. In 2016 the last decorations believed to show propaganda of communism were removed to comply with 2015 decommunization laws.
Having been destroyed in the Second World War, the building was reconstructed in its original style in 1945-1947, with the reconstruction design provided by Zabolotnyi, once again. The glass dome was rebuilt one meter higher than the original one. Although it is adjacent to Rastrelli's Baroque Mariyinsky Palace (1752), the architect of the more monumental and imposing Rada building managed to avoid disharmony from the juxtaposition of such contrasting architectural styles. To the main building was added an adjacent three-story high building for servicemen that is designed in a closed half-circle shape with an inner court.
During the restoration works conducted in 1985 under the leadership of N.Chmutova, four sculptural groups (sculptor Valentyn Znoba) were installed in front of the risalits of the central entrance as intended by Zabolotny's design. The sculptures represent various segments of the Ukrainian population: workers, peasants, scientists, and intelligentsia.
||This article needs attention from an expert on the subject. (March 2011)|
The building's exterior is addressed in light colors through the use of a light plaster and light-grey granite. These tones contrast with the dark shade of a socle, made out of polished labradorite, and has a significant jut against a plane wall. All rooms of the three-story building were designed in a single compact scope. The facades are symmetrical and have one order that received more extensive interpretation for the colonnade of the main facade (quarter columns), as well as the main planes of side facades (three-quarter columns).
The building is located on the eastern side of Hrushevsky Street, across from the Cabinet of Ministers of Ukraine building, and is surrounded by the Mariyinsky Palace, Mariyinsky Park, and a spacious pedestrian park square. From the square, the building and the palace are seen next to each other, along with a spectacular view from the Kyiv heights to the left-bank neighborhoods across the Dnieper River. The square is one of the favorite spots of Kyivans and tourists.
|Wikimedia Commons has media related to Verkhovna Rada.|
- "Photo Gallery of most famous places in Kyiv: Building of parliament". Retrieved March 17, 2006.
- Mefford, Svitlana. "The Building of Verkhovna Rada. History of the sitting place of Ukrainian Parliament". The Ukrainian Observer (184). Archived from the original (– Scholar search) on January 14, 2016.
- "Verkhovna Rada Library: Verkhovna Rada building, Tour Overview" (in Ukrainian). Archived from the original on March 19, 2007. Retrieved March 21, 2006.
- "Ремонт примiщення Верховної Ради" (in Ukrainian). інформаційно-аналітичний тижневик "ПРОЯВ ТИЖНЯ". Retrieved March 17, 2006.