Vernon God Little
|Genre||Black comedy, Satire|
|Publisher||Faber and Faber|
|20 January 2003|
|Media type||Print (Hardback & Paperback)|
|Pages||288 pp (hardcover edition)|
288 pp (paperback edition)
|ISBN||0-571-21515-7 (hardcover edition)|
ISBN 0-571-21516-5 (paperback edition)
|Wikiquote has quotations related to: Vernon God Little|
The life of Vernon Little, a normal teenager who lives in Martirio, Texas, falls apart when his best friend, Jesus Navarro, murders their classmates in the schoolyard before killing himself, and Vernon is taken in for questioning. He cooperates with Deputy Vaine Gurie, because he had been running an errand for a teacher, Mr Nuckles, and is not involved in the massacre. The perception of Vernon's innocence weakens when his Mom's best friend, the food-obsessed Palmyra (Pam) arrives and, against Vernon's better judgment, whisks him off to Bar-B-Chew Barn, allowing the police to claim he is a flight risk. Eulalio ("Lally") Ledesma, supposedly a CNN reporter, ingratiates himself to Vernon's mother, Doris, and promises to help Vernon "shift the paradigm" of his story. Instead, Lally betrays Vernon, who is returned to jail pending a psychiatric analysis.
When the court-appointed shrink, Dr Goosens, touches him inappropriately, Vernon leaves, knowing it can wreck hopes for bail. Vernon's bail hearing suggests a possible alibi and no grounds for holding him, so Vernon is released as Goosens' outpatient, subject to regular sessions. Vernon, however, is intent on living out the movie Against All Odds, repelled by Lally not only betraying him again with a video interview with Nuckles, but also by insinuating himself into Vernon's family life - including sharing Mom's bedroom.
Learning a posse intends to search Keeter's field, where his rifle is hidden, Vernon races to beat them, but meets a stranger who reveals Lally is a fraud. Vernon confirms it by phoning Lally's blind, neglected mother, and plans how to get her to talk with Mom. Vernon cannot control his temper well enough to make the evidence stick, however, but Lally worries enough to bail out and move in with her friend Leona. To pacify Mom, Vernon lies about finding a job, but when he skips a session with Goosens and word comes that his rifle has been found, he extorts money from an old pervert by photographing him with Ella Bouchard, a local girl and catches a bus to San Antonio. There he phones Taylor, his crush, and meets her in Houston where she attends college. However, their meeting ends when Taylor turns out to be Leona's cousin.
Fast talk and money get Vernon into Mexico without identification, and a truck driver, Pelayo, takes him to his dream world on the beach near Acapulco. Vernon awakens on his 16th birthday on top of the world, but plunges when Taylor's wired $600 does not arrive. Instead, against all odds, Taylor comes in person, takes him to a fancy hotel, and uses her wiles to get him to admit he is a murderer. Not suspecting a string of murders across Central Texas are attributed to him or that Lally has recruited Taylor, Vernon gives an out-of-context confession. Lally's people seize Vernon, turn him over to Federal marshals, and he lands in the Harris County lock-up for the summer.
In the fall, Vernon's trial is televised, with court officials, witnesses, and Vernon being made up for the cameras. Vernon trusts the system implicitly. His lawyer exposes Goosens' criminal behavior, discrediting his testimony for the State, and Taylor and Lally are seen entrapping Vernon. Vernon's attempt to tell the whole truth fails, however, when the State produces Pelayo's affidavit, which provides no alibi, because Vernon uses an alias in Mexico. Nuckles alone can clear Vernon when he testifies, but explosively calls him a murderer. Vernon is cleared of the Central Texas rampage but convicted of the schoolyard slayings and is sent to Death Row.
Lally has expanded his multimedia empire to include the ultimate reality show – an execution lottery. An axe murderer turned popular preacher helps Vernon figure out his feelings towards Mom, advises him to watch animal and human behavior and to realize Vernon is God. Vernon struggles to do this as he survives several votes, but eventually his turn comes. He thinks about what presents he can give the various people in his life. He makes kind phone calls to people able to pull together an operation that destroys Lally and proves Vernon's innocence.
A pardon comes seconds before the deadly chemicals are to flow into his arm. The den also yields up Jesus' suicide note, condemning Goosens and Nuckles to prison for pedophilia. Vernon and Ella prepare for a vacation in Mexico, and everything in Martirio returns to normal.
Themes and style
The character of Vernon as a troubled teenager has drawn comparisons with the character Holden Caulfield in J. D. Salinger's The Catcher in the Rye novel. There are also significant similarities with Mark Twain's The Adventures of Huckleberry Finn.
The book is written in contemporary vernacular, with the use of satirical invective and witty irony. The town in which Vernon lives, Martirio, is given the Spanish word for martyrdom.
Publication and distribution
Formerly an artist, cartoonist, photographer and filmmaker, and later accused of being a conman and thief following the wild, drug-fuelled international rampage of his twenties, Pierre wrote the novel in London after a period of therapy, personal reconstruction and unemployment. He states the novel was a reaction to the culture around him, which after his own reorientation in life seemed to be full of the same delusional behaviours and self-entitlements which brought his own earlier downfall.
The book was originally drafted as the first part of a trilogy which his UK publisher advised against, but which Pierre has loosely pursued in two subsequent works set 'in the presence of death', and dealing with contemporary, media-infected themes: Ludmila's Broken English (2006), and the final part of the End Times Trilogy, Lights Out in Wonderland (2010). This third book follows to their conclusion many of the questions underlying Vernon God Little, and returns to the first-person narrative of a young man set apart from his culture, this time in Europe.
Awards and nominations
Published in 2003, the novel was awarded the Bollinger Wodehouse Everyman Prize for Comic Fiction and the Man Booker Prize for Fiction which included the £50,000 prize. Upon winning the prize, Pierre said that the money was "a third of what I owe in the world" and promptly used it to repay old debts. He also won the first novel award in the 2003 Whitbread Awards.
John Carey, Merton professor of English Literature at Oxford University, and chairman of Booker judges in 2003 said: "Reading [Pierre's] book made me think of how the English language was in Shakespeare's day, enormously free and inventive and very idiomatic and full of poetry as well."
Theodore Dalrymple wrote that the novel "was a work of unutterably tedious nastiness and vulgarity" that "manifested itself even in its first sentence, and grew worse as the first paragraph progressed"; Dalrymple described the author as "a man with no discernible literary talent whose vulgarity of mind was deep and thoroughgoing". In the New York Times, Michiko Kakutani concluded that "In trying to score a lot of obvious points off a lot of obvious targets, Mr. Pierre may have won the Booker Prize and ratified some ugly stereotypes of Americans, but he hasn't written a terribly convincing or compelling novel." 
Film, TV or theatrical adaptations
In 2004, The Citizens Theatre, Glasgow, performed the international premiere stage adaptation by Andrea Hart, directed by Kenny Miller with Pete Ashmore in the title role as Vernon.
Rufus Norris directed a critically acclaimed stage adaptation, by Tanya Ronder, at the Young Vic theatre in 2007 starring Colin Morgan as Vernon and Penny Layden as Vaine. Ronder's adaptation and the Young Vic production was nominated for the Laurence Olivier Award for Best New Play. The play was published in 2007, and a revised version was published in 2011.
- "Author Pierre wins Booker prize". BBC. 15 October 2003.
- Sifton, Sam (9 November 2003). "Holden Caulfield on Ritalin". New York Times.
- Dalrymple, Theodore (3 January 2004). "Escape from barbarity". The Spectator.
The Booker Prize winner was a work of unutterably tedious nastiness and vulgarity, written by a man with no discernible literary talent whose vulgarity of mind was deep and thoroughgoing, to judge by the interviews he gave after the award. It was symptomatic of the state of our country that the judges, all of them upper-middle-class, and one of them a distinguished professor of English, could not see the terrible meretriciousness of the book they chose, that manifested itself even in its first sentence, and grew worse as the first paragraph progressed. Any kind of mediocrity would have been preferable, but they were probably scared not to side with vulgarity. Fear of appearing elitist in this country is now greater than any desire to preserve civilisation.[permanent dead link]
- "Books of the Times". NY Times. 5 November 2003.
- "What's on". Young Vic website.
- Spencer, Charles (9 May 2007). "Black comedy is top of the class". The Telegraph.
- The Stage. "Reviews: Vernon God Little". Retrieved 9 May 2007.
- Ronder, Tanya; Pierre, D. B. C. (2011). Vernon God Little. Nick Hern Books. ISBN 9781848421738. OCLC 751863422.
- Pulver, Andrew (22 October 2012). "Werner Herzog to bring Vernon God Little to the big screen". The Guardian. Retrieved 22 October 2012.
- "Werner Herzog to adapt Vernon God Little into film". BBC News. 23 October 2012. Retrieved 23 October 2012.
- In 2005, Variety reported that Pawel Pawlikowski was working on producing a film adaptation of the book, with FilmFour Productions. See Dawtrey, Adam (18 January 2005). "Pawel Pawlikowski". Variety. Reed Business Information.
- O'Grady, Carrie (18 January 2003). "Lone Star: Carrie O'Grady on DBC Pierre's sparkling debut, Vernon God Little". The Guardian.
|Wikiquote has quotations related to: Vernon God Little|