Versions of Blade Runner
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Seven different versions of Ridley Scott's 1982 science fiction film Blade Runner have been shown, either to test audiences or theatrically. The best known versions are the Workprint, the US Theatrical Cut, the International Cut, the Director's Cut, and the Final Cut. These five versions are included in both the 2007 five-disc Ultimate Collectors Edition and 2012 30th-Anniversary Collector's Edition releases.
There also exists the San Diego Sneak Preview Cut, which was only shown once at a preview screening and the US Broadcast Cut, which was edited for television broadcast. In the 2007 documentary Dangerous Days: The Making of Blade Runner, there is a reference to director Ridley Scott presenting an eighth version, a nearly four-hour-long "early cut", that was shown only to studio personnel. The following is a timeline of these various versions.
Workprint prototype version (1982)
The workprint version (1982, 113 minutes) was shown to test audiences in Denver and Dallas in March 1982. It was also seen in 1990 and 1991 in Los Angeles and San Francisco as an Original Director's Cut without the approval of director Ridley Scott. Negative responses to the test previews led to the modifications resulting in the US theatrical version, while positive response to the showings in 1990 and 1991 pushed the studio to approve work on an official director's cut. This version was re-released as part of the five-disc Ultimate Edition in 2007 with a new transfer of the last known print in existence, with the picture and sound quality restored as much as possible. However, the result was still rough. The main differences between the Workprint and most of the other versions (in chronological order) are:
- The opening replicant definition defining replicants as "Synthetic human with paraphysical capabilities, having skin/flesh culture," is not in the other four DVD versions.
- The opening title sequence and opening crawl explaining the backstory of the replicants is not present in this version.
- When Deckard plays the piano in a depressed stupor, there is no unicorn daydream sequence or background music (the unicorn daydream was added to the Director's Cut and the Final Cut).
- Different, farther-away shots of Batty as Deckard watches him die are shown. Additionally, there is an alternative narration (the only narration in this version): "I watched him die all night. It was a long, slow thing...and he fought it all the way. He never whimpered, and he never quit. He took all the time he had, as though he loved life very much. Every second of it...even the pain. Then he was dead."
- There is no "happy ending"; the film ends when the elevator doors to Deckard's apartment close as he and Rachel leave.
- There are no closing credits. The words "The End" are simply shown as exit music plays.
San Diego sneak preview version (1982)
A San Diego sneak preview shown only once in May 1982. This version is nearly identical to the 1982 US theatrical version, except that it included three additional scenes not shown before or since, including the Final Cut version (2007).
US theatrical release (1982)
Although several different versions of the script had included a narration of some sort to clarify the narrative, Harrison Ford and Ridley Scott had decided to add filmed scenes to provide the information. But financiers rewrote and reinserted narration during post-production after test audience members indicated difficulty understanding the film. Scott did not have final cut privilege for the version released to cinemas. Ford said in 1999, "I contested it mightily at the time. It was not an organic part of the film." It has been suggested that Ford intentionally performed the voice-over badly, in the hope it would not be used. But in a 2002 interview with Playboy, he said, "I delivered it to the best of my ability, given that I had no input. I never thought they'd use it. But I didn't try and sandbag it. It was simply bad narration."
The "Happy Ending" refers to the scene after Deckard and Rachael leave the apartment. Gaff spares Rachael's life, allowing her and Deckard to escape the nauseating confines of Los Angeles. They drive away into a natural landscape, and in the voice-over narrative, Deckard informs us that despite what Gaff had said ("It's too bad she won't live. But then again who does?"), Rachael doesn't have the built-in four-year limit to her lifespan that the other replicants have.
International theatrical release (1982)
The International Cut (1982, 117 minutes)--also known as the "Criterion Edition" or unrated version--included three more violent action scenes than the US theatrical version. It was distributed in Europe, Australia, and Asia via theatrical and local Warner Home Video laserdisc releases. Although initially unavailable in the US, it was later released on VHS and Criterion Collection laserdisc in North America and re-released in 1992 as a "10th-Anniversary Edition".
US broadcast version (1986)
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The US broadcast version (1986, 114 minutes) was the US theatrical version edited by television company CBS to tone down the violence, profanity, and nudity to meet broadcasting restrictions. This version is preceded by a CBS "Saturday Night Movie teaser" explaining the premise of the movie, making it clear that Deckard is not a replicant, and declaring "Blade Runner: Where Love Could Be the Deadliest Sin". In this version, the initial text crawl at the start of the movie explaining what a replicant is "Early in the 21st Century..." is read by an anonymous announcer (not Harrison Ford).
The actual text of the opening text crawl is different from the 1982 US theatrical release: "Early in the 21st Century, robots known as Replicants were created as off-world slave labor. Identical to humans [sic], Replicants were superior in strength and agility, and at least equal in intelligence, to the genetic engineers who created them. After a bloody mutiny, Replicants were declared illegal on earth. Special police squads, Blade Runner Units, had orders to shoot to kill trespassing Replicants. This was not called execution. It was called 'retirement'".
The Director's Cut (1992)
The Ridley Scott-approved Director's Cut (1992, 116 minutes) was prompted by the unauthorized 1990 and 1991 theatrical release of the workprint version of the movie. The Director's Cut contained significant changes from the theatrical workprint version. Scott provided extensive notes and consultation to Warner Bros., although film preservationist/restorer Michael Arick was put in charge of creating the Director's Cut.
In October 1989, Arick discovered a 70mm print of Blade Runner at the Todd-AO vaults while searching for soundtrack masters for other films. Some time later, the print was rediscovered by two film collectors at the same vault while searching for footage from The Alamo.
When the Cineplex Odeon Fairfax Theater in Los Angeles learned of this discovery, the theater management got permission from Warner Bros. to screen the print for a film festival set for May 1990. Until the screening, no one had been aware that this print was the workprint version. Owing to this surprise, Warner Bros. booked more screenings of the now-advertised "Director's Cut" of Blade Runner in 15 US cities.
Ridley Scott publicly disowned this workprint version of the film as a "director's cut," citing that it was roughly edited, lacked a key scene, and the climax did not feature the score composed for the film by Vangelis. (It featured a temporary track using Jerry Goldsmith's score from Planet of the Apes.) In response to Scott's dissatisfaction, Warner Bros. pulled theatrical screenings of the workprint in some cities, though it played at the NuArt Theater in Los Angeles and the Castro Theatre in San Francisco beginning in late 1991.
In response to the sold-out screenings of the workprint (and to screenings of the theatrical cut in Houston and Washington, D.C.) and to the film's resurgent cult popularity in the early '90s, Warner Bros. decided to assemble a definitive director's cut of the film—with direction from Scott—for an official theatrical re-release in 1992.
In 2000, Harrison Ford gave his view on the director's cut of the film, where he said that although he thought it was "spectacular", it didn’t "move him at all". He gave a brief reason: "They haven't put anything in, so it's still an exercise in design."
The Final Cut (2007)
Ridley Scott's Final Cut (2007, 117 minutes), or the 25th-Anniversary Edition, briefly released by Warner Bros. theatrically on October 5, 2007, and subsequently released on DVD, HD DVD, and Blu-ray in December 2007 (UK December 3; US December 18) is the only version over which Ridley Scott had complete artistic control, as the Director's Cut production did not place Scott directly in charge. In conjunction with the Final Cut, documentary and other materials were produced for the home video releases, culminating in a five-disc "Ultimate Collector's Edition" release by Charles de Lauzirika.
Scott found time in mid-2000 to help put together a final and definitive version of the film with restoration producer Charles de Lauzirika, which was only partially completed in mid-2001 before legal and financial issues forced a halt to the work.
After several years of legal disputes, Warner Bros. announced in 2006 that it had finally secured full distribution rights to the film, and that there would be a three-stage release of the film:
- A digitally remastered single-disc re-release of the 1992 director's cut was released on September 5, 2006 in the United States, on October 9, 2006 in Ireland and the UK, and in the following months in continental Europe. It contained a trailer for the final cut.
- Ridley Scott's Final Cut of the film began a limited theatrical release in New York and Los Angeles on October 5, 2007; in Washington, D.C. at the Uptown Theatre on October 26, 2007; Chicago on November 2, 2007; in Toronto on November 9, 2007 at Theatre D Digital's Regent Theatre; Sydney, Australia at the Hayden Orpheum on November 8, 2007; Melbourne, Australia on November 15, 2007 at The Astor Theatre; Brookline at the Coolidge Corner Theater on November 16, 2007 and Austin, Texas on November 18, 2007.
- A multi-disc box set was released on the DVD, HD DVD and Blu-ray Disc formats.
On November 10, 2008, The Final Cut premiered on the Sci-Fi Channel.
A DVD featurette titled All Our Variant Futures profiled the making of the Final Cut version, including behind-the-scenes footage of Harrison Ford's son, Ben Ford, and the filming of new scenes for the Final Cut. According to the documentary, actress Joanna Cassidy made the suggestion to re-film Zhora's death scene while being interviewed for the Dangerous Days: Making Blade Runner documentary, and footage of her making this suggestion is inter-cut with footage of her attending the later digital recording session.
The Final Cut contains the original full-length version of the unicorn dream, which had never been in any version, and has been restored. Additionally, all of the additional violence and alternative edits from the international cut have been inserted.
The Final Cut was re-released on Ultra HD Blu-ray on September 5, 2017 (one month prior to the theatrical release of Blade Runner 2049). This release includes standard Blu-ray editions of The Final Cut along with the US theatrical cut, the international cut, and the Director's Cut, as well as the Dangerous Days documentary on DVD.
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