Victor Witter Turner (May 28, 1920 – December 18, 1983) was a British cultural anthropologist best known for his work on symbols, rituals and rites of passage. His work, along with that of Clifford Geertz and others, is often referred to as symbolic and interpretive anthropology.
Victor Turner was born in Glasgow, Scotland, son to Norman and Violet Turner. His father was an electrical engineer and his mother a repertory actress who founded the Scottish National Players. Turner initially studied poetry and classics at the University College London. In 1941, Turner was drafted into World War II, and served as a noncombatant until 1944. During his three years of service he met and married Edith Turner; their children include scientist Robert Turner, poet Frederick Turner, and Goucher College anthropology professor Rory Turner. He returned to University College in 1946 with a new focus on anthropology. He later pursued graduate studies in anthropology at Manchester University.
Turner worked as research officer for the Rhodes-Livingstone Institute. It was through the position that Turner started his lifelong study of the Ndembu tribe of Zambia. He completed his PhD in 1955. Like many of the Manchester anthropologists of his time, he also became concerned with conflict, and created the new concept of social drama in order to account for the symbolism of conflict and crisis resolution among Ndembu villagers. Turner spent his career exploring rituals. As a professor at the University of Chicago, Turner began to apply his study of rituals and rites of passage to world religions and the lives of religious heroes. He and his wife converted to Catholicism in 1958.
Turner explored Arnold van Gennep's threefold structure of rites of passage and expanding theories on the liminal phase. Van Gennep's structure consisted of a pre-liminal phase (separation), a liminal phase (transition), and a post-liminal phase (reincorporation). Turner noted that in liminality, the transitional state between two phases, individuals were "betwixt and between": they did not belong to the society that they previously were a part of and they were not yet reincorporated into that society. Liminality is a limbo, an ambiguous period characterized by humility, seclusion, tests, sexual ambiguity, and communitas.
Turner died on December 18, 1983 in Charlottesville, Virginia. After his death, his widow Edith Turner embarked on her own career as an anthropologist. She developed upon Victor's "anthropology of experience" with a publication on communitas.
- Turner, Edith (1990). "The Literary Roots of Victor Turner's Anthropology". In Kathleen M. Ashley. Victor Turner and the Construction of Cultural Criticism. Indianapolis: Indiana University Press. pp. 163–169.
- Moore, Jerry D. (2012). "Victor Turner: Symbols, Pilgrims, and Drama". Visions of Culture. Lanham, MD: AltaMira Press. pp. 224–234.
- Timothy Larsen (28 August 2014). The Slain God: Anthropologists and the Christian Faith. OUP Oxford. pp. 182–198. ISBN 978-0-19-163205-1.
- Bjørn Thomassen (6 May 2016). Liminality and the Modern: Living Through the In-Between. Routledge. pp. 78–80. ISBN 978-1-317-10504-6.
- Turner, Edith (December 2011). Communitas: The Anthropology of Collective Joy. New York: Palgrave Macmillan.
- Babcock, Barbara A., & Macaloon, John J (January 1987), "Commemorative essay: Victor W. Turner (1920-1983)", Semiotica, 65 (1-2): 1–28, doi:10.1515/semi.1987.65.1-2.1, ISSN 1613-3692
- Graham St John (ed.) 2008. Victor Turner and Contemporary Cultural Performance. New York: Berghahn. ISBN 1-84545-462-6.
- Victor Turner, by Beth Barrie
- Deflem, Mathieu. 1991. “Ritual, Anti-Structure, and Religion: A Discussion of Victor Turner’s Processual Symbolic Analysis.” Journal for the Scientific Study of Religion 30(1):1-25.