Video Data Bank

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The logo from the School of the Art Institute's Video Data Bank

Video Data Bank (VDB) is an international video art distribution organization and resource in the United States for videos by and about contemporary artists. Located in Chicago, Illinois, VDB was founded at the School of the Art Institute of Chicago in 1976 at the inception of the media arts movement.

VDB provides experimental video art, documentaries made by artists, and interviews with visual artists and critics for a wide range of audiences. These include micro-cinemas, moving image festivals, media arts centers, universities, libraries, museums, community-based workshops, public television, and cable TV Public-access television centers. Video Data Bank currently holds over 6,000 titles in distribution, by more than 600 artists, available in a variety of screening and archival video formats. It also actively publishes anthologies and curated programs of video art.

The preservation of historic video is an ongoing project of the Video Data Bank. The total holdings, including works both in and out of distribution, include over 10,000 titles of original and in some cases, rarely seen, video art and documentaries from the late 1960s on. The VDB functions as a Department of the Art Institute of Chicago and is supported in part by awards from the National Endowment for the Arts and the Illinois Arts Council.

History[edit]

In 1974, VDB co-founders Kate Horsfield and Lyn Blumenthal, graduate students at the School of the Art Institute of Chicago, began conducting video interviews with women artists who they felt were underrepresented critically in the art world. After buying a Panasonic Portapak and successfully conducting talks with painters Joan Mitchell and Agnes Martin and curator Marcia Tucker, the pair decided to continue the series. "It was really a kind of accident,” noted Horsfield in a 2007 interview. “We were looking for inspiration for ourselves, but we were also looking for information on what was happening. If you read art magazines in the early '70s, it was very rare to see any real coverage of any women artists." [1] In 1976 Horsfield and Blumenthal officially founded the Video Data Bank, taking over a small collection of student video productions and interviews that was begun by Phil Morton at the School of the Art Institute of Chicago. They went on to add to the archive, conducting talks with prominent artists of the period such as Alice Neel, Lucy Lippard, Lee Krasner, Barbara Kruger, and the Guerrilla Girls, who appeared wearing their trademark gorilla masks.

Lyn Blumenthal died in 1988, and the VDB maintains the Lyn Blumenthal Memorial Scholarship. Horsfield remained director of the collection until her retirement in 2006, when she was succeeded by Abina Manning. In 2007 the National Alliance for Media Arts and Culture (NAMAC) presented Video Data Bank with its Outstanding Media Arts Organization Award.

Collection[edit]

The Video Data Bank collection includes video produced from 1968 to the present. The early video art represented includes many titles from the Castelli-Sonnabend collection, the first and most prominent collection of video art assembled in the United States, produced between 1968 and 1980. These works represent examples of the first experiments in video art and include conceptual and feminist performances recorded on video, experiments with the video signal, and 'guerilla' documentaries representing a counter-cultural view of the historical events of the 1960s. Artists included are Vito Acconci, Lynda Benglis, Dara Birnbaum, Joan Jonas, Bruce Nauman and William Wegman.[2]

The collection includes the work of contemporary artists who largely address post-modern themes such as feminism, AIDS, gender studies, guerilla television, technology, and identity, among them Sadie Benning, Jem Cohen, Harun Farocki, Walid Raad, Paul Chan, Guillermo Gómez-Peña, Miranda July, and George Kuchar.

The On Art and Artists collection includes interviews with visual artists, photographers and critics. The interviews focus on the development of the artists' body of work.

In addition, Video Data Bank represents two important video archives: the Kuchar Archive, encompassing the extensive video output of twin brothers George and Mike Kuchar, and the Videofreex Archive, which chronicles the counter-cultural movement of the 1960s and 1970s as documented by the 10-person collective.

Surveying the First Decade[edit]

Surveying the First Decade: Video Art and Alternative Media in the U.S. is a 17-hour compilation of experimental and independent video created from 1968-1980, the first decade of video art production produced in 1995. The anthology includes 68 titles by more than 60 artists, and is curated into eight programs ranging from conceptual, performance-based, feminist, and image-processed works, to documentary and grassroots activism.

Chris Hill, former video curator at Hallwells Contemporary Art Center in Buffalo, New York, curated the project.[3]

Notes[edit]

References[edit]

  • Halter, Ed (2007). "Before YouTube," Village Voice, http://www.villagevoice.com/film/before-youtube-6426166.[permanent dead link]
  • Tamblyn, Christine (1991). "Image Processing in Chicago Video Art," Leonardo, Vol. 24, No. 3, pp. 303–310
  • Horsfield, Kate; Lucas Hilderbrand (eds.) (2006). Feedback: The Video Data Bank Catalog of Video Art and Artist Interviews. Philadelphia, PA: Temple University Press. ISBN 1-59213-182-4.  Cite uses deprecated parameter |coauthors= (help)
  • Juhasz, Alexandra (2001). Women of Vision: Histories in Feminist Film and Video. University of Minnesota Press. ISBN 0-8166-3372-X. 
  • Horsfield, Kate. "Towards a History of Chicago Video." In Art in Chicago 1945-1995, 128. Chicago: Museum of Contemporary Art, 1996.

External links[edit]