|This article needs additional citations for verification. (June 2016) (Learn how and when to remove this template message)|
Vizcaya, February 2011
|Location||3251 South Miami Avenue
Miami, Florida, U.S.
|Area||43 acres (17 ha)|
|Architect||Paul Chalfin, F. Burrall Hoffman, and Diego Suarez|
|Architectural style||Mediterranean Revival Style; with Baroque, Italian Renaissance, Italian Renaissance Revival|
|NRHP Reference #||70000181 (original)
|Added to NRHP||September 29, 1970|
|Boundary increase||November 15, 1978|
|Designated NHL||April 19, 1994|
Vizcaya Museum and Gardens, previously known as Villa Vizcaya, is the former villa and estate of businessman James Deering, of the Deering McCormick-International Harvester fortune, on Biscayne Bay in the present day Coconut Grove neighborhood of Miami, Florida. The early 20th century Vizcaya estate also includes: extensive Italian Renaissance gardens; native woodland landscape; and a historic village outbuildings compound. The landscape and architecture were influenced by Veneto and Tuscan Italian Renaissance models and designed in the Mediterranean Revival architecture style, with Baroque elements. Paul Chalfin was the design director.
The estate property originally consisted of 180 acres (730,000 m2) of shoreline Mangrove swamps and dense inland native tropical forests. Being a conservationist, Deering sited the development of the estate portion along the shore to conserve the forests. This portion was to include the villa, formal gardens, recreational amenities, expansive lagoon gardens with new islets, potager and grazing fields, and a village services compound. The villa was built primarily between 1914 and 1922, while the construction of the extensive elaborate Italian Renaissance gardens and the village continued into 1923. During the World War I years building trades and supplies were difficult to acquire in Florida. Vizcaya is noteworthy for adapting historical European aesthetic traditions to South Florida's subtropical ecoregion. For example; it combined imported French and Italian garden layouts and elements implemented in Cuban limestone stonework with Floridian coral architectural trim and planted with sub-tropic compatible and native plants that thrived in the habitat and climate. Palms and Philodendrons had not been represented in the emulated gardens of Tuscany or Île-de-France.
Deering used Vizcaya as his winter residence from 1916 until his death in 1925. Paul Chalfin, a former art curator, painter, and interior designer, was the project's director. He assisted and encouraged Deering to collect art items, antiquities, and architectural elements for the project. Chalfin recommended the architect F. Burrall Hoffman to design the structural and envelope of the villa, garden pavilions, and estate outbuildings. The landscape master plan and individual gardens were designed with the Colombian landscape designer Diego Suarez, who had trained with Sir Harold Acton at the gardens of Villa La Pietra outside Florence, Italy. The estate's name refers to the northern Spanish province Vizcaya (In English Biscay), in the Basque region along the east Atlantic's Bay of Biscay, as 'Vizcaya' is on the west Atlantic's Biscayne Bay. Records indicate Deering wished the name also to commemorate an early Spaniard named Vizcaya who he thought explored the area, although later he was corrected that the explorer's name was Sebastián Vizcaíno. Deering used the Caravel, a type of ship style used during the 'Age of Exploration', as the symbol and emblem of Vizcaya. A representation of the mythical explorer "Bel Vizcaya" welcomes visitors at the entrance to the property.
Vizcaya's villa exterior and garden architecture is a composite of different Italian Renaissance villas and gardens, with French Renaissance parterre features, based on visits and research by Chalfin, Deering, and Hoffman. The villa facade's primary influence is the Villa Rezzonico designed by Baldassarre Longhena at Bassano del Grappa in the Veneto region of northern Italy. It is referred to sometimes as the "Hearst Castle of the East".
James Deering died in September 1925, on board the steamship SS City of Paris en route back to the United States. After his death Vizcaya was inherited by his two nieces, Marion Chauncey Deering McCormick and Ely Deering McCormick Danielson. Over the decades, after hurricanes and increasing maintenance costs, they began selling the estate's surrounding land parcels and outer gardens. In 1945 they sold significant portions of the Vizcaya property to the Catholic Diocese of St. Augustine, Florida, to build Miami's Mercy Hospital. 50 acres (200,000 m2) comprising the main house, the formal gardens, and the village were retained. In 1952 Miami-Dade County acquired the villa and formal Italian gardens, needing significant restoration, for $1 million. Deering's heirs donated the villa's furnishings and antiquities to the County-Museum. Vizcaya began operation in 1953 as the Dade County Art Museum. The village and remaining property were acquired by the County during the mid-1950s. In 1994 the Vizcaya estate was designated as a National Historic Landmark. In 1998, in conjunction with Vizcaya's reaccreditation process by the American Alliance of Museums, the Vizcaya Museum and Gardens Trust was formed to be the museum's governing body.
The Vizcaya Heist
On March 22, 1971, three individuals from New York City raided the Vizcaya and stole approximately $1,500,000 in art work and silver items, some of which were of historical value. This trio of reputed jewel thieves was arrested on March 25, 1971. Sergeant Tom Connolly from the New York Police Department raided the luxurious Manhattan apartment of Vojislav Stanimirovic and his wife Branka, and arrested them. The couple's accomplice, Alexander Karalanovic, was also arrested, and all three were charged with suspicion of stolen property and possession of a dangerous weapon. From the Stanimirovics' apartment approximately $250,000 of the stolen goods was recovered. Sergeant Connolly stated that included in the theft was a silver bowl that once belonged to Napoleon Bonaparte and was virtually priceless. According to Sergeant Connolly, the three perpetrators had been under surveillance for four months for unrelated mega jewel burglaries that they had carried out in the Manhattan Diamond District. NYPD Captain Thomas Kissane said that the vast majority of the precious items stolen from the Vizcaya were not ever recovered. Pavle Stanimirović, the son of Vojislav, is currently working on a true crime project with Daniel Simone, Daniel Genis and Burl Barer revealing the truth of this unsolved crime.
Vizcaya Museum and Gardens
The Estate is now known officially as the Vizcaya Museum and Gardens, which consists of 50 acres (200,000 m2) with the villa and the gardens, and the remaining native forest. The estate is a total of 50 acres (200,000 m2), of which 10 acres (40,000 m2) contain the Italian Renaissance formal gardens, and 40 acres (160,000 m2) are circulation and the native 'hammock' (jungle forest). The villa's museum contains more than seventy rooms of distinctive architectural interiors decorated with numerous antiques, with an emphasis on 15th through early 19th century European decorative art and furnishings. Currently owned by Miami-Dade County and governed by the Vizcaya Museum and Gardens Trust (formed in 1998), Vizcaya is located at 3251 South Miami Avenue in Coconut Grove neighborhood of Miami, and is open to the public daily except Tuesdays, Thanksgiving, and Christmas Day. It has accreditation by the American Alliance of Museums.
Vizcaya was built with an open-air courtyard and extensive gardens on Biscayne Bay. As such, the estate has been subject to environmental and hurricane damage, the latter notably in 1926, 1992, and 2005. Miami-Dade County has granted money ($50m U.S.) for the restoration and preservation of Vizcaya. These funds have been matched by grants from FEMA, Save America's Treasures, and numerous other funders. Plans include restoration of the villa and gardens, and adaptation of the historic village compound for exhibition and educational facilities; however, additional funds are required for this. The completed first phase of this project has included rebuilding of the museum's Cafe and Shop (in historic recreation areas of the building adjacent to the pool), renovation of the East and West Gate Lodges that flank South Miami Avenue, and rebuilding of the David A. Klein Orchidarium in a plan that generally uses historic precedent. At the same time, Vizcaya has completed the first half of a major conservation program of its outdoor sculpture collections. With a consulting landscape architect, Vizcaya has too finished a comprehensive cultural landscape report, which will be a vital tool in the ongoing restoration of the formal gardens.
In 2008 the National Trust for Historic Preservation listed Vizcaya as one of America's Eleven Most Endangered Historic Places. As noted by the National Trust's website, Vizcaya's inclusion on this list was based on the threat of proposed highrise development on neighboring property. Specifically, the National Trust stated: "Unless development is blocked or an intervention occurs, this cultural landscape will be permanently damaged by the construction of three high-rise condominium towers within Vizcaya's historic viewshed." The proposed highrises were blocked by two court rulings and in 2010 the City of Miami included viewshed protection for historic properties like Vizcaya in its new zoning code, "Miami 21."
Other types of events are hosted by the museum to collect funds for its preservation. For example, every Halloween, Vizcaya organized a costume party, where people from all around Florida attend with their creative costumes. The cause of the event is to preserve and protect one of the jewels of South Florida.
Vizcaya was the 1994 location of the important 'First Summit of the Americas' convened by President Bill Clinton. This began a series of Summits of the countries in The Americas. The thirty-four nations' leaders that met at Vizcaya created the 'Free Trade Area of the Americas (FTAA),' that all the hemisphere's countries, except Cuba, could join for national and corporate trade benefits.
Vizcaya has provided the setting for many films, both credited and uncredited. Deering himself enjoyed watching silent films in Vizcaya's courtyard, and he had a particular interest in the works of Charlie Chaplin. External pictures of Villa Vizcaya, for example, can be seen in the films Tony Rome, Ace Ventura: Pet Detective, Any Given Sunday, Bad Boys II, Airport '77, Haunts of the Very Rich, The Money Pit, and Iron Man 3. The music video for The Cover Girls' song "Promise Me" from 1988 was filmed at Vizcaya. The music video for New Edition's song "I'm Still In Love With You" from 1996 was also filmed at Vizcaya.
Vizcaya is also an extremely popular location for weddings and other special events, given the site's architectural and natural beauty. For decades, the estate has been a target of photography, and is a favored site for photographs of women celebrating their quinceañera (15th birthday).
The story of the Vizcaya Heist will be a part of a book written by Pavle Stanimirovic, Daniel Simone and Daniel Genis which will be released in 2017. The Vizcaya Heist is the subject of a radio interview conducted by Burl Barer with Pavle Stanimirovic, scheduled for the summer of 2016. The heist made Vojislav Stanimirović a revered figure amongst Serbian mafia figures.
Vizcaya: north view of Villa from the Italian Renaissance gardens.
- Charles Deering Estate
- History of gardening ( garden design history )
- List of botanical gardens in the United States
- National Park Service (2010-07-09). "National Register Information System". National Register of Historic Places. National Park Service.
- "Dade County listings". Florida's History Through Its Places. Florida's Office of Cultural and Historical Programs. 2007-02-20. Archived from the original on September 27, 2014.
- "Vizcaya". National Historic Landmark summary listing. National Park Service. Retrieved 2008-06-21.
- "National Register of Historic Places Inventory-Nomination" (PDF). National Park Service. October 1993.
- Vizcaya's History Archived April 12, 2010, at the Wayback Machine., Vizcaya Museum & Gardens official site
- Vizcaya: An American Villa and Its Makers by Witold Rybczynski, Laurie Olin, Steven Brooke
- The American Country House by Clive Aslet
- Historic Preservation: Quarterly of the National Council for Historic Sites by National Council for Historic Sites and Buildings, National Trust for Historic Preservation in the United States]
- The Vizcaya Museum and Gardens, Frommer's
- Historical Traveler's Guide to Florida by Eliot Kleinberg
- "Vizcaya". Flashback Miami. 2014-10-22. Retrieved 2016-06-28.
- 11 Most Endangered - Vizcaya and Bonnet House Archived June 30, 2008, at the Wayback Machine., PreservationNation - National Trust for Historic Preservation
- Welcome to Vizcaya Museum and Gardens, Vizcaya Museum & Gardens official site
- Barrett, Devlin (2008-05-21). "Threats to history seen in budget cuts, bulldozers". Yahoo! News. Archived from the original on June 3, 2008. Retrieved June 21, 2008.
- "Archived copy". Archived from the original on June 30, 2008. Retrieved June 21, 2008.
- Ronald Reagan Presidential Library - National Archives and Records Administration - Meeting Heads Of State And World Leaders
- Florida Fun Facts by Eliot Kleinberg
- Ace Ventura: Pet Detective
- Ace Ventura - Pet Detective filming locations
- Any Given Sunday Filming Locations at IMDb.com
-  Cover Girls song Promise Me at YouTube
- Florida Architecture: 100 Years. 100 Places
- Witold Rybczynski and Laurie Olin, authors, Steven Brooke, photographer. Vizcaya: An American Villa and Its Makers (Philadelphia: University of Pennsylvania Press, 2006). - In depth study of villa, gardens, and the creative team.
- Laurie Ossman (text) and Bill Sumner (photographs). Visions of Vizcaya. Vizcaya Museum and Gardens/Miami-Dade County, Miami. 2006).
- Kathryn C. Harwood. Lives of Vizcaya. Banyan Books, Miami. 1985.
- Maher, James T. Twilight of Splendor: Chronicles of the Age of American Palaces. Boston: Little, Brown. 1975. - A comprehensive account.
- Griswold, Mac and Weller, Eleanor. "The Golden Age of American Gardens, proud owners-private estates 1890 - 1940". Harry N. Abrahms. N.Y. 1991. ISBN 0-8109-2737-3. - A comprehensive account.
|Wikimedia Commons has media related to Villa Vizcaya.|