Theatrical lobby card
|Directed by||Richard Fleischer|
|Produced by||Buddy Adler|
|Written by||Sydney Boehm
William L. Heath (novel)
|Music by||Hugo Friedhofer|
|Cinematography||Charles G. Clarke|
|Edited by||Louis R. Loeffler|
|Distributed by||20th Century Fox|
|Box office||$1.25 million (US rental)|
Violent Saturday is a 1955 American crime drama directed by Richard Fleischer and starring Victor Mature, Lee Marvin, Richard Egan and Stephen McNally. The film, set in a mining town, depicts the planning of a bank robbery as the nexus in the personal lives of several townspeople.
Boyd Fairchild (Richard Egan) is manager of the local copper mine, troubled by his philandering wife (Margaret Hayes). He considers an affair with nurse Linda Sherman (Virginia Leith), though he truly loves his wife. His associate, Shelley Martin (Victor Mature), has a happy home life, but is embarrassed that his son believes he is a coward because he did not serve in World War II.
Subplots involves a peeping-tom bank manager, Harry Reeves (Tommy Noonan), and a larcenous librarian, Elsie Braden (Sylvia Sidney). As the bank robbers carry out their plot, the separate character threads are drawn together. Violence erupts during the robbery. Fairchild's wife is slain and bank manager Reeves is wounded. Martin is held hostage on a farm with an Amish family. With the help of the father (Ernest Borgnine), he defeats the crooks in a savage gunfight. In the aftermath, Martin becomes a hero to his son, and Linda comforts Fairchild as he grieves for his wife.
- Victor Mature as Shelley Martin
- Richard Egan as Boyd Fairchild
- Stephen McNally as Harper
- Virginia Leith as Linda Sherman
- Tommy Noonan as Harry Reeves
- Lee Marvin as Dill
- Margaret Hayes as Mrs. Fairchild
- J. Carrol Naish as Chapman
- Sylvia Sidney as Elsie Braden
- Ernest Borgnine as Stadt
- Dorothy Patrick as Helen Martin
- Billy Chapin as Steve Martin
Victor Mature had been feuding with 20th Century Fox but agreed to play the lead.
Filming started 6 December 1954.
The New York Times did not approve of the violence of the movie. Critic Bosley Crowther called the movie an "unedifying spectacle," while praising the performance of Lee Marvin as a hood "so icily evil he is funny." Borgnine's performance was panned by Crowther as "a joke."
More recent reviewers have been favorable. In a 2008 article, the Village Voice called it "the reigning king of Southwestern noir." The New York Press said "Violent Saturday seems rooted in tradition, but as an exciting pulp story with a profound center, it manages to break all the rules." George Robinson in Cine-Journal wrote, "With the possible exception of The Narrow Margin, this is Richard Fleischer’s best film. . . . Great, nasty fun." Michael Sragow of The New Yorker said, "Packed with twists and surprises. Marvin proves most unsettling as a hard guy who’s always snorting from an inhaler (it’s psychosomatic: he once had a wife with a perpetual cold). Mature, with his stricken manliness, reminds you of why James Agee thought he would be perfect as Diomed in Troilus and Cressida."
- Solomon, p226
- 'The Top Box-Office Hits of 1955', Variety Weekly, January 25, 1956
- Vic Mature Woos Lili St. Cyr The Washington Post and Times Herald (1954-1959) [Washington, D.C] 24 Nov 1954: 22.
- SPIEGEL ACQUIRES BOOK FILM RIGHTS: Producer Hopes to Get John Ford to Direct 'The Bridge Over the River Kwai' By THOMAS M. PRYORSpecial to The New York Times.. New York Times (1923-Current file) [New York, N.Y] 20 Nov 1954: 10
- Solomon, Aubrey. Twentieth Century Fox: A Corporate and Financial History (The Scarecrow Filmmakers Series). Lanham, Maryland: Scarecrow Press, 1989. ISBN 978-0-8108-4244-1.