Virginia Dwan (born October 18, 1931) is an American art collector, art patron, philanthropist, visionary and founder of the Dwan Light Sanctuary in Montezuma, New Mexico. She is the former owner and executive director of Dwan Gallery Los Angeles (1959–1967) and Dwan Gallery New York (1965–1971), a contemporary art gallery closely identified with the American movements of Minimalism, Conceptual Art, and Earthworks.
Early life and education
Virginia Dwan, heiress to the Minnesota-based conglomerate 3M, was born in Minneapolis. She attended the University of California at Los Angeles to study art, but then dropped out and married a medical student in Los Angeles.
Dwan leased a tiny storefront in a Spanish Mission-style building at 1091 Broxton Avenue in the Westwood section of Los Angeles in 1959. The artists she presented there included Robert Rauschenberg, Yves Klein, Ad Reinhardt, Joan Mitchell, Franz Kline, Matsumi "Mike" Kanemitsu and Philip Guston. In contrast to Ferus Gallery, Dwan was well funded.
Dwan found a bigger space in 1962, hiring art dealer John Weber, who brought in a few of his own artists and organized some shows. In June 1962, Dwan moved to the new location at 10846 Lindbrook Drive, which was twice as large as her first space. The building's renovation, which was designed by Morris Verger, a student of architect Frank Lloyd Wright, was inspired by the V.C. Morris store in San Francisco designed by the latter. Dwan organized several influential exhibitions in her new space, including "My Country 'Tis of Thee", an exhibition of Pop Art held in November 1962. This show belongs to a substantial group of exhibitions in Los Angeles between 1962 and 1963 that heralded the arrival of Pop as a major artistic style in the early 1960s. Though "My Country 'Tis of Thee" focused on New York artists, it also included the work of Edward Kienholz. Another important exhibition included "Boxes" (1964), which featured box-shaped works by an international group of artists including Los Angeles sculptors Larry Bell, Tony Berlant, Edward Kienholz, Ron Miyashiro, and Ken Price.
In 1965, Dwan moved to Manhattan. She opened a place on 57th Street, leaving Weber to run the gallery in Los Angeles for a few years before he joined her in New York. By 1969 she closed her Westwood space, which reopened as Doug Christmas' ACE Gallery. Robert Smithson's Spiral Jetty was financed in part by a $9,000 USD grant from the Virginia Dwan Gallery in 1970. A 20-year lease for the site was granted for $100 annually.
Dwan then began to focus on earthworks such as the 35-Pole Lightning Field by Walter De Maria's (the precursor to his Lightning Field). and Star Axis, a naked eye observatory in New Mexico. She also purchased the land for Michael Heizer's Double Negative.
In 1965, the Virginia Dwan Collection, featuring artists like Willem de Kooning (Untitled, 1961), Franz Kline, Robert Rauschenberg, Claes Oldenburg, and Lee Bontecou, was exhibited at the University of California, Los Angeles.
Dwan later gave many artworks to various museums in the United States. Already in 1969, she presented the Pasadena Art Museum (present day Norton Simon Museum) with L.H.O.O.Q. or La Joconde (1964) by Marcel Duchamp. In 1985, Dwan donated Michael Heizer's project Double Negative (1969), two 100-foot-long cuts facing each other across the curving rim of Mormon Mesa (Clark County, Nevada), to the Museum of Contemporary Art, Los Angeles (MOCA). In 1996, she gave Heizer's Actual Size: Munich Rotary (1970), six projected photographic images, each 52 feet (16 m) wide and 18 feet (5.5 m) high, to the Whitney Museum of American Art.
Other works were given to other museums, including: to the Museum of Modern Art, New York; the Art Institute of Chicago; the Walker Art Center in Minneapolis; the Herbert F. Johnson Museum of Art at Cornell University; the Weatherspoon Art Museum at the University of North Carolina at Greensboro; and the Des Moines Art Center. In 2013, Dwan gave A Nonsite, Pine Barrens, New Jersey (1968) by Robert Smithson, an indoor work containing substances from an outdoor site elsewhere; and Glass Stratum (1967) by Timothy McCormack, made up of 37 sheets of half-inch-thick glass layered atop one another, to the National Gallery of Art in Washington, D.C.
- Collection pledged to National Gallery
Dwan's private collection was pledged as a promised gift to the National Gallery of Art in 2013. The 250 artworks are paintings, sculptures, drawings, and photographs from the late 1950s through the 1970s. It includes works by 52 modern artists, including: Carl Andre, Arman, Walter de Maria, Dan Flavin, Michael Heizer, Yves Klein, Sol LeWitt, Agnes Martin, Martial Raysse, Robert Smithson, Niki de Saint Phalle, Jean Tinguely. The works have gone on display for the exhibition, “From Los Angeles to New York: The Dwan Gallery 1959-1971,” National Gallery (2016−2017), and traveled to the Los Angeles County Museum of Art (LACMA) (2017).
- Michael Kimmelman (May 11, 2003), The Forgotten Godmother Of Dia's Artists New York Times.
- Dawson (2007), 38
- Scott Timberg (January 1, 2012), Galleries fostered the L.A. art scene Los Angeles Times.
- Dawson (2007), 43
- Dawson, Jessica. "Whatever Happened to Virginia Dwan?" X-TRA Contemporary Arts Quarterly. Accessed 6 September 2014
- Dwan Gallery (1962–67) Pacific Standard Time at the Getty Center.
- "KATE GUADAGNINO, Virginia Dwan, Glamorous Art Dealer of the ’60s, Gets an Exhibition at the National Gallery, Vogue Magazine, SEPTEMBER 29, 2016".
- http://www.designboom.com/architecture/charles-ross-star-axis-2-9-2015/. Missing or empty
- https://www.washingtonpost.com/entertainment/museums/a-gallery-owner-talked-herself-out-of-the-business-and-into-the-desert/2016/09/30/327a58ae-857f-11e6-92c2-14b64f3d453f_story.html. Missing or empty
- Marcel Duchamp, L.H.O.O.Q. or La Joconde (1964) Pasadena Art Museum, Pasadena.
- Marina Isola (November 24, 1996), Monumental Art, but the Wind and Rain Care Not New York Times.
- Carol Vogel (October 12, 2007), With Altria Leaving, Whitney Loses Branch New York Times.
- Sol LeWitt, Five Silkscreen Prints (1970) Art Institute of Chicago.
- "A Nonsite - Pine Barren's New Jersey' by Robert Smithson
- National Gallery of Art: "Glass Stratum", by Timothy McCormack, conceived 1967 & refabricated 2014.
- The Washington Post.com: "National Gallery of Art to get 250 works from Virginia Dwan Collection", by Katherine Boyle September 26, 2013.
- The New York Times.com: "Virginia Dwan's Big Gift to the National Gallery", by Carol Vogel, 26 September 2013.
- NGA.gov Virginia Dwan Collection
- National Gallery of Art: "Los Angeles to New York: Dwan Gallery, 1959–1971" — exhibit at National Gallery (2016−2017) + LACMA (2017) .
- Dawson, Jessica (2007). "Virginia Dwan Los Angeles". Archives of American Art Journal 46 (3/4).
- National Gallery of Art: Virginia Dwan Collection
- Smithsonian Institution, Archives of American Art: Dwan Gallery (Los Angeles, California + New York, New York) Archives — homepage for collection's digitized records.
- Smithsonian Institution: Oral history interview with Virginia Dwan (1984)
- Leftmatrix.com: Dwan Gallery
- Dwan Gallery publications and ephemera, 1960-1971, finding aid, Getty Research Institute.