|Preceded by||Jaratkaru (previous Vyasa)|
|Succeeded by||Ashwatthama (next Vyasa)|
Shuka (son; from Vatikā)
|Honours||Festival of Guru Purnima, also known as the Vyasa Purnima, is dedicated to him|
Krishna Dvaipayana (Sanskrit: कृष्णद्वैपायन, romanized: Kṛṣṇa-dvaipāyana), better known as Vyasa (//; Sanskrit: व्यासः, romanized: Vyāsaḥ, lit. 'compiler') or Vedavyasa (वेदव्यासः, Veda-vyāsaḥ, "the one who classified the Vedas"), is a revered sage or Rishi portrayed in most Hindu traditions. He is traditionally regarded as the author of the epic Mahābhārata.
Vyasa is also regarded by many Hindus as a partial incarnation (Sanskrit: अंशावतार, romanized: aṃśa-avatāra / aṃśāvatāra) of the god Vishnu and the compiler of the mantras of the Vedas into four Vedas, as well as the author of the eighteen Puranas and the Brahma Sutras. He is one of the eight immortals Chiranjīvis, implying he is still alive in the current Kali yuga.
Vyasa's birth name is Krishna Dvaipayana, which possibly refers to his dark complexion and birthplace, although he is more commonly known as "Veda Vyasa" (Veda Vyāsa) as he has compiled the single, eternal Veda into four separate books—Rigveda, Samaveda, Yajurveda and Atharvaveda.
The word "Vyasa" (Vyāsa) refers to "compiler", or, "arranger", and also means "separation", or, "division." Other meanings are "split", "differentiate", or, "describe." It is also a title, given to "a holy sage or a pious learned man," and applied to "persons distinguished for their writings."
Swami Vivekananda expresses the opinion that Vyasa may not have been a single person but a lineage of sages who were content to simply develop the ideas without claiming credit, as they were free from desire for the results of their work, and hence attributed the authorship to Vyasa. He says that Vyasa being only a title, anyone who composed a new Purana was known by the name Vyasa.
Hindus traditionally hold that Vyasa subcategorized the primordial single Veda to produce four parts as a canonical collection. Hence he was called Veda Vyasa, or "Splitter of the Vedas", the splitting being a feat that allowed people to understand the divine knowledge of the Veda.
The Vishnu Purana elaborates on the role of Vyasa in Hindu chronology. The Hindu view of the universe is that of a cyclic phenomenon that comes into existence and dissolves repeatedly. Each kalpa cycle is presided over by a number of Manus, one for each manvantara, and each manvantara has a number of Yuga Cycles, each with four yuga ages of declining virtues. The Dvapara Yuga is the third yuga. The Vishnu Purana (Book 3, Ch 3) says:
In every third world age (Dvapara), Vishnu, in the person of Vyasa, in order to promote the good of mankind, divides the Veda, which is properly but one, into many portions. Observing the limited perseverance, energy and application of mortals, he makes the Veda fourfold, to adapt it to their capacities; and the bodily form which he assumes, in order to effect that classification, is known by the name of Veda-Vyasa. Of the different Vyasas in the present Manvantara and the branches which they have taught, you shall have an account. Twenty-eight times have the Vedas been arranged by the great Rishis in the Vaivasvata Manvantara [...] and consequently, eight and twenty Vyasa's have passed away; by whom, in the respective periods, the Veda has been divided into four. The first... distribution was made by Svayambhu (Brahma) himself; in the second, the arranger of the Veda (Vyasa) was Prajapati [...] (and so on up to twenty-eight).
Vyasa is traditionally regarded as the chronicler of this epic and also features as an important character in Mahābhārata. The first section of the Mahābhārata states that it was Ganesha who wrote down the text to Vyasa's dictation,[a] but this is regarded by scholars as a later interpolation to the epic and this part of the story is also excluded in the "Critical Edition" of the Mahabharata.
The five Pandava brothers of the junior line of the Kuru royal house being the ultimate victors, thus India's cultural heroes, Vyasa's relationship with the winners in this kinship war of cousin against cousin is as chronicler who sired the father of the victors. These five protagonists are the surrogate sons of Pandu, sired by various gods on behalf of this Kuru king whom Vyasa himself fathered 'under Niyoga practice' in place of an elder brother who died heirless, at the behest of his mother Satyavati. Vyasa also sired the father of the vanquished, he was certainly the surgeon who put the hundred brothers of antagonist cousins into incubation, and as they are only said to be sired by a boon he conferred on their mother, there's some possibility that he is also their biological sire himself. Hence Vyasa's authorship of the Mahabharata is by way of biography of his own family including its adoptees. This was the struggle between his own ex officio grandsons. And it is in the wake of producing this purportedly historical, smiriti Mahabharata as well as 'compiling' the essential sruti scripture of the Vedas that 'Vyasa' was added as epithet then eclipsed his two birth names, Krishna and Dvaipayana, while his smiriti creation became a canon whose territorial name, drawing on either one or two lengendary ruler's personal names, included in the saga's text, still underlies modern Sanskrit-to-Hindi official form, Bhārat Gaṇarājya, in the names for India through its current constitution.
Vyasa's Jaya (literally, "victory"), the core of the Mahabharata, is a dialogue between Dhritarashtra (the Kuru king and the father of the Kauravas, who opposed the Pāndavas in the Kurukshetra War) and Sanjaya, his adviser and charioteer. Sanjaya narrates the particulars of the Kurukshetra War, fought in eighteen days, chronologically. Dhritarashtra at times asks questions and expresses doubts, sometimes lamenting, fearing the destruction the war would bring on his family, friends and kin.
The Bhagavad Gita, Sanskrit, The Song of God, is contained in the Bhishma Parva which is chapters 23–40 of book 6 of the Mahabharata. The Gita, dated to the second half of the first millennium BCE, in its own right is one of the most influential philosophico-religious dialogues, producing numerous commentaries and a global audience. Like the "Jaya", it is also a dialogue, in which Pandava Prince Arjuna's hesitation to attack his cousins is counseled from 'the perspective of the gods' by his charioteer, revealed to be an avatar of Krishna. In 1981, Larson stated that "a complete listing of Gita translations and a related secondary bibliography would be nearly endless". The Bhagavad Gita has been highly praised, not only by prominent Indians including Mahatma Gandhi and Sarvepalli Radhakrishnan, but also by Aldous Huxley, Henry David Thoreau, J. Robert Oppenheimer, Ralph Waldo Emerson, Carl Jung, Herman Hesse, and Bülent Ecevit.
In the Mahabharata, large and elaborate lists are given, describing hundreds of kingdoms, tribes, provinces, cities, towns, villages, rivers, mountains, forests, etc. of the (ancient) Indian subcontinent (Bhārata Varsha). Additionally, he gives descriptions of the military formations adopted by each side on each day, the death of individual heroes and the details of the war-races. Eighteen chapters of Vyasa's Jaya constitute the Bhagavad Gita, a sacred text in Hinduism. The Jaya deals with diverse subjects, such as geography, history, warfare, religion and morality.
The 100,000 verses of Vyasa's work Mahābhārata is told by Vaishampayana to Janamejaya. It is structured as a narration by Ugrasrava surnamed Sauti, a professional storyteller, to an assembly of rishis who, in the forest of Naimisha, had just attended the 12-year sacrifice known as Saunaka, surnamed Kulapati. At 100,000 verses, the Mahābhārata is the longest epic poem ever written.
In the Mahabharata
During her youth, Satyavati was a fisherwoman of Kaivartta clan who used to ferry people across the river, to help her father. One day, she helped Parashara to cross the river Yamuna. He was enchanted by her beauty and wanted an heir from her. Initially, Satyavati did not agree, saying that if others would see them, then her purity would be questioned. Parashara created a secret place in the bushes of a nearby island and a blanket of thick fog. She conceived and immediately gave birth to a son. Parashara named him Krishna Dvaipayana, referring to his dark complexion and birthplace. Dvaipayana became an adult and promised his mother that he would come to her when needed. Parashara restored Satyavati's virginity, gifted her an enchanting smell and left with his son. Satyavati kept this incident a secret, not telling even King Shantanu whom she was married to later.
Niyoga and birth of Vichitravirya's sons
Shantanu and Satyavati had two sons, named Chitrāngada and Vichitravirya. Both of them died early without leaving an heir, but Vichitravirya had two wives – Ambika and Ambalika. A widowed Satyavati initially asked her stepson, Bhishma, to marry both the queens, but he refused, citing his vow of celibacy. Satyavati revealed her secret past and requested him to bring her firstborn to impregnate the widows under a tradition called Niyoga. By this time, Vyasa had compiled the Vedas.
Sage Vyasa was unkempt because of months of meditation in the forest. Hence upon seeing him, Ambika who was rather scared shut her eyes, resulting in their child, Dhritarashtra, being born blind. The other queen, Ambalika, turned pale upon meeting Vyasa, which resulted in their child, Pandu, being born pale. Alarmed, Satyavati requested that Vyasa meet Ambika again and grant her another son. Ambika instead sent her maid to meet Vyasa. The duty-bound maid was calm and composed; she had a healthy child who was later named Vidura.
Connection with the Pandavas and Kauravas
When the children of Vichitravirya grew up, Bhishma got them married to different women. Dhritarashtra was married to Gandhari, princess of Gandhara. Pandu married Kunti and Madri. Pandu left the kingdom, leaving Dhritarashtra as the acting king. Gandhari, during her adolescence, received a boon to have a hundred children but her pregnancy was taking a long period of time. After two years of pregnancy, Gandhari aborted her developing fetus, giving birth to a hard mass that looked like an iron ball. Vyasa came to the kingdom and using his knowledge, he asked to divide the mass into one hundred and one pieces and put them into pots for incubation. After a year, 101 babies were born. Meanwhile, Pandu's wives, Kunti and Madri, had three and two sons respectively.
While everybody rejoiced at the news of the birth of the Pandavas and Kauravas, misery took place in the forest. Pandu, who was cursed, died because of his attempt to make love with Madri. Kunti and the Pandavas returned to Hastinapura. Vyasa, feeling sorrow for his mother's fate, asked her to leave the kingdom and come with him to live a peaceful life. Satyavati, along with her two daughters-in-law, went to the forest.
Vyasa had a son named Shuka, who was his spiritual successor and heir.[b] As per Skanda Purana, Vyasa married Vatikā, alias Pinjalā, who was the daughter of a sage named Jābāli. It is described that Vyasa's union with her produced his heir, who repeated everything that he heard, thus receiving the name Shuka (lit. Parrot). Other texts including the Devi Bhagavata Purana also narrate the birth of Shuka but with drastic differences. Vyasa was desiring an heir, when an apsara (celestial damsel) named Ghritachi flew in front of him in the form of a beautiful parrot, causing him sexual arousal. He discharges his semen, which falls on some sticks and a son develops. This time, he was named Shuka because of the role of the celestial parrot. Shuka appears occasionally in the story as a spiritual guide to the young Kuru princes.
Besides his heir, Vyasa had four other disciples—Paila, Jaimini, Vaishampayana and Sumantu. Each one of them was given the responsibility to spread one of the four Vedas. Paila was the made the incharge of Rigveda, Jaimini of the Samaveda, Vaishampayana of the Yajurveda and Sumantu of Atharvaveda.
Vyasa is believed to have lived on the banks of Ganga in modern-day Uttarakhand. The site was also the ritual home of the sage Vashishta, along with the Pandavas, the five brothers of the Mahabharata.
Vyasa is also mentioned in the Sankara Digvijaya. He confronts Adi Shankara, who has written a commentary on the Brahma-Sutras, in the form of an old Brahmana, and asks for an explanation of the first Sutra. This develops into a debate between Shankara and Vyasa which lasts for eight days. Recognizing the old Brahmana to be Vyasa, Shankara makes obeisance and sings a hymn in his praise. Thereupon, Vyasa inspects and approves Shankara's commentary on the Brahma-Sutras. Adi Shankara, who was supposed to die at the end of his sixteenth year, expresses his desire to leave his body in the presence of Vyasa. Vyasa dissuades him and blesses him so that he may live for another sixteen years to complete his work.
In Brahm Avtar, one of the compositions in Dasam Granth, Guru Gobind Singh mentions Rishi Vyas as an avatar of Brahma. He is considered the fifth incarnation of Brahma. Guru Gobind Singh wrote a brief account of Rishi Vyas's compositions about great kings—Manu, Prithu, Bharath, Jujat, Ben, Mandata, Dilip, Raghu Raj and Aj—and attributed to him the store of Vedic learning.
- It is believed that Vyasa asks Ganesha to assist him in writing the text. Ganesha imposes a precondition that he would do so only if Vyasa would narrate the story without a pause. Vyasa set a counter-condition that Ganesha understands the verses first before transcribing them. Thus Vyasa narrated the entire Mahābhārata.
- Later, Vyasa became the surrogate father of Kuru princes — Pandu and Dhritrashtra.
- Dalal 2019.
- Essays on the Mahābhārata, Arvind Sharma, Motilal Banarsidass Publisher, p. 205
- Mani, Vettam (1975). Puranic Encyclopaedia: A Comprehensive Dictionary With Special Reference to the Epic and Puranic Literature. Delhi: Motilal Banarsidass. pp. 885 (Vyāsa). ISBN 0-8426-0822-2.
- Sullivan, Bruce M. (1999). Seer of the Fifth Veda: Kr̥ṣṇa Dvaipāyana Vyāsa in the Mahābhārata. Motilal Banarsidass Publ. ISBN 978-81-208-1676-3.
- Sanskrit Dictionary for Spoken Sanskrit, Vyasa
- Gopal, Madan (1990). K.S. Gautam (ed.). India through the ages. Publication Division, Ministry of Information and Broadcasting, Government of India. p. 158.
- Gopal, Madan (1990). K.S. Gautam (ed.). India through the ages. Publication Division, Ministry of Information and Broadcasting, Government of India. p. 129.
- Vivekananda, Swami (2016). "The work before us". The complete works of Swami Vivekananda. Advaita Ashrama. ISBN 978-81-7505-392-2. OCLC 1126811997.
- Vivekananda, Swami (2016). "Thoughts on Gita". The complete works of Swami Vivekananda. Advaita Ashrama. ISBN 978-81-7505-392-2. OCLC 1126811997.
- Encyclopaedic Dictionary of Puranas, Volume 1 (2001), page 1408
- "Vishnu Purana". Retrieved 15 March 2014.
- Vishnu Purana -Drauni or Asvathama as Next Vyasa Retrieved 2015-03-22
- Mahābhārata, Vol. 1, Part 2. Critical edition, p. 884.
- Barti, Kalra; et al. (2016). "The Mahabharata and reproductive endocrinology". Indian Journal of Endocrinology and Metabolism. 20 (3): 404–407. doi:10.4103/2230-8210.180004. PMC 4855973. PMID 27186562.
- Bhattacharya, Pradip (May–June 2004). "Of Kunti and Satyawati: Sexually Assertive Women of the Mahabharata" (PDF). Manushi (142): 21–25.
- Clémentin-Ojha, Catherine (2014). "'India, that is Bharat…': One Country, Two Names". South Asia Multidisciplinary Academic Journal. 10.
- –The Essential Desk Reference, Oxford University Press, 2002, p. 76, ISBN 978-0-19-512873-4 "Official name: Republic of India.";
–John Da Graça (2017), Heads of State and Government, London: Macmillan, p. 421, ISBN 978-1-349-65771-1 "Official name: Republic of India; Bharat Ganarajya (Hindi)";
–Graham Rhind (2017), Global Sourcebook of Address Data Management: A Guide to Address Formats and Data in 194 Countries, Taylor & Francis, p. 302, ISBN 978-1-351-93326-1 "Official name: Republic of India; Bharat.";
–Bradnock, Robert W. (2015), The Routledge Atlas of South Asian Affairs, Routledge, p. 108, ISBN 978-1-317-40511-5 "Official name: English: Republic of India; Hindi:Bharat Ganarajya";
–Penguin Compact Atlas of the World, Penguin, 2012, p. 140, ISBN 978-0-7566-9859-1 "Official name: Republic of India";
–Merriam-Webster's Geographical Dictionary (3rd ed.), Merriam-Webster, 1997, pp. 515–516, ISBN 978-0-87779-546-9 "Officially, Republic of India";
–Complete Atlas of the World, 3rd Edition: The Definitive View of the Earth, DK Publishing, 2016, p. 54, ISBN 978-1-4654-5528-4 "Official name: Republic of India";
–Worldwide Government Directory with Intergovernmental Organizations 2013, CQ Press, 10 May 2013, p. 726, ISBN 978-1-4522-9937-2 "India (Republic of India; Bharat Ganarajya)"
- "Mahabharata". World History Encyclopedia. Retrieved 1 April 2022.
- "Bhagavadgita | Definition, Contents, & Significance | Britannica". www.britannica.com. Retrieved 27 December 2022.
- Gerald James Larson (1981), "The Song Celestial: Two centuries of the Bhagavad Gita in English", Philosophy East and West, University of Hawai'i Press, 31 (4): 513–40, doi:10.2307/1398797, JSTOR 1398797
- Modern Indian Interpreters of the Bhagavad Gita, by Robert Neil Minor, 1986, p. 161
- Hijiya 2000. sfn error: no target: CITEREFHijiya2000 (help)
- Pandit 2005, p. 27 harvnb error: no target: CITEREFPandit2005 (help)
- Hume 1959, p. 29 harvnb error: no target: CITEREFHume1959 (help)
- "The Telegraph – Calcutta: Opinion". The Telegraph. Kolkota. Archived from the original on 23 November 2002.
- Radhakrishna, Sarvepalli (1960). Brahma Sutra, The Philosophy of Spiritual Life. p. 22 with footnote 3 and 4.
- The Yoga Sutras of Patanjali. Edwin F. Bryant 2009 page xl
- Sen, Kshitimohan (1997). Jatived (in Bengali). Shantiniketan: Visva-Bharati University. pp. 46, 49.
- Monier-Williams, Sir Monier (1875). Indian Wisdom, Or, Examples of the Religious, Philosophical, and Ethical Doctrines of the Hindūs: With a Brief History of the Chief Departments of Sanskṛit Literature, and Some Account of the Past and Present Condition of India, Moral and Intellectual. Wm. H. Allen & Company.
- Dalal, Roshen (18 April 2014). Hinduism: An Alphabetical Guide. Penguin UK. ISBN 9788184752779.
- Bhawalkar, Vanamala (2002). Eminent women in the Mahābhārata. Sharada. ISBN 9788185616803.
- Pattanaik 2000.
- Skanda Purāṇa, Nāgara Khanda, ch. 147
- Shastri, J. L.; Tagare, Ganesh Vasudeo (1 January 2004). Ancient Indian Tradition and Mythology Volume 7: The Bhagavata-Purana Part 1. Motilal Banarsidass. ISBN 978-81-208-3874-1.
- Strauss, Sarah (2002). "The Master's Narrative: Swami Sivananda and the Transnational Production of Yoga". Journal of Folklore Research. Indiana University Press. 23 (2/3): 221. JSTOR 3814692.
- Vidyaranya, Madhava (2005). Sankara Digvijaya The Traditional life of Sri Sankaracharya. Sri Ramakrishna Math Chennai. p. 70. ISBN 8178233428.
- Awakening Indians to India. Chinmaya Mission. 2008. p. 167. ISBN 978-81-7597-434-0.[permanent dead link]
- What Is Hinduism?: Modern Adventures Into a Profound Global Faith. Himalayan Academy Publications. 2007. p. 230. ISBN 978-1-934145-00-5.
- Dasam Granth, Dr. SS Kapoor
- Line 8, Brahma Avtar, Dasam Granth
- Line 107, Vyas Avtar, Dasam Granth
- Dalal, Roshen (6 January 2019). The 108 Upanishads: An Introduction. Penguin Random House India Private Limited. ISBN 978-93-5305-377-2.
- Maas, Philipp A. (2006), Samādhipāda. Das erste Kapitel des Pātañjalayogaśāstra zum ersten Mal kritisch ediert. (Samādhipāda. The First Chapter of the Pātañjalayogaśās-tra for the First Time Critically Edited)., Aachen: Shaker
- Pattanaik, Devdutt (1 September 2000). The Goddess in India: The Five Faces of the Eternal Feminine. Simon and Schuster. ISBN 978-1-59477-537-6.
- The Mahabharata of Krishna-Dwaipayana Vyasa, translated by Kisari Mohan Ganguli, published between 1883 and 1896
- The Arthashastra, translated by Shamasastry, 1915
- The Vishnu-Purana, translated by H. H. Wilson, 1840
- The Bhagavata-Purana, translated by A. C. Bhaktivedanta Swami Prabhupada, 1988 copyright Bhaktivedanta Book Trust
- The Jataka or Stories of the Buddha's Former Births, edited by E. B. Cowell, 1895