|Location||25 Atheneum Sq., Hartford, Connecticut|
|Built||1842 – July 31, 1844|
|Architect||Alexander Jackson Davis and Ithiel Town|
|Architectural style||Gothic Revival|
|Governing body||Wadsworth Atheneum|
|NRHP Reference #||70000709|
|Added to NRHP||October 6, 1970|
|Location||600 Main Street, Hartford, Connecticut|
|Director||Susan Lubowsky Talbott|
The Wadsworth Atheneum is an art museum located in Hartford, Connecticut. The Wadsworth is noted for its collections of European Baroque art, French and American Impressionist paintings, Hudson River School landscapes, modernist masterpieces and contemporary works, as well as collections of early American furniture and decorative arts.
The museum is located at 600 Main Street in a distinctive castle-like building in downtown Hartford, Connecticut, the state's capital. With 196,000 square feet (18,200 m2), the museum is the largest art museum in the state of Connecticut. It was listed on the National Register of Historic Places in 1970.
The museum is a member of the North American Reciprocal Museums program.
The Wadsworth, as it is most commonly known, was constructed on the site of the family home of Daniel Wadsworth in the heart of downtown Hartford. Its architects were Alexander Jackson Davis and Ithiel Town, who designed the "castle" that is the Atheneum's oldest building. Construction began in 1842 after the museum was incorporated on June 1 of that year. The museum opened on July 31, 1844 and has operated continuously since then.
The Wadsworth family, being one of the oldest and most affluent in the city, contributed numerous valuable pieces of art to be displayed at the time the museum opened. The first collection consisted of 78 paintings, two marble busts, one portrait miniature, and one bronze sculpture. In addition to the fine arts collection, the original building housed the forerunners of the Hartford Public Library and Connecticut Historical Society, giving rise to the name "Atheneum," an institution broadly devoted to culture and learning. In light of that public role, the Wadsworth has, since its founding, played host to a wide variety of cultural and community activities, including dramatic and dance performances, exhibits of historical artifacts, social functions, and benefits.
Building on the Wadsworth family's largess, generations of more recent donors have added to the museum's collections and resources. Foremost among them are Elizabeth Jarvis Colt, widow of firearms magnate Samuel Colt, and financier and Hartford native John Pierpont Morgan. They each contributed more than 1,000 objects to the museum's collections, the former a significant group of Hudson River School landscapes and the Colt firearms collection, the latter an assemblage of priceless Renaissance decorative arts and Colonial-era furniture. In 1927, the museum received a million-dollar bequest (about $20 million today in inflation-adjusted terms) from banker Frank Sumner, establishing a sizable acquisitions endowment. In the hands of forward-thinking museum directors, particularly A. Everett 'Chick' Austin and Charles Cunningham, the fund has enabled the purchase of major works by masters including Caravaggio, Dalí, Gauguin, Miró, Strozzi, Tintoretto, Van Dyck, and Zurbarán.
In the 1940s and 1950s, bequests by Clara Hinton Gould and Anne Parrish Titzell enriched the museum's holdings of Hudson River School and Impressionist paintings, with celebrated pieces by Church, Cole, Gifford, Monet, and Renoir entering the collection. The post-war and contemporary division has benefited from the generosity of Tony Smith and Susan Morse Hilles, whose gifts include groundbreaking works by Josef Albers, Jackson Pollock, Barnett Newman, Robert Rauschenberg, and Mark Rothko. With funds given by the Archibald, Goodwin, Keney, and Smith families, and by Alexander Goldfarb and Charles Schwartz, the museum has acquired valuable pieces by Alexander Calder, Artemisia Gentileschi, Cindy Sherman, Bill Viola, and Kara Walker.
In 2001, the museum announced a large-scale $100 million expansion designed by the Amsterdam-based architects UNStudio; the architects were chosen from a short list of innovative design teams, including Zaha Hadid, Thom Mayne, and Brad Cloepfil. The design required demolishing the Goodwin Building, put up in 1969, and enclosing the Avery Courtyard. However, the proposal was scrapped in 2003 due to fundraising difficulties and changes in the museum's leadership. A later plan to expand into the former Hartford Times building was also abandoned due to cost concerns. In March 2010, the museum announced the start of a comprehensive renovation project across all five of the museum’s buildings, which at completion resulted in the addition of 16,000 square feet (1,500 m2) of refurbished gallery space and the complete reinstallation of the museum’s permanent collections of European art, European decorative arts, and contemporary art. The $33 million renovation, designed by the Hartford-based architecture firm Smith Edwards McCoy, was completed in 2015, garnering praise from local and national art critics.
Structure and contents
The structure itself consists of the original, castle-like building, plus four wings that have been added during the intervening years, in styles ranging from Tudor Revival and Renaissance Revival to International. The museum is home to approximately 50,000 objects, including ancient Roman, Greek, and Egyptian bronzes; paintings from the Renaissance, Baroque, and French and American Impressionist eras, among others; 18th-century French porcelains (including Meissen and Sèvres); Hudson River School landscapes; early American clothing and decorations; early African-American art and historical artifacts; and more. The collections span more than 5,000 years of world history.
Just outside the "castle" is a statue of Nathan Hale, dated 1899, by Enoch S. Woods. A short distance away, within the Connecticut State Capitol is another, better-known sculpture of Hale by Bela Pratt, a copy of his original at Yale University.
The Atheneum also owns the A. Everett Austin House, which is open to the public as a museum.
Since its beginning, the Wadsworth has had a long tradition of "firsts".
In 1933, the Wadsworth sponsored George Balanchine's immigration to the United States from the Soviet Union. Shortly after his immigration, Balanchine founded the School of American Ballet, which led to the formation of the New York City Ballet. He then chose to have the Producing Company of the School of American Ballet's first performances at the Avery Memorial Theatre of Wadsworth in December 1934, including his first ballet choreographed in America, Serenade. This is arguably the most important "first" in Wadsworth history.
The museum was the first in America to acquire pieces by Salvador Dalí, Balthus, Frederic Church, Michelangelo Merisi da Caravaggio, Piet Mondrian, and many other famous artists. Under the directorship of A. Everett 'Chick' Austin, the first American exhibition of surrealism was shown at the Wadsworth in 1931, and the first major U.S. Picasso retrospective was held in 1934. Also in 1934, the world premiere of the opera Four Saints in Three Acts by Gertrude Stein and Virgil Thomson was held at the Atheneum.
Orazio Gentileschi - Judith and Her Maidservant with the Head of Holofernes
St. Francis in Ecstasy by Caravaggio, c. 1595, oil on canvas, 92,5 x 128,4 cm, Wadsworth Atheneum, Hartford, Connecticut
Giovanni Paolo Pannini, Interior of a Picture Gallery with the Collection of Cardinal Silvio Valenti Gonzaga, 1740
Hooker and Company Journeying through the Wilderness from Plymouth to Hartford, in 1636, Frederic Edwin Church, 1846
- Staff (2010-07-09). "National Register Information System". National Register of Historic Places. National Park Service.
- Darbee, Herbert C. (August 25, 1969). "Wadsworth Atheneum" (PDF). National Register of Historic Places - Nomination and Inventory. National Park Service. Retrieved 25 May 2012.
- "Wadsworth Atheneum" (PDF). Photographs. National Park Service. Retrieved 25 May 2012.
- Press release
- The Redwood Library and Athenaeum in Newport, Rhode Island was founded in 1747, and opened a private museum in 1750. Charles Willson Peale opened a public museum on the second floor of Independence Hall in Philadelphia, Pennsylvania in 1786, and charged admission. The Pennsylvania Academy of the Fine Arts in Philadelphia, organized in 1805, opened its public museum in 1806, and charged admission of 25 cents. The Peale Museum in Baltimore, Maryland opened its doors to the public in 1814.
- "Wadsworth Atheneum scrapbooks, 1899-1963". Archives of American Art. Retrieved 31 Oct 2011.
- Julia Halperin (January 25, 2015), Wadsworth Atheneum restores spaces it very nearly lost The Art Newspaper.
- Julie V. Iovine (February 17, 2001), Hartford Museum Chooses a Novel Architect New York Times.
- Noted Hartford Museum Unveils Its New Design New York Times, June 22, 2002.
- "The Wadsworth Atheneum - RENEW".
- Sebastian Smee (September 19, 2015), "European Marvels Await in Hartford at Refurbished Atheneum", The Boston Globe.
- Steichen, James (Spring 2012). "The Stories of Serenade: Nonprofit History and George Balanchine's "First Ballet in America"". Princeton University: Center for Arts and Cultural Policy Studies.
- Perl, Jed. (2012-08-24) Jed Perl: The Barnes Foundation's Disastrous New Home | New Republic. Tnr.com. Retrieved on 2013-08-02.
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