Wait Until Dark
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|Wait Until Dark|
|Written by||Frederick Knott|
|Date premiered||February 2, 1966|
|Place premiered||Ethel Barrymore Theatre, New York City|
|Setting||A basement apartment in Greenwich Village.|
Susy Hendrix is a blind Greenwich Village housewife who becomes the target of three con-men searching for the heroin hidden in a doll, which her husband Sam unwittingly transported from Canada as a favor to a woman who has since been murdered. "Roat" leads his companions into thinking that they are going to be rich and will get the heroin soon enough, but in the end he murders all of his partners after they outlive their usefulness.
The trio try to convince Susy that her husband will be suspected of murdering the woman, and the only way to protect him is to give them the doll, which connects him to her. Little do the men know that Gloria, a little girl in the upstairs apartment, has stolen the doll after finding out it was not a gift for her.
One of the men poses as Sergeant Carlino, a strange police detective, while another poses as Mike, an old friend of her husband dropping by for a visit. Susy relies on "Mike", and he eventually begins to feel sympathy for her.
"Roat" poses as both the elderly Mr. Roat and his "son", Roat Junior. Roat Senior ransacks Susy's room and steals a wedding photo from the bedroom. He threatens Susy's and her husband's well being, so she calls the police. Her call is intercepted by "Mike", and Susy is visited by "Sergeant Carlino".
Gloria returns and admits her theft of the doll, and Susy hides it. Susy contacts "Mike" to ask for help now that the doll is found. Gloria has been watching the nearby phone booth used by the con-men, and she alerts Susy that all four of the men she has been dealing with are tricking her. Susy sends Gloria to meet her husband on his way home from work, and begins planning to handle the intruders.
Roat kills both of his partners after the men discover Susy has the doll in the apartment. He spills gas around the apartment to destroy any evidence.
Susy turns off all the lights so that "Roat" cannot see her. "Roat" uses matches to see until Susy douses him with the gasoline. He uses the refrigerator light to see, threatens Susy, and tries to kill her. She ultimately defeats "Roat".
Sam bursts in with the police and finds that Susy has already dealt with Roat. He sees that Mike is also dead. Gloria yells at the police when they appear too patronizing to Susy, and defends Susy's ability to take care of herself. After the police leave, Susy and Sam embrace.
After seven previews, the Broadway production, directed by Arthur Penn, opened on February 2, 1966, at the Ethel Barrymore Theatre. Within the next eleven months, it transferred to the Shubert, the George Abbott and the Music Box Theatres before it ended its run of 374 performances. The cast included Lee Remick, Robert Duvall and Mitchell Ryan. Remick was nominated for the Tony Award for Best Actress in a Play.
The London West End production, with Honor Blackman and Peter Sallis, was also successful, running for nearly two years, during which time Barbara Murray and Lana Morris took over from Blackman in the lead.
After 11 previews, a Broadway revival directed by Leonard Foglia opened on April 5, 1998, at the Brooks Atkinson Theatre, where it ran for 97 performances. The cast included Marisa Tomei, Quentin Tarantino and Stephen Lang.
On October 16, 2013, a revised version by Jeffrey Hatcher opened at the Geffen Playhouse in Los Angeles. The story was backdated to 1944, and Sam and Mike are supposedly Marine buddies who'd served together in Italy. Other changes: the doll now contains diamonds instead of heroin, the text was slightly tightened, and a few profanities were added.
Warner Bros.-Seven Arts purchased the film rights in 1966 soon after the play's Broadway premiere. The film, directed by Terence Young with a screenplay by Robert Carrington and Jane Howard-Carrington and a score by Henry Mancini, premiered on October 26, 1967. It starred Audrey Hepburn, Alan Arkin, Richard Crenna, Efrem Zimbalist Jr. and Jack Weston, and was produced by Hepburn's then-husband Mel Ferrer.
In an effort to duplicate the suspense on screen, movie theaters dimmed their lights to their legal limits, then turned off one by one until each light on-screen was shattered, resulting in the theater being plunged into complete darkness.
The film ranked tenth on Bravo's 100 Scariest Movie Moments for its climactic scene.