Reid in a publicity portrait from the Famous Players-Lasky Studio (1920)
April 15, 1891|
St. Louis, Missouri
|Died||January 18, 1923
Los Angeles, California
|Cause of death||Morphine addiction|
(m. 1913–1923; his death)
|Children||Wallace Reid, Jr.
(1917–1990) Betty Mummert (1919-????)
Reid was born William Wallace Halleck Reid in St. Louis, Missouri, into a show business family. His mother, Bertha Westbrook (1868–1939), was an actress and his father, James Halleck aka Hal Reid (1862–1920), worked successfully in a variety of theatrical jobs, mainly as playwright and actor, traveling the country. As a boy, Wallace Reid was performing on stage at an early age but acting was put on hold while he obtained an education at Freehold Military School in Freehold Township, New Jersey. Reid graduated from Perkiomen Seminary in Pennsburg, Pennsylvania, in 1909. A gifted all-around athlete, Reid participated in a number of sports while also following an interest in music, learning to play the piano, banjo, drums, and violin. As a teenager, he spent time in Wyoming where he learned to be an outdoorsman.
Reid was drawn to the burgeoning motion picture industry by his father, who would shift from the theatre to acting, writing, and directing films. In 1910, Reid appeared in his first film, The Phoenix, an adaptation of a Milton Nobles play filmed at Selig Polyscope Studios in Chicago. Reid used the script from a play his father had written and approached the very successful Vitagraph Studios, hoping to be given the opportunity to direct. Instead, Vitagraph executives capitalized on his sex appeal and, in addition to having him direct, cast him in a major role. Although Reid's good looks and powerful physique made him the perfect "matinée idol", he was equally happy with roles behind the scenes and often worked as a writer, cameraman, and director.
Wallace Reid appeared in several films with his father and, as his career in film flourished, he was soon acting and directing with and for early film mogul Allan Dwan. In 1913, while at Universal Pictures, Reid met and married actress Dorothy Davenport (1895–1977). He was featured in Birth of a Nation (1915) and Intolerance (1916), both directed by D.W. Griffith, and starred opposite leading ladies such as Florence Turner, Gloria Swanson, Lillian Gish, Elsie Ferguson, and Geraldine Farrar en route to becoming one of Hollywood's major heartthrobs.
Already involved with the creation of more than 100 motion picture shorts, Reid was signed by producer Jesse L. Lasky and would star in another sixty plus films for Lasky's Famous Players film company, later Paramount Pictures. Frequently paired with actress Ann Little, his action hero role as the dashing race car driver drew young girls and older women alike to theaters to see his daredevil auto thrillers such as The Roaring Road (1919), Double Speed (1920), Excuse My Dust (1920), and Too Much Speed (1921). One of his auto racing films, Across the Continent (1922), was chosen as the opening night film for San Francisco's Castro Theatre, which opened 22 June 1922.
While en route to a location in Oregon during filming of The Valley of the Giants (1919), Reid was injured in a train wreck near Arcata, California and needed six stitches to close a three inch scalp wound. In order to keep on filming, he was prescribed morphine for relief of his pain. Reid soon became addicted but kept on working at a frantic pace in films that were growing more physically demanding and changing from 15–20 minutes in duration to as much as an hour. Reid's morphine addiction worsened at a time when drug rehabilitation programs were non-existent, and he died in a sanitarium while attempting recovery.
His widow, Dorothy Davenport (billed as Mrs. Wallace Reid), co-produced and appeared in Human Wreckage (1923), making a national tour with the film to publicize the dangers of drug addiction. She and Reid had two children: a son, Wallace Reid, Jr., born in 1917; and a daughter, Betty Mummert, whom they adopted in 1922 at age three. Reid's widow never remarried.
Wallace Reid's contribution to the motion-picture industry has been recognized with a star on the Hollywood Walk of Fame.
In 2011, his official biography, Wally: The True Wallace Reid Story by David W. Menefee (Foreword by Robert Osborne), was sanctioned by Reid's surviving relatives and published by BearManor Media. The biography was submitted for a 2011 Pulitzer Prize.
- The Deer Slayer (1911)
- Indian Romeo and Juliet (1912)
- Jean Intervenes (1912)
- His Only Son (1912)
- The Ways of Fate (1913)
- The Picture of Dorian Gray (1913)
- The Deerslayer (1913)
- The Chorus Lady (1915)
- Carmen (1915)
- Old Heidelberg (1915)
- Enoch Arden (1915)
- The Lost House (1915)
- The Birth of a Nation (1915)
- The Golden Chance (1915)
- To Have and to Hold (1916, Lost film)
- Maria Rosa (1916)
- Intolerance (1916)
- The Yellow Pawn (1916, Lost film)
- Joan the Woman (1917)
- The Prison Without Walls (1917)
- The World Apart (1917, Lost film)
- Big Timber (1917, Lost film)
- The Squaw Man's Son (1917, Lost film)
- The Hostage (1917, Lost film)
- The Woman God Forgot (1917)
- Nan of Music Mountain (1917, Lost film)
- The Devil-Stone (1917)
- Rimrock Jones (1918, Lost film)
- The Thing We Love (1918, Lost film)
- The House of Silence (1918, Lost film)
- Believe Me, Xantippe (1918, Lost film)
- The Firefly of France (1918, Lost film)
- Less Than Kin (1918, Lost film)
- The Source (1918, Lost film)
- The Man from Funeral Range (1918, Lost film)
- Too Many Millions (1918, Lost film)
- The Dub (1919, Lost film)
- Alias Mike Moran (1919, Lost film)
- The Roaring Road (1919)
- You're Fired (1919)
- The Love Burglar (1919, Lost film)
- The Valley of the Giants (1919)
- The Lottery Man (1919, Lost film)
- Hawthorne of the U.S.A. (1919)
- The Crucifix of Destiny (1920, Lost film)
- Double Speed (1920, Lost film)
- Excuse My Dust (1920)
- The Dancin' Fool (1920)
- Sick Abed (1920)
- What's Your Hurry? (1920)
- Always Audacious (1920, Lost film)
- The Charm School (1921, Lost film)
- The Love Special (1921)
- Too Much Speed (1921, Lost film)
- The Hell Diggers (1921, Lost film)
- The Affairs of Anatol (1921)
- Forever (1921, Lost film)
- Don't Tell Everything (1921, Lost film)
- Rent Free (1922, Lost film)
- The World's Champion (1922, Lost film)
- Across the Continent (1922, Lost film)
- The Dictator (1922, Lost film)
- Nice People (1922, Lost film)
- The Ghost Breaker (1922, Lost film)
- Clarence (1922, Lost film)
- Thirty Days (1922, Lost film)
- A Trip to Paramountown (1922, short subject)
- Across the Continent (1922, Lost film)
- Wallace Reid: The Life and Death of a Hollywood Idol by E. J. Fleming, c. 2007; McFarland Publishing
- Motion Picture Magazine
- "Reid Company in Wreck". Moving Picture World 39 (9): 1474. 1 March 1919. Retrieved 27 October 2015.
- Troping the body: gender, etiquette, and performance By Gwendolyn Audrey Foster. Southern Illinois University Press. p. 108
- (1918). "Favorite Picture Players" Picture-Play Magazine
- The First Male Stars: Men of the Silent Era by David W. Menefee. Albany: Bear Manor Media, 2007.
- Col. Selig’s Stories of Movie Life – Wallace Reid. Screenland. Chicago: Screenland Publishing Company, April 1923.
- The Autobiography of Cecil B. DeMille. By Cecil B. DeMille. New Jersey: Prentice-Hall, Inc., 1959.
- I Blow My Own Horn. By Jesse L. Lasky. New York: Doubleday & Company, Inc., 1957.
- Two Reels and a Crank. By Albert E. Smith. New York: Doubleday & Company, Inc., 1952.
- Griffith: The Birth of a Nation Part 1. By Seymour Stern. New York: Film Culture, 1965.
- Swanson on Swanson. By Gloria Swanson. New York: Random House, 1980.
- Wallace Reid Dies in Fight on Drugs. The New York Times, January 19, 1923.
- Wally, the Genial. By Maude S. Cheatham in Motion Picture Magazine. New York: Brewster Publications, Inc., October 1920.
|Wikimedia Commons has media related to Wallace Reid.|
- Wallace Reid at the Internet Movie Database
- Wallace Reid at Find a Grave
- Literature on Wallace Reid
- portrait of Reid's mother, Berthabelle Westbrook