|Born||1976 (age 43–44)|
|Education||University of Toronto|
Wanda Nanibush (born 1976) is an Anishinaabe curator, artist and educator based in Toronto, Ontario. She is the Curator of Indigenous Art at the Art Gallery of Ontario and the author of the book Violence No More: The Rise of Indigenous Women.
Nanibush is a member of the Beausoleil First Nation. She obtained an MA in visual arts from the University of Toronto. She has also served as Curator in Residence at the Justina M. Barnicke Gallery.
Nanibush has a long-standing relationship with Anishinaabe multimedia artist Rebecca Belmore and has curated a series of shows featuring her work including KWE: Photography, Sculpture, Video and Performance by Rebecca Belmore (2014) at the Justina M. Barnicke Gallery, and Rebecca Belmore: Facing the Monumental (2018) a retrospective of Belmore's 30 year career at the Art Gallery of Ontario.
Nanibush has been an active community organizer participating in demonstrations against the Iraq War and uranium processing, and raising awareness about the relationship between racism and lack of education. She has also worked as an organizer for Idle No More Toronto talks and teach-ins to help with education efforts.
Art Gallery of Ontario
Nanibush began work at the Art Gallery of Ontario in 2016 as an assistant curator of Canadian and Indigenous Art in the department of Canadian art. Her first curatorial project at the AGO was assisting with Toronto: Tributes + Tributaries, 1971–1989, for which she included Anishinaabemowin interpretive text alongside English and French as a way of marking Toronto as traditional Indigenous territory.
When the AGO restructured in 2017, renaming the department of Canadian Art to the department of Indigenous and Canadian Art, Nanibush was promoted to curator of Indigenous Art. As part of the role, Nanibush co heads the department with Georgiana Uhlyarik, the curator of Canadian Art. Together they have made a series of changes to the exhibition of Indigenous and Canadian art ranging from the renaming of an Emily Carr painting from The Indian Church to Church in Yuquot Village as a way of paying respect to the people the artist admired throughout her career and positioning Anishinaabe as the first available text on display in the J.S. McLean Center for Indigenous and Canadian Art, followed by English and French, as a way of recognizing Indigenous peoples as the first occupiers of what is now Canada.
Since becoming the curator of Indigenous Art, Nanibush's influence has led to Indigenous artists representing nearly one third of those featured at the AGO. In a 2018 profile about the changes underway at the Gallery and other institutions featuring Indigenous art, the New York Times noted Nanibush as "one of the most powerful voices for Indigenous culture in the North American art world."
- Rebecca Belmore: Facing the Monumental, organized and circulated by the Art Gallery of Ontario (2018), toured to the Remai Modern (2019) and the Musée d'art contemporain de Montréal (2019)
- Sovereign Acts II, Leonard & Bina Ellen Art Gallery at Concordia University (2017), toured to the University of Waterloo Art Gallery (2018)
- The Fifth World, Mendel Art Gallery (2015) and toured to the Kitchener-Waterloo Art Gallery (2016)
- KWE: Photography, Sculpture, Video and Performance by Rebecca Belmore, Justina M. Barnicke Gallery (2014)
- Whyte, Murray (22 July 2016). "Wanda Nanibush named AGO's first curator of indigenous art". Toronto Star. Retrieved 21 August 2018.
- McRae, Aiden (26 July 2016). "The AGO's 1st curator of Canadian and Indigenous art hopes to inspire renewed relationships". CBC. Retrieved 21 August 2018.
- "Wanda Nanibush". Ontario Association of Art Galleries. 30 October 2014. Retrieved 21 August 2018.
- Simpson, Leanne Betasamosake (11 July 2018). "I Am the Artist Amongst My People". Canadian Art. Retrieved 21 August 2018.
- Carter, Sue (13 August 2018). "AGO curator Wanda Nanibush on editing the art book, Rebecca Belmore: Facing the Monumental". Quill and Quire. Retrieved 21 August 2018.
- Donkin, Karissa (12 January 2013). "Idle No More activist inspired by late mother". Toronto Star. Retrieved 21 August 2018.
- Skwarna, Naomi (2017). "Who Gets Called an Artist?". University of Toronto Magazine (Winter). Retrieved 21 August 2018.
- Doherty, Brennan (3 October 2017). "AGO adds curators, renames Canadian art department to explicitly include Indigenous works". Toronto Star. Retrieved 21 August 2018.
- Loos, Ted (13 July 2018). "A Canadian Museum Promotes Indigenous Art. But Don't Call It 'Indian.'". Retrieved 21 August 2018.